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<TEI.2><text><body><div1 n="2" type="Book" org="uniform" sample="complete"><sp><p><milestone n="655a" unit="section" />and a cowardly soul by troubles identical and equal, are the postures and utterances that result in the two cases similar?</p></sp><sp><speaker>Clinias</speaker><p>How could they be, when even their complexions differ in color?</p></sp><sp><speaker>Athenian</speaker><p>Well said, my friend.  But in, fact, while postures and tunes do exist in music,<note resp="Loeb" anchored="yes" place="unspecified">“Music” comprises both dance and song (including instrumental accompaniment), whether executed by single performers or by groups (<foreign lang="greek">χορεία</foreign>).  The “postures” are those of the dancer, the “tunes” those of the singer.</note> which deals with rhythm and harmony, so that one can rightly speak of a tune or posture being “rhythmical” or “harmonious,” one cannot rightly apply the choir masters metaphor “well-colored” to tune and posture;  but one can use this language about the posture and tune of the brave man and the coward,
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