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<TEI.2><text lang="en"><body><div1 n="3" type="act" org="uniform" sample="complete"> 
<head>ACT III</head> 
<div2 n="1" type="scene" org="uniform" sample="complete"> 
<head>SCENE I</head>
<stage type="setting"> A room in the castle. </stage>
<lb n="1646" ed="F1" /><stage type="entrance">  Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, and <lb n="1647" ed="F1" />GUILDENSTERN. </stage>

<lb ed="G" /><sp who="king."><speaker>King.</speaker><lb n="1648" ed="F1" /><l>And can you, by no drift of circumstance,
<lb ed="G" /><lb n="1649" ed="F1" /></l><l>Get from him why he puts on this confusion,
<lb ed="G" /><lb n="1650" ed="F1" /></l><l>Grating so harshly all his days of quiet
<lb ed="G" /><lb n="1651" ed="F1" /></l><l>With turbulent and dangerous lunacy?

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1652" ed="F1" /><l>He does confess he feels himself distracted;
<lb ed="G" /><lb n="1653" ed="F1" /></l><l>But from what cause he will by no means  speak.

<lb ed="G" /></l></sp><sp who="guil."><speaker>Guil.</speaker><lb n="1654" ed="F1" /><l>Nor do we find him forward to be  sounded,
<lb ed="G" /><lb n="1655" ed="F1" /></l><l>But, with a crafty madness, keeps aloof,
<lb ed="G" /><lb n="1656" ed="F1" /></l><l>When we would bring him on to some confession
<lb ed="G" /><lb n="1657" ed="F1" /></l><l>Of his true state.

<lb n="10" ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="1658" ed="F1" /><l>Did he receive you well?   

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1659" ed="F1" /><l>Most like a gentleman.

<lb ed="G" /></l></sp><sp who="guil."><speaker>Guil.</speaker><lb n="1660" ed="F1" /><l>But with much forcing of his disposition.

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1661" ed="F1" /><l>Niggard of question; but, of our demands,
<lb ed="G" /><lb n="1662" ed="F1" /></l><l>Most free in his reply.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="1663" ed="F1" /><l>Did you assay him
<lb ed="G" /></l><l>To any pastime?

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1664" ed="F1" /><l>Madam, it so fell out, that certain players
<lb ed="G" /><lb n="1665" ed="F1" /></l><l>We o'er-raught on the way: of these we told him;
<lb ed="G" /><lb n="1666" ed="F1" /></l><l>And there did seem in him a kind of joy
<lb ed="G" /><lb n="1667" ed="F1" /></l><l>To hear of it: they are about the court,
<lb n="20" ed="G" /><lb n="1668" ed="F1" /></l><l>And, as I think, they have already order 
<lb ed="G" /><lb n="1669" ed="F1" /></l><l>This night to play before him.

<lb ed="G" /></l></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1670" ed="F1" /><l>'Tis most true:
<lb ed="G" /><lb n="1671" ed="F1" /></l><l>And he beseech'd me to entreat your majesties
<lb ed="G" /><lb n="1672" ed="F1" /></l><l>To hear and see the matter.

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="1673" ed="F1" /><l>With all my heart; and it doth much content me
<lb ed="G" /><lb n="1674" ed="F1" /></l><l>To hear him so inclined.
<lb ed="G" /></l><l>Good gentlemen, <lb n="1675" ed="F1" />give him a further edge,
<lb ed="G" /></l><l>And drive his purpose on <lb n="1676" ed="F1" />to these delights.

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1677" ed="F1" /><l>We shall, my lord.
<stage type="exit">Exeunt Rosencranlz and Guildenstern.</stage>

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="1678" ed="F1" /><l>Sweet Gertrude, leave us too;
<lb ed="G" /><lb n="1679" ed="F1" /></l><l>For we have closely sent for Hamlet hither,
<lb n="30" ed="G" /><lb n="1680" ed="F1" /></l><l>That he, as 'twere by accident, may here 
<lb ed="G" /><lb n="1681" ed="F1" /></l><l>Affront Ophelia:
<lb ed="G" /></l><l>Her father and myself, lawful espials,
<lb ed="G" /><lb n="1682" ed="F1" /></l><l>Will so bestow ourselves that, seeing, unseen,
<lb ed="G" /><lb n="1683" ed="F1" /></l><l>We may of their encounter frankly judge,
<lb ed="G" /><lb n="1684" ed="F1" /></l><l>And gather by him, as he is behaved,
<lb ed="G" /><lb n="1685" ed="F1" /></l><l>If't be the affliction of his love or no
<lb ed="G" /><lb n="1686" ed="F1" /></l><l>That thus he suffers for.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="1687" ed="F1" /><l>I shall obey you.
<lb ed="G" /><lb n="1688" ed="F1" /></l><l>And for your part, Ophelia, I do wish
<lb ed="G" /><lb n="1689" ed="F1" /></l><l>That your good beauties be the happy cause
<lb n="40" ed="G" /><lb n="1690" ed="F1" /></l><l>Of Hamlet's wildness: so shall I hope your virtues 
<lb ed="G" /><lb n="1691" ed="F1" /></l><l>Will bring him to his wonted way again,
<lb ed="G" /><lb n="1692" ed="F1" /></l><l>To both your honours.

<lb ed="G" /></l></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1693" ed="F1" /><l>Madam, I wish it may.  <stage type="exit">[Exit Queen.</stage>

<lb ed="G" /></l></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1694" ed="F1" /><l>Ophelia, walk you here.   Gracious, so please you,
<lb ed="G" /><lb n="1695" ed="F1" /></l><l>We will bestow ourselves. <stage>[To Ophelia]</stage> Read on this book;
<lb ed="G" /><lb n="1696" ed="F1" /></l><l>That show of such an exercise may color
<lb ed="G" /><lb n="1697" ed="F1" /></l><l>Your loneliness. We are oft to blame in this,—
<lb ed="G" /><lb n="1698" ed="F1" /></l><l>'Tis too much proved—that with devotion's visage
<lb ed="G" /><lb n="1699" ed="F1" /></l><l>And pious action we do sugar o'er
<lb ed="G" /><lb n="1700" ed="F1" /></l><l>The devil himself.

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><stage>[Aside]</stage> <lb n="1701" ed="F1" /><l>O, 'tis too true!
<lb n="50" ed="G" /><lb n="1702" ed="F1" /></l><l>How smart a lash that speech doth give my conscience! 
<lb ed="G" /><lb n="1703" ed="F1" /></l><l>The harlot's cheek, beautied with plastering art,
<lb ed="G" /><lb n="1704" ed="F1" /></l><l>Is not more ugly to the thing that helps it
<lb ed="G" /><lb n="1705" ed="F1" /></l><l>Than is my deed to my most painted word:
<lb ed="G" /><lb n="1706" ed="F1" /></l><l>O heavy burthen!

<lb ed="G" /></l></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1707" ed="F1" /><l>I hear him coming: let's withdraw, my lord.
<lb n="1708" ed="F1" /><stage type="exit">Exeunt King and Polonius. </stage>

<lb n="1709" ed="F1" /><stage type="entrance">                Enter HAMLET.</stage>

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1710" ed="F1" /><l>To be, or not to be: that is the question:
<lb ed="G" /><lb n="1711" ed="F1" /></l><l>Whether 'tis nobler in the mind to suffer
<lb ed="G" /><lb n="1712" ed="F1" /></l><l>The slings and arrows of outrageous fortune,
<lb ed="G" /><lb n="1713" ed="F1" /></l><l>Or to take arms against a sea of troubles,
<lb ed="G" /><lb n="1714" ed="F1" /></l><l>And by opposing end them? To die: to sleep;
<lb n="61" ed="G" /><lb n="1715" ed="F1" /></l><l>No more; and by a sleep to say we end   
<lb ed="G" /><lb n="1716" ed="F1" /></l><l>The heart-ache and the thousand natural shocks
<lb ed="G" /><lb n="1717" ed="F1" /></l><l>That flesh is heir to, 'tis a consummation
<lb ed="G" /><lb n="1718" ed="F1" /></l><l>Devoutly to be wish'd. To die, to sleep;
<lb ed="G" /><lb n="1719" ed="F1" /></l><l>To sleep: perchance to dream: ay, there's the rub;
<lb ed="G" /><lb n="1720" ed="F1" /></l><l>For in that sleep of death what dreams may come
<lb ed="G" /><lb n="1721" ed="F1" /></l><l>When we have shuffled off this mortal coil,
<lb ed="G" /><lb n="1722" ed="F1" /></l><l>Must give us pause: there's the respect
<lb ed="G" /><lb n="1723" ed="F1" /></l><l>That makes calamity of so long life;
<lb n="70" ed="G" /><lb n="1724" ed="F1" /></l><l>For who would bear the whips and scorns of time, 
<lb ed="G" /><lb n="1725" ed="F1" /></l><l>The oppressor's wrong, the proud man's contumely,
<lb ed="G" /><lb n="1726" ed="F1" /></l><l>The pangs of despised love, the law's delay,
<lb ed="G" /><lb n="1727" ed="F1" /></l><l>The insolence of office and the spurns
<lb ed="G" /><lb n="1728" ed="F1" /></l><l>That patient merit of the unworthy takes,
<lb ed="G" /><lb n="1729" ed="F1" /></l><l>When he himself might his quietus make
<lb ed="G" /><lb n="1730" ed="F1" /></l><l>With a bare bodkin? who would fardels bear,
<lb ed="G" /><lb n="1731" ed="F1" /></l><l>To grunt and sweat under a weary life,
<lb ed="G" /><lb n="1732" ed="F1" /></l><l>But that the dread of something after death,
<lb ed="G" /><lb n="1733" ed="F1" /></l><l>The undiscover'd country from whose bourn
<lb n="80" ed="G" /><lb n="1734" ed="F1" /></l><l>No traveller returns, puzzles the will   
<lb ed="G" /><lb n="1735" ed="F1" /></l><l>And makes us rather bear those ills we have
<lb ed="G" /><lb n="1736" ed="F1" /></l><l>Than fly to others that we know not of?
<lb ed="G" /><lb n="1737" ed="F1" /></l><l>Thus conscience does make cowards of us all;
<lb ed="G" /><lb n="1738" ed="F1" /></l><l>And thus the native hue of resolution
<lb ed="G" /><lb n="1739" ed="F1" /></l><l>Is sicklied o'er with the pale cast of thought,
<lb ed="G" /><lb n="1740" ed="F1" /></l><l>And enterprises of great pitch and moment
<lb ed="G" /><lb n="1741" ed="F1" /></l><l>With this regard their currents turn awry,
<lb ed="G" /><lb n="1742" ed="F1" /></l><l>And lose the name of action.—Soft you now!
<lb ed="G" /><lb n="1743" ed="F1" /></l><l>The fair Ophelia!   Nymph, in thy orisons
<lb ed="G" /><lb n="1744" ed="F1" /></l><l>—Be all my sins remembered.

<lb n="90" ed="G" /></l></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1745" ed="F1" /><l>Good my lord, 
<lb ed="G" /><lb n="1746" ed="F1" /></l><l>How does your honor for this many a day?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1747" ed="F1" /><l>I humbly thank you; well, well, well.

<lb ed="G" /></l></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1748" ed="F1" /><l>My lord, I have remembrances of yours,
<lb ed="G" /><lb n="1749" ed="F1" /></l><l>That I have longed long to re-deliver;
<lb ed="G" /><lb n="1750" ed="F1" /></l><l>I pray you, now receive them.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1751" ed="F1" /><l>No, not I;
<lb ed="G" /></l><l>I never gave you aught.

<lb ed="G" /></l></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1752" ed="F1" /><l>My honor'd lord, you know right well you did;
<lb ed="G" /><lb n="1753" ed="F1" /></l><l>And, with them, words of so sweet breath composed
<lb ed="G" /><lb n="1754" ed="F1" /></l><l>As made the things more rich: their perfume lost,
<lb n="100" ed="G" /><lb n="1755" ed="F1" /></l><l>Take these again; for to the noble mind 
<lb ed="G" /><lb n="1756" ed="F1" /></l><l>Rich gifts wax poor when givers prove unkind.
<lb ed="G" /><lb n="1757" ed="F1" /></l><l>There, my lord.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1758" ed="F1" /><p>Ha, ha! are you honest?

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1759" ed="F1" /><p>My lord?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1760" ed="F1" /><p>Are you fair?

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1761" ed="F1" /><p>What means your lordship?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1762" ed="F1" /><p>That if you be honest and fair, your
<lb ed="G" />honesty <lb n="1763" ed="F1" />should admit no discourse to your beauty. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1764" ed="F1" /><p>Could beauty, my lord, have better
<lb n="110" ed="G" />commerce <lb n="1765" ed="F1" />than with honesty?                

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1766" ed="F1" /><p>Ay, truly; for the power of beauty
<lb ed="G" />will sooner <lb n="1767" ed="F1" />transform honesty from what it is 
<lb ed="G" />to a bawd than the <lb n="1768" ed="F1" />force of honesty can translate
<lb ed="G" />beauty into his likeness: <lb n="1769" ed="F1" />this was sometime
<lb ed="G" />a paradox, but now the time gives it
<lb n="1770" ed="F1" /><lb ed="G" />proof. I did love you once. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1771" ed="F1" /><p>Indeed, my lord, you made me believe so. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1772" ed="F1" /><p>You should not have believed me;
<lb ed="G" />for virtue <lb n="1773" ed="F1" />cannot so inoculate our old stock 
<lb n="120" ed="G" />but we shall relish <lb n="1774" ed="F1" />of it: I loved you not.

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1775" ed="F1" /><p>I was the more deceived.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1776" ed="F1" /><p>Get thee to a nunnery: why wouldst
<lb ed="G" />thou <lb n="1777" ed="F1" />be a breeder of sinners?   I am myself indifferent
<lb ed="G" />honest; <lb n="1778" ed="F1" />but yet I could accuse me of
<lb ed="G" />such things that it were better <lb n="1779" ed="F1" />my mother had
<lb ed="G" />not borne me: I am very proud, revengeful,
<lb n="1780" ed="F1" /><lb ed="G" />ambitious, with more offences at my beck <lb n="1781" ed="F1" />than
<lb ed="G" />I have thoughts to put them in, imagination to 
<lb ed="G" />give <lb n="1782" ed="F1" />them shape, or time to act them in. What 
<lb n="130" ed="G" />should such <lb n="1783" ed="F1" />fellows as I do crawling between 
<lb ed="G" />earth and heaven? <lb n="1784" ed="F1" />We are arrant knaves, all; 
<lb ed="G" />believe none of us. Go thy <lb n="1785" ed="F1" />ways to a nunnery. 
<lb ed="G" />Where's your father? 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1786" ed="F1" /><p>At home, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1787" ed="F1" /><p>Let the doors be shut upon him, that
<lb ed="G" />he may <lb n="1788" ed="F1" />play the fool no where but in's own 
<lb ed="G" />house. Farewell. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1789" ed="F1" /><p>O, help him, you sweet heavens!

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1790" ed="F1" /><p>If thou dost marry, I'll give thee this
<lb n="140" ed="G" />plague <lb n="1791" ed="F1" />for thy dowry: be thou as chaste as 
<lb ed="G" />ice, as pure as snow, <lb n="1792" ed="F1" />thou shalt not escape
<lb ed="G" />calumny. Get thee to a nunnery, <lb n="1793" ed="F1" />go: farewell. 
<lb ed="G" />Or, if thou wilt needs marry, marry a fool;
<lb n="1794" ed="F1" /><lb ed="G" />for wise men know well enough what monsters 
<lb ed="G" />you <lb n="1795" ed="F1" />make of them. To a nunnery, go, and 
<lb ed="G" />quickly too. <lb n="1796" ed="F1" />Farewell. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1797" ed="F1" /><p>O heavenly powers, restore him!

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1798" ed="F1" /><p>I have heard of your paintings too,
<lb ed="G" />well enough; <lb n="1799" ed="F1" />God has given you one face, and
<lb n="150" ed="G" />you make yourselves another: <lb n="1800" ed="F1" />you jig, you 
<lb ed="G" />amble, and you lisp, and nick-name <lb n="1801" ed="F1" />God's 
<lb ed="G" />creatures, and make your wantonness your ignorance.
<lb n="1802" ed="F1" /><lb ed="G" />Go to, I'll no more on 't; it hath 
<lb ed="G" />made me mad. <lb n="1803" ed="F1" />I say, we will have no more 
<lb ed="G" />marriages: those that are <lb n="1804" ed="F1" />married already, all 
<lb ed="G" />but one, shall live; the rest shall keep <lb n="1805" ed="F1" />as they 
<lb ed="G" />are. To a nunnery, go.                    <stage type="exit">[Exit.</stage>

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1806" ed="F1" /><l>O, what a noble mind is here o'er- thrown!
<lb ed="G" /><lb n="1807" ed="F1" /></l><l>The courtier's, soldier's, scholar's, eye, tongue, sword;
<lb n="160" ed="G" /><lb n="1808" ed="F1" /></l><l>The expectancy and rose of the fair state,   
<lb ed="G" /><lb n="1809" ed="F1" /></l><l>The glass of fashion and the mould of form,
<lb ed="G" /><lb n="1810" ed="F1" /></l><l>The observed of all observers, quite, quite down!
<lb ed="G" /><lb n="1811" ed="F1" /></l><l>And I, of ladies most deject and wretched,
<lb ed="G" /><lb n="1812" ed="F1" /></l><l>That suck'd the honey of his music vows,
<lb ed="G" /><lb n="1813" ed="F1" /></l><l>Now see that noble and most sovereign reason,
<lb ed="G" /><lb n="1814" ed="F1" /></l><l>Like sweet bells jangled, out of tune and harsh;
<lb ed="G" /><lb n="1815" ed="F1" /></l><l>That unmatch'd form and feature of blown youth
<lb ed="G" /><lb n="1816" ed="F1" /></l><l>Blasted with ecstasy: O, woe is me,
<lb ed="G" /><lb n="1817" ed="F1" /></l><l>To have seen what I have seen, see what I see!
<lb n="1818" ed="F1" /><stage type="entrance">         Re-enter KING and POLONIUS.</stage>

<lb n="170" ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="1819" ed="F1" /><l>Love! his affections do not that way tend; 
<lb ed="G" /><lb n="1820" ed="F1" /></l><l>Nor what he spake, though it lack'd form a little,
<lb ed="G" /><lb n="1821" ed="F1" /></l><l>Was not like madness. There's something in his soul,
<lb ed="G" /><lb n="1822" ed="F1" /></l><l>O'er which his melancholy sits on brood;
<lb ed="G" /><lb n="1823" ed="F1" /></l><l>And I do doubt the hatch and the disclose
<lb ed="G" /><lb n="1824" ed="F1" /></l><l>Will be some danger: which for to prevent,
<lb ed="G" /><lb n="1825" ed="F1" /></l><l>I have in quick determination
<lb ed="G" /><lb n="1826" ed="F1" /></l><l>Thus set it down: he shall with speed to England,
<lb ed="G" /><lb n="1827" ed="F1" /></l><l>For the demand of our neglected tribute:
<lb ed="G" /><lb n="1828" ed="F1" /></l><l>Haply the seas and country different
<lb n="180" ed="G" /><lb n="1829" ed="F1" /></l><l>With variable objects shall expel           
<lb ed="G" /><lb n="1830" ed="F1" /></l><l>This something-settled matter in his heart,
<lb ed="G" /><lb n="1831" ed="F1" /></l><l>Whereon his brains still beating puts him thus
<lb ed="G" /><lb n="1832" ed="F1" /></l><l>From fashion of himself. What think you on't?

<lb ed="G" /></l></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1833" ed="F1" /><l>It shall do well: but yet do I believe
<lb ed="G" /><lb n="1834" ed="F1" /></l><l>The origin and commencement of his grief
<lb ed="G" /><lb n="1835" ed="F1" /></l><l>Sprung from neglected love. How now, Ophelia!
<lb ed="G" /><lb n="1836" ed="F1" /></l><l>You need not tell us what Lord Hamlet said;
<lb ed="G" /><lb n="1837" ed="F1" /></l><l>We heard it all. My lord, do as you please;
<lb ed="G" /><lb n="1838" ed="F1" /></l><l>But, if you hold it fit, after the play
<lb n="190" ed="G" /><lb n="1839" ed="F1" /></l><l>Let his queen mother all alone entreat him 
<lb ed="G" /><lb n="1840" ed="F1" /></l><l>To show his grief: let her be round with him;
<lb ed="G" /><lb n="1841" ed="F1" /></l><l>And I'll be placed, so please you, in the ear
<lb ed="G" /><lb n="1842" ed="F1" /></l><l>Of all their conference. If she find him not,
<lb ed="G" /><lb n="1843" ed="F1" /></l><l>To England send him, or confine him where
<lb ed="G" /><lb n="1844" ed="F1" /></l><l>Your wisdom best shall think.

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="1845" ed="F1" /><l>It shall be so:
<lb ed="G" /><lb n="1846" ed="F1" /></l><l>Madness in great ones must not unwatch'd go.
<lb n="1847" ed="F1" /><stage type="exit">[Exeunt.</stage></l></sp>
</div2> 


<div2 n="2" type="scene" org="uniform" sample="complete"> 
 <head>SCENE II</head>
<stage type="setting"> A hall in the castle. </stage>
<lb n="1848" ed="F1" /><stage type="entrance"> Enter HAMLET and Players.</stage>

<lb ed="G" /><sp who="ham."><speaker>Ham.</speaker><lb n="1849" ed="F1" /><p>Speak the speech, I pray you, as I
<lb ed="G" />pronounced <lb n="1850" ed="F1" />it to you, trippingly on the
<lb ed="G" />tongue:  but if you mouth it, <lb n="1851" ed="F1" />as many of your
<lb ed="G" />players do, I had as lief the town-crier <lb n="1852" ed="F1" />spoke
<lb ed="G" />my lines. Nor do not saw the air too much 
<lb ed="G" />with <lb n="1853" ed="F1" />your hand, thus, but use all gently; for 
<lb ed="G" />in the very torrent, <lb n="1854" ed="F1" />tempest, and, as I may say, 
<lb ed="G" />the whirlwind of <lb n="1855" ed="F1" />passion, you must acquire 
<lb ed="G" />and beget a temperance that <lb n="1856" ed="F1" />may give it 
<lb ed="G" />smoothness. O, it offends me to the soul <lb n="1857" ed="F1" />to 
<lb ed="G" />hear a robustious periwig-pated fellow tear a 
<lb ed="G" />passion <lb n="1858" ed="F1" />to tatters, to very rags, to split the ears 
<lb ed="G" />of the <lb n="1859" ed="F1" />groundlings, who for the most part are 
<lb ed="G" />capable of <lb n="1860" ed="F1" />nothing but inexplicable dumbshows
<lb ed="G" />and noise: I would <lb n="1861" ed="F1" />have such a fellow 
<lb ed="G" />whipped for o'erdoing Termagant; it <lb n="1862" ed="F1" />out-herods
<lb ed="G" />Herod:  pray you, avoid it. 

<lb ed="G" /></p></sp><sp who="first-play."><speaker>First Play.</speaker><lb n="1863" ed="F1" /><p>I warrant your honor.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1864" ed="F1" /><p>Be not too tame neither, but let your
<lb ed="G" />own <lb n="1865" ed="F1" />discretion be your tutor: suit the action
<lb ed="G" />to <lb n="1866" ed="F1" />the word, the word to the action; with this 
<lb ed="G" />special observance, <lb n="1867" ed="F1" />that you o'erstep not the 
<lb ed="G" />modesty of nature: for any <lb n="1868" ed="F1" />thing so overdone 
<lb ed="G" />is from the purpose of playing, whose <lb n="1869" ed="F1" />end, 
<lb ed="G" />both at the first and now, was and is, to hold 
<lb ed="G" />as 'twere, <lb n="1870" ed="F1" />the mirror up to nature; to show 
<lb ed="G" />virtue her own <lb n="1871" ed="F1" />feature, scorn her own image, 
<lb ed="G" />and the very age and <lb n="1872" ed="F1" />body of the time his form 
<lb ed="G" />and pressure.   Now this <lb n="1873" ed="F1" />overdone, or come
<lb ed="G" />tardy off, though it make the unskilful <lb n="1874" ed="F1" />laugh,
<lb ed="G" />cannot but make the judicious grieve; the <lb n="1875" ed="F1" />censure
<lb ed="G" />of the which one must in your allowance 
<lb ed="G" />o'erweigh <lb n="1876" ed="F1" />a whole theatre of others. O, there 
<lb ed="G" />be players <lb n="1877" ed="F1" />that I have seen play, and heard 
<lb ed="G" />others praise, and that <lb n="1878" ed="F1" />highly, not to speak it 
<lb ed="G" />profanely, that, neither having <lb n="1879" ed="F1" />the accent of 
<lb ed="G" />Christians nor the gait of Christian, pagan, <lb n="1880" ed="F1" />nor 
<lb ed="G" />man, have so strutted and bellowed that I have 
<lb n="1881" ed="F1" /><lb ed="G" />thought some of nature's journeymen had 
<lb ed="G" />made men <lb n="1882" ed="F1" />and made them well, they imitated
<lb ed="G" />humanity so <lb n="1883" ed="F1" />abominably. 

<lb ed="G" /></p></sp><sp who="first-play."><speaker>First Play.</speaker><lb n="1884" ed="F1" /><p>I hope we have reformed that
<lb n="41" ed="G" />indifferently with <lb n="1885" ed="F1" />us, sir.                      

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1886" ed="F1" /><p>O, reform it altogether.   And let
<lb ed="G" />those that <lb n="1887" ed="F1" />play your clowns speak no more 
<lb ed="G" />than is set down for <lb n="1888" ed="F1" />them; for there be of 
<lb ed="G" />them that will themselves laugh, <lb n="1889" ed="F1" />to set on some 
<lb ed="G" />quantity of barren spectators to laugh <lb n="1890" ed="F1" />too; 
<lb ed="G" />though, in the mean time, some necessary question 
<lb n="1891" ed="F1" /><lb ed="G" />of the play be then to be considered: 
<lb ed="G" />that's villanous, and <lb n="1892" ed="F1" />shows a most pitiful ambition
<lb ed="G" />in the fool that uses <lb n="1893" ed="F1" />it. Go, make you 
<lb ed="G" />ready.                           <stage type="exit">[Exeunt Players.</stage>
<lb n="1894" ed="F1" /><stage type="entrance">    Enter POLONIUS, ROSENCRANTZ, and GUILDENSTERN.</stage>

<lb ed="G" /><lb n="1895" ed="F1" /></p><p>How now, my lord! <lb n="1896" ed="F1" />will the king hear this
<lb ed="G" />piece of work? 

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1897" ed="F1" /><p>And the queen too, and that presently.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1898" ed="F1" /><p>Bid the players make haste. <stage type="exit">[Exit  Polonius.</stage> 
<lb n="1899" ed="F1" /><lb ed="G" />Will you two help to hasten them?

<lb ed="G" /></p></sp><sp who="ros.-and-guil."><speaker>Ros. and Guil.</speaker><lb n="1900" ed="F1" /><p>We will, my lord.
<stage type="exit">[Exeunt Rosencrantz and Guildenstern.</stage>
<lb n="1901" ed="F1" />
<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1902" ed="F1" /><p>What ho! Horatio!
<stage type="entrance">                Enter HORATIO.</stage>

<lb ed="G" /></p></sp><sp who="hor."><speaker>Hor.</speaker><lb n="1903" ed="F1" /><p>Here, sweet lord, at your service.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1904" ed="F1" /><l>Horatio, thou art e'en as just a man
<lb n="60" ed="G" /><lb n="1905" ed="F1" /></l><l>As e'er my conversation coped withal.       

<lb ed="G" /></l></sp><sp who="hor."><speaker>Hor.</speaker><lb n="1906" ed="F1" /><l>O, my dear lord,—

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1907" ed="F1" /><l>Nay, do not think I flatter;
<lb ed="G" /><lb n="1908" ed="F1" /></l><l>For what advancement may I hope from thee
<lb ed="G" /><lb n="1909" ed="F1" /></l><l>That no revenue hast but thy good spirits,
<lb ed="G" /><lb n="1910" ed="F1" /></l><l>To feed and clothe thee?   Why should the poor be flatter'd?
<lb ed="G" /><lb n="1911" ed="F1" /></l><l>No, let the candied tongue lick absurd pomp,
<lb ed="G" /><lb n="1912" ed="F1" /></l><l>And crook the pregnant hinges of the knee
<lb ed="G" /><lb n="1913" ed="F1" /></l><l>Where thrift may follow fawning. Dost thou hear?
<lb ed="G" /><lb n="1914" ed="F1" /></l><l>Since my dear soul was mistress of her choice
<lb ed="G" /><lb n="1915" ed="F1" /></l><l>And could of men distinguish, her election
<lb ed="G" /><lb n="1916" ed="F1" /></l><l>Hath seal'd thee for herself; for thou hast been
<lb n="71" ed="G" /><lb n="1917" ed="F1" /></l><l>As one, in suffering all, that suffers nothing, 
<lb ed="G" /><lb n="1918" ed="F1" /></l><l>A man that fortune's buffets and rewards
<lb ed="G" /><lb n="1919" ed="F1" /></l><l>Hast ta'en with equal thanks: and blest are those
<lb ed="G" /><lb n="1920" ed="F1" /></l><l>Whose blood and judgement are so well commingled,
<lb ed="G" /><lb n="1921" ed="F1" /></l><l>That they are not a pipe for fortune's finger
<lb ed="G" /><lb n="1922" ed="F1" /></l><l>To sound what stop she please. Give me that man
<lb ed="G" /><lb n="1923" ed="F1" /></l><l>That is not passion's slave, and I will wear him
<lb ed="G" /><lb n="1924" ed="F1" /></l><l>In my heart's core, ay, in my heart of heart,
<lb ed="G" /><lb n="1925" ed="F1" /></l><l>As I do thee.—Something too much of this.—
<lb n="80" ed="G" /><lb n="1926" ed="F1" /></l><l>There is a play to-night before the king;   
<lb ed="G" /><lb n="1927" ed="F1" /></l><l>One scene of it comes near the circumstance
<lb ed="G" /><lb n="1928" ed="F1" /></l><l>Which I have told thee of my father's death:
<lb ed="G" /><lb n="1929" ed="F1" /></l><l>I prithee, when thou seest that act afoot,
<lb ed="G" /><lb n="1930" ed="F1" /></l><l>Even with the very comment of thy soul
<lb ed="G" /><lb n="1931" ed="F1" /></l><l>Observe mine uncle: if his occulted guilt
<lb ed="G" /><lb n="1932" ed="F1" /></l><l>Do not itself unkennel in one speech,
<lb ed="G" /><lb n="1933" ed="F1" /></l><l>It is a damned ghost that we have seen,
<lb ed="G" /><lb n="1934" ed="F1" /></l><l>And my imaginations are as foul
<lb ed="G" /><lb n="1935" ed="F1" /></l><l>As Vulcan's stithy. Give him heedful note;
<lb n="90" ed="G" /><lb n="1936" ed="F1" /></l><l>For I mine eyes will rivet to his face,       
<lb ed="G" /><lb n="1937" ed="F1" /></l><l>And after we will both our judgements join
<lb ed="G" /><lb n="1938" ed="F1" /></l><l>In censure of his seeming.

<lb ed="G" /></l></sp><sp who="hor."><speaker>Hor.</speaker><lb n="1939" ed="F1" /><l>Well, my lord:
<lb ed="G" /><lb n="1940" ed="F1" /></l><l>If he steal aught the whilst this play is playing,
<lb ed="G" /><lb n="1941" ed="F1" /></l><l>And 'scape detecting, I will pay the theft.
<lb n="1942" ed="F1" /><lb n="1943" ed="F1" /><lb n="1944" ed="F1" /><lb n="1945" ed="F1" />
<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1946" ed="F1" /><l>They are coming to the play; I must be idle:
<lb ed="G" /><lb n="1947" ed="F1" /></l><l>Get you a place.

<stage>Danish march. A flourish.</stage>
<stage type="entrance"> Enter KING, QUEEN, POLONIUS, OPHELIA, ROSENCRANTZ, GUILDENSTERN, and others.</stage>

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="1948" ed="F1" /><p>How fares our cousin Hamlet?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1949" ed="F1" /><p>Excellent, i' faith; of the chameleon's
<lb ed="G" />dish: I eat <lb n="1950" ed="F1" />the air, promise-crammed: 
<lb n="100" ed="G" />you cannot feed capons so.                  

<lb ed="G" /></p></sp><sp who="king."><speaker>King.</speaker><lb n="1951" ed="F1" /><p>I have nothing with this answer,
<lb ed="G" />Hamlet; these <lb n="1952" ed="F1" />words are not mine.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1953" ed="F1" /><p>No, nor mine now.   <stage>[To Polonius]</stage>
<lb ed="G" />My lord, you played once <lb n="1954" ed="F1" />i' the university, you say? 

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1955" ed="F1" /><p>That did I, my lord; and was accounted
<lb ed="G" />a good <lb n="1956" ed="F1" />actor. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1957" ed="F1" /><p>What did you enact?

 <lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="1958" ed="F1" /><p>I did enact Julius Cæsar: I was killed
<lb n="110" ed="G" />i' the Capitol; <lb n="1959" ed="F1" />Brutus killed me. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1960" ed="F1" /><p>It was a brute part of him to kill so
<lb ed="G" />capital a <lb n="1961" ed="F1" />calf there. Be the players ready? 

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="1962" ed="F1" /><p>Ay, my lord; they stay upon your patience.

<lb ed="G" /></p></sp><sp who="queen."><speaker>Queen.</speaker><lb n="1963" ed="F1" /><p>Come hither, my dear Hamlet, sit
<lb ed="G" />by me. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1964" ed="F1" /><p>No, good mother, here's metal more attractive. 

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker> <stage>[To the King]</stage><lb n="1965" ed="F1" /><p>O, ho! do you mark that? 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1966" ed="F1" /><p>Lady, shall I lie in your lap?
<stage>[Lying down at Ophelia's feet.</stage>

<lb n="120" ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1967" ed="F1" /><p>No, my lord.                       

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1968" ed="F1" /><p>I mean, my head upon your lap?

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1969" ed="F1" /><p>Ay, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1970" ed="F1" /><p>Do you think I meant country matters?

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1971" ed="F1" /><p>I think nothing, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1972" ed="F1" /><p>That's a fair thought to lie between
<lb ed="G" />maids' legs. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1973" ed="F1" /><p>What is, my lord?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1974" ed="F1" /><p>Nothing.

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1975" ed="F1" /><p>You are merry, my lord.

<lb n="130" ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1976" ed="F1" /><p>Who, I?                           

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1977" ed="F1" /><p>Ay, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1978" ed="F1" /><p>O God, your only jig-maker. What
<lb ed="G" />should <lb n="1979" ed="F1" />a man do but be merry? for, look you, 
<lb ed="G" />how cheerfully <lb n="1980" ed="F1" />my mother looks, and my father
<lb ed="G" />died within these two <lb n="1981" ed="F1" />hours. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="1982" ed="F1" /><p>Nay, 'tis twice two months, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="1983" ed="F1" /><p>So long?   Nay then, let the devil
<lb ed="G" />wear black, <lb n="1984" ed="F1" />for I'll have a suit of sables. O
<lb ed="G" />heavens! die two months <lb n="1985" ed="F1" />ago, and not forgotten
<lb ed="G" />yet!   Then there's hope a <lb n="1986" ed="F1" />great man's 
<lb ed="G" />memory may outlive his life half a year: <lb n="1987" ed="F1" />but, 
<lb ed="G" />by'r lady, he must build churches, then; or 
<lb ed="G" />else shall <lb n="1988" ed="F1" />he suffer not thinking on, with the 
<lb ed="G" />hobby-horse, whose <lb n="1989" ed="F1" />epitaph is 'For, O, for O, 
<lb ed="G" />the hobby-horse is forgot.' 
<lb n="1990" ed="F1" /><lb ed="G" /><stage>Hautboys play.</stage><stage type="entrance">   The dumb-show enters.</stage>

<lb n="1991" ed="F1" /><stage type="dumbshow">Enter a King and a Queen very lovingly; the
Queen embracing <lb n="1992" ed="F1" />him, and he her. She
kneels, and makes show of protestation unto 
<lb n="1993" ed="F1" />him. He takes her up, and declines his head
upon her neck: <lb n="1994" ed="F1" />lays him down upon a bank
of flowers: she, seeing him <lb n="1995" ed="F1" />asleep, leaves
him. Anon comes in a fellow, takes off his
<lb n="1996" ed="F1" />crown, kisses it, and pours poison in the 
King's ears, and <lb n="1997" ed="F1" />exit. The Queen returns;
finds the King dead, and <lb n="1998" ed="F1" />makes passionate
action. The Poisoner, with some two or 
<lb n="1999" ed="F1" />three Mutes, comes in again, seeming to
lament with her. <lb n="2000" ed="F1" />The dead body is carried
away.  The Poisoner wooes the <lb n="2001" ed="F1" />Queen with 
gifts: she seems loath and unwilling awhile, 
<lb n="2002" ed="F1" />but in the end accepts his love.</stage>

 <stage type="exit">Exeunt.</stage>

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2003" ed="F1" /><p>What means this, my lord?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2004" ed="F1" /><p>Marry, this is miching mallecho; it
<lb ed="G" />means <lb n="2005" ed="F1" />mischief. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2006" ed="F1" /><p>Belike this show imports the argument 
<lb n="150" ed="G" />of the <lb n="2007" ed="F1" />play.

<stage type="entrance">Enter Prologue.</stage>

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2008" ed="F1" /><p>We shall know by this fellow: the
<lb ed="G" />players <lb n="2009" ed="F1" />cannot keep counsel; they'll tell all. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2010" ed="F1" /><p>Will he tell us what this show meant?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2011" ed="F1" /><p>Ay, or any show that you'll show
<lb ed="G" />him: be not <lb n="2012" ed="F1" />you ashamed to show, he'll not 
<lb ed="G" />shame to tell you what it <lb n="2013" ed="F1" />means. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2014" ed="F1" /><p>You are naught, you are naught: I'll
<lb ed="G" />mark the <lb n="2015" ed="F1" />play.
<lb n="2016" ed="F1" />
<lb ed="G" /></p></sp><sp who="pro."><speaker>Pro.</speaker><lb n="2017" ed="F1" /><l>For us, and for our tragedy,
<lb n="160" ed="G" /><lb n="2018" ed="F1" /></l><l>Here stooping to your clemency,
<lb ed="G" /><lb n="2019" ed="F1" /></l><l>We beg your hearing patiently.

<stage type="exit">Exit.</stage>

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2020" ed="F1" /><p>Is this a prologue, or the posy of a ring? 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2021" ed="F1" /><p>'Tis brief, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2022" ed="F1" /><p>As woman's love.   

<lb n="2023" ed="F1" /><stage type="entrance">Enter two Players, King and Queen.</stage>

<lb ed="G" /></p></sp><sp who="p.-king."><speaker>P. King.</speaker><lb n="2024" ed="F1" /><l>Full thirty times hath Phoebus' cart gone round  
<lb ed="G" /><lb n="2025" ed="F1" /></l><l>Neptune's salt wash and Tellus' orbed ground,
<lb ed="G" /><lb n="2026" ed="F1" /></l><l>And thirty dozen moons with borrow'd sheen
<lb ed="G" /><lb n="2027" ed="F1" /></l><l>About the world have times twelve thirties been,
<lb ed="G" /><lb n="2028" ed="F1" /></l><l>Since love our hearts and Hymen did our hands hands
<lb n="170" ed="G" /><lb n="2029" ed="F1" /></l><l>Unite communtual in most sacred bands.

<lb ed="G" /></l></sp><sp who="p.-queen."><speaker>P. Queen.</speaker><lb n="2030" ed="F1" /><l>So many journeys may the sun and moon  
<lb ed="G" /><lb n="2031" ed="F1" /></l><l>Make again count o'er ere love be done!
<lb ed="G" /><lb n="2032" ed="F1" /></l><l>But, woe is me, you are so sick of late,
<lb ed="G" /><lb n="2033" ed="F1" /></l><l>So far from cheer and from your former state,
<lb ed="G" /><lb n="2034" ed="F1" /></l><l>That I distrust you. Yet, though I distrust,
<lb ed="G" /><lb n="2035" ed="F1" /></l><l>Discomfort you, my lord, it nothing must:
<lb ed="G" /><lb n="2036" ed="F1" /></l><l>For women's fear and love holds quantity;
<lb ed="G" /><lb n="2037" ed="F1" /></l><l>In either aught, or in extremity.
<lb ed="G" /><lb n="2038" ed="F1" /></l><l>Now, what my love is, proof hath made you know;
<lb n="180" ed="G" /><lb n="2039" ed="F1" /></l><l>And as my love is sized, my fear is so: 
<lb ed="G" /></l><l>Where love is great, the littlest doubts are fear;
<lb ed="G" /></l><l>Where little fears grow great, great love grows there.

<lb ed="G" /></l></sp><sp who="p.-king."><speaker>P. King.</speaker><lb n="2040" ed="F1" /><l>'Faith, I must leave thee, love, and shortly too;
<lb ed="G" /><lb n="2041" ed="F1" /></l><l>My operant powers their functions leave to do:
<lb ed="G" /><lb n="2042" ed="F1" /></l><l>And thou shalt live in this fair world behind,
<lb ed="G" /><lb n="2043" ed="F1" /></l><l>Honour'd, beloved; and haply one as kind
<lb ed="G" /><lb n="2044" ed="F1" /></l><l>For husband shalt thou—

<lb ed="G" /></l></sp><sp who="p.-queen."><speaker>P. Queen.</speaker><lb n="2045" ed="F1" /><l>           O, confound the rest!
<lb ed="G" /><lb n="2046" ed="F1" /></l><l>Such love must needs be treason in my breast:
<lb n="189" ed="G" /><lb n="2047" ed="F1" /></l><l>In second husband let me be accurst! 
<lb ed="G" /><lb n="2048" ed="F1" /></l><l>None wed the second but who kill'd the first.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><stage>[Aside]</stage> <lb n="2049" ed="F1" /><l>Wormwood, wormwood.

<lb ed="G" /></l></sp><sp who="p.-queen."><speaker>P. Queen.</speaker><lb n="2050" ed="F1" /><l>The instances that second marriage move
<lb ed="G" /><lb n="2051" ed="F1" /></l><l>Are base respects of thrift, but none of love:
<lb ed="G" /><lb n="2052" ed="F1" /></l><l>A second time I kill my husband dead,
<lb ed="G" /><lb n="2053" ed="F1" /></l><l>When second husband kisses me in bed.

<lb ed="G" /></l></sp><sp who="p.-king."><speaker>P. King.</speaker><lb n="2054" ed="F1" /><l>I do believe you think what now you speak;
<lb ed="G" /><lb n="2055" ed="F1" /></l><l>But what we do determine oft we break.
<lb ed="G" /><lb n="2056" ed="F1" /></l><l>Purpose is but the slave to memory,
<lb ed="G" /><lb n="2057" ed="F1" /></l><l>Of violent birth, but poor validity:
<lb n="200" ed="G" /><lb n="2058" ed="F1" /></l><l>Which now, like fruit unripe, sticks on the tree; 
<lb ed="G" /><lb n="2059" ed="F1" /></l><l>But fall, unshaken, when they mellow be.
<lb ed="G" /><lb n="2060" ed="F1" /></l><l>Most necessary 'tis that we forget
<lb ed="G" /><lb n="2061" ed="F1" /></l><l>To pay ourselves what to ourselves is debt:
<lb ed="G" /><lb n="2062" ed="F1" /></l><l>What to ourselves in passion we propose,
<lb ed="G" /><lb n="2063" ed="F1" /></l><l>The passion ending, doth the purpose lose.
<lb ed="G" /><lb n="2064" ed="F1" /></l><l>The violence of either grief or joy
<lb ed="G" /><lb n="2065" ed="F1" /></l><l>Their own enactures with themselves destroy:
<lb ed="G" /><lb n="2066" ed="F1" /></l><l>Where joy most revels, grief doth most lament;
<lb ed="G" /><lb n="2067" ed="F1" /></l><l>Grief joys, joy grieves, on slender accident.
<lb ed="G" /><lb n="2068" ed="F1" /></l><l>This world is not for aye, nor 'tis not strange
<lb n="211" ed="G" /><lb n="2069" ed="F1" /></l><l>That even our loves should with our fortunes change; 
<lb ed="G" /><lb n="2070" ed="F1" /></l><l>For 'tis a question left us yet to prove,
<lb ed="G" /><lb n="2071" ed="F1" /></l><l>Whether love lead fortune, or else fortune love.
<lb ed="G" /><lb n="2072" ed="F1" /></l><l>The great man down, you mark his favourite flies;
<lb ed="G" /><lb n="2073" ed="F1" /></l><l>The poor advanced makes friends of enemies,
<lb ed="G" /><lb n="2074" ed="F1" /></l><l>And hitherto doth love on fortune tend;
<lb ed="G" /><lb n="2075" ed="F1" /></l><l>For who not needs shall never lack a friend,
<lb ed="G" /><lb n="2076" ed="F1" /></l><l>And who in want a hollow friend doth try,
<lb ed="G" /><lb n="2077" ed="F1" /></l><l>Directly seasons him his enemy.
<lb n="220" ed="G" /><lb n="2078" ed="F1" /></l><l>But, orderly to end where I begun,      
<lb ed="G" /><lb n="2079" ed="F1" /></l><l>Our wills and fates do so contrary run
<lb ed="G" /><lb n="2080" ed="F1" /></l><l>That our devices still are overthrown;
<lb ed="G" /><lb n="2081" ed="F1" /></l><l>Our thoughts are ours, their ends none of our own:
<lb ed="G" /><lb n="2082" ed="F1" /></l><l>So think thou wilt no second husband wed;
<lb ed="G" /><lb n="2083" ed="F1" /></l><l>But die thy thoughts when thy first lord is dead.

<lb ed="G" /></l></sp><sp who="p.-queen."><speaker>P. Queen.</speaker><lb n="2084" ed="F1" /><l>Nor earth to me give food, nor heaven light!  
<lb ed="G" /><lb n="2085" ed="F1" /></l><l>Sport and repose lock from me day and night!
<lb ed="G" /></l><l>To desperation turn my trust and hope!
<lb ed="G" /></l><l>An anchor's cheer in prison be my scope!
<lb ed="G" /><lb n="2086" ed="F1" /></l><l>Each opposite that blanks the face of joy
<lb ed="G" /><lb n="2087" ed="F1" /></l><l>Meet what I would have well and it destroy!
<lb ed="G" /><lb n="2088" ed="F1" /></l><l>Both here and hence pursue me lasting strife,
<lb ed="G" /><lb n="2089" ed="F1" /></l><l>If, once a widow, ever I be wife!

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2090" ed="F1" /><l>If she should break it now! 

<lb ed="G" /></l></sp><sp who="p.-king."><speaker>P. King.</speaker><lb n="2091" ed="F1" /><l>'Tis deeply sworn.   <lb n="2092" ed="F1" />Sweet, leave me here awhile;  
<lb ed="G" /><lb n="2093" ed="F1" /></l><l>My spirits grow dull, and fain I would beguile
<lb ed="G" /><lb n="2094" ed="F1" /></l><l>The tedious day with sleep.  <stage>[Sleeps.</stage>

<lb ed="G" /></l></sp><sp who="p.-queen."><speaker>P. Queen.</speaker><lb n="2095" ed="F1" /><l>           Sleep rock thy brain;
<lb ed="G" /><lb n="2096" ed="F1" /></l><l>And never come mischance between us twain!
<stage type="exit">[Exit. </stage>

<lb n="239" ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2097" ed="F1" /><p>Madam, how like you this play?

<lb ed="G" /></p></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2098" ed="F1" /><p>The lady protests too much, methinks. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2099" ed="F1" /><p>O, but she'll keep her word.

<lb ed="G" /></p></sp><sp who="king."><speaker>King.</speaker><lb n="2100" ed="F1" /><p>Have you heard the argument?   Is
<lb ed="G" />there no offence <lb n="2101" ed="F1" />in't? 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2102" ed="F1" /><p>No, no, they do but jest, poison in
<lb ed="G" />jest; no offence <lb n="2103" ed="F1" />i' the world. 

<lb ed="G" /></p></sp><sp who="king."><speaker>King.</speaker><lb n="2104" ed="F1" /><p>What do you call the play?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2105" ed="F1" /><p>The Mouse-trap. Marry, how?
<lb ed="G" />Tropically. <lb n="2106" ed="F1" />This play is the image of a murder 
<lb ed="G" />done in Vienna: Gonzago <lb n="2107" ed="F1" />is the duke's name; 
<lb ed="G" />his wife, Baptista; you shall see <lb n="2108" ed="F1" />anon; 'tis a 
<lb ed="G" />knavish piece of work: but what o' that?
<lb n="2109" ed="F1" /><lb ed="G" />your majesty and we that have free souls, it
<lb ed="G" />touches <lb n="2110" ed="F1" />us not: let the galled jade wince, our
<lb ed="G" />withers are unwrung. 

<lb n="2111" ed="F1" /><stage type="entrance">Enter LUCIANUS.</stage>

<lb ed="G" /><lb n="2112" ed="F1" /></p><p>This is one Lucianus, nephew to the king.

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2113" ed="F1" /><p>You are as good as a chorus, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2114" ed="F1" /><p>I could interpret between you and
<lb ed="G" />your love, <lb n="2115" ed="F1" />if I could see the puppets dallying. 

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2116" ed="F1" /><p>You are keen, my lord, you are keen.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2117" ed="F1" /><p>It would cost you a groaning to take
<lb n="260" ed="G" /> off my <lb n="2118" ed="F1" />edge.

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2119" ed="F1" /><p>Still better, and worse.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2120" ed="F1" /><p>So you must take your husbands. <lb n="2121" ed="F1" />Begin,
<lb ed="G" />murderer; pox, leave thy damnable faces,
<lb ed="G" />and <lb n="2122" ed="F1" />begin. Come: 'the croaking raven doth
<lb ed="G" />bellow for <lb n="2123" ed="F1" />revenge.'

<lb ed="G" /></p></sp><sp who="luc."><speaker>Luc.</speaker><lb n="2124" ed="F1" /><l>Thoughts black, hands apt, <lb n="2125" ed="F1" />drugs fit, and time agreeing;  
<lb ed="G" /><lb n="2126" ed="F1" /></l><l>Confederate season, else no creature seeing;
<lb ed="G" /><lb n="2127" ed="F1" /></l><l>Thou mixture rank, of midnight weeds collected,
<lb ed="G" /><lb n="2128" ed="F1" /></l><l>With Hecate's ban thrice blasted, thrice infected,
<lb n="270" ed="G" /><lb n="2129" ed="F1" /></l><l>Thy natural magic and dire property, 
<lb ed="G" /><lb n="2130" ed="F1" /></l><l>On wholesome life usurp immediately.

<lb n="2131" ed="F1" /><stage>Pours the poison into the sleeper's ears.</stage>

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2132" ed="F1" /><p>He poisons him i' the garden for's
<lb ed="G" />estate. His <lb n="2133" ed="F1" />name's Gonzago: the story is extant,
<lb ed="G" />and writ in choice <lb n="2134" ed="F1" />Italian: you shall see
<lb ed="G" />anon how the murderer gets the <lb n="2135" ed="F1" />love of Gonzago's wife.

<lb ed="G" /></p></sp><sp who="oph."><speaker>Oph.</speaker><lb n="2136" ed="F1" /><p>The king rises.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2137" ed="F1" /><p>What, frighted with false fire!

<lb ed="G" /></p></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2138" ed="F1" /><p>How fares my lord?

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2139" ed="F1" /><p>Give o'er the play.

<lb n="280" ed="G" /></p></sp><sp who="king."><speaker>King.</speaker><lb n="2140" ed="F1" /><p>Give me some light: away!

<lb ed="G" /></p></sp><sp who="all."><speaker>All.</speaker><lb n="2141" ed="F1" /><p>Lights, lights, lights!
<lb n="2142" ed="F1" /><stage type="exit">Exeunt all but Hamlet and Horatio.</stage>

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker>
	    <lg type="song" org="uniform" sample="complete">
	      <lb n="2143" ed="F1" /><l>Why, let the stricken deer go weep,
	      <lb n="2144" ed="F1" /></l><l> The hart uncalled play;
	      <lb n="2145" ed="F1" /></l><l>For some must watch, while some must sleep: 
	      <lb n="2146" ed="F1" /></l><l> So runs the world away.
	    </l></lg>
<lb ed="G" /><lb n="2147" ed="F1" /><p>Would not this, sir, and a forest of feathers—
<lb ed="G" />if the rest of <lb n="2148" ed="F1" />my fortunes turn Turk with me—
<lb ed="G" />with two Provincial <lb n="2149" ed="F1" />roses on my razed shoes,
<lb ed="G" />get me a fellowship in a cry <lb n="2150" ed="F1" />of players, sir? 

<lb n="290" ed="G" /></p></sp><sp who="hor."><speaker>Hor.</speaker><lb n="2151" ed="F1" /><p>Half a share.          

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2152" ed="F1" /><p>A whole one, I.
	    </p><lg org="uniform" sample="complete">
	      <lb n="2153" ed="F1" /><l>For thou dost know, O Damon dear,
	      <lb n="2154" ed="F1" /></l><l>This realm dismantled was
	      </l><l>Of Jove himself; <lb n="2155" ed="F1" />and now reigns here
	      <lb n="2156" ed="F1" /></l><l>A very, very—pajock.
	    </l></lg>

<lb ed="G" /></sp><sp who="hor."><speaker>Hor.</speaker><lb n="2157" ed="F1" /><p>You might have rhymed.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2158" ed="F1" /><p>O good Horatio, I'll take the ghost's
<lb ed="G" />word for <lb n="2159" ed="F1" />a thousand pound. Didst perceive? 

<lb ed="G" /></p></sp><sp who="hor."><speaker>Hor.</speaker><lb n="2160" ed="F1" /><p>Very well, my lord.

<lb n="300" ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2161" ed="F1" /><p>Upon the talk of the poisoning? 

<lb ed="G" /></p></sp><sp who="hor."><speaker>Hor.</speaker><lb n="2162" ed="F1" /><p>I did very well note him.
<lb n="2163" ed="F1" />
<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2164" ed="F1" /><p>Ah, ha! come, some music! come,
<lb ed="G" />the recorders!
	    </p><lg org="uniform" sample="complete">
	      <lb n="2165" ed="F1" /><l>For if the king like not the comedy,  
	      <lb n="2166" ed="F1" /></l><l>Why, then, belike, he likes it not, perdy.
	    </l></lg>
<lb ed="G" /><lb n="2167" ed="F1" /><p>Come, some music!
<stage type="entrance">Re-enter ROSENCRANTZ and GUILDENSTERN.</stage>

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2168" ed="F1" /><p>Good my lord, vouchsafe me a word with you. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2169" ed="F1" /><p>Sir, a whole history.

<lb n="310" ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2170" ed="F1" /><p>The king, sir,—                  

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2171" ed="F1" /><p>Ay, sir, what of him?

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2172" ed="F1" /><p>Is in his retirement marvellous distempered.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2173" ed="F1" /><p>With drink, sir?

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2174" ed="F1" /><p>No, my lord, rather with choler.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2175" ed="F1" /><p>Your wisdom should show itself
<lb ed="G" />more richer <lb n="2176" ed="F1" />to signify this to his doctor; for, 
<lb ed="G" />for me to put him <lb n="2177" ed="F1" />to his purgation would perhaps
<lb n="319" ed="G" />plunge him into far <lb n="2178" ed="F1" />more choler.      

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2179" ed="F1" /><p>Good my lord, put your discourse
<lb ed="G" />into some <lb n="2180" ed="F1" />frame and start not so wildly from 
<lb ed="G" />my affair. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2181" ed="F1" /><p>I am tame, sir: pronounce.

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2182" ed="F1" /><p>The queen, your mother, in most
<lb ed="G" />great affliction <lb n="2183" ed="F1" />of spirit, hath sent me to you. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2184" ed="F1" /><p>You are welcome.

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2185" ed="F1" /><p>Nay, good my lord, this courtesy is
<lb ed="G" />not of <lb n="2186" ed="F1" />the right breed. If it shall please you 
<lb ed="G" />to make me a wholesome <lb n="2187" ed="F1" />answer, I will do your
<lb ed="G" />mother's commandment: <lb n="2188" ed="F1" />if not, your pardon
<lb ed="G" />and my return shall be the end of <lb n="2189" ed="F1" />my business. 

<lb n="331" ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2190" ed="F1" /><p>Sir, I cannot.    

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2191" ed="F1" /><p>What, my lord?

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2192" ed="F1" /><p>Make you a wholesome answer; my
<lb ed="G" />wit's diseased; <lb n="2193" ed="F1" />but, sir, such answer as I can
<lb ed="G" />make, you shall command; <lb n="2194" ed="F1" />or, rather, as you
<lb ed="G" />say, my mother: therefore no more, <lb n="2195" ed="F1" />but to 
<lb ed="G" />the matter: my mother, you say,— 

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2196" ed="F1" /><p>Then thus she says; your behavior
<lb ed="G" />hath struck <lb n="2197" ed="F1" />her into amazement and admiration.    

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2198" ed="F1" /><p>O wonderful son, that can so astonish
<lb ed="G" />a <lb n="2199" ed="F1" />mother!  But is there no sequel at the 
<lb ed="G" />heels of this mother's <lb n="2200" ed="F1" />admiration? Impart. 

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2201" ed="F1" /><p>She desires to speak with you in her
<lb ed="G" />closet, <lb n="2202" ed="F1" />ere you go to bed. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2203" ed="F1" /><p>We shall obey, were she ten times
<lb ed="G" />our mother. <lb n="2204" ed="F1" />Have you any further trade with us? 

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2205" ed="F1" /><p>My lord, you once did love me.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2206" ed="F1" /><p>So I do still, by these pickers and
<lb n="349" ed="G" />stealers.                                       

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2207" ed="F1" /><p>Good my lord, what is your cause of
<lb ed="G" />distemper? <lb n="2208" ed="F1" />you do, surely, bar the door upon 
<lb ed="G" />your own liberty, <lb n="2209" ed="F1" />if you deny your griefs to 
<lb ed="G" />your friend. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2210" ed="F1" /><p>Sir, I lack advancement.

<lb ed="G" /></p></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2211" ed="F1" /><p>How can that be, when you have the
<lb ed="G" />voice of <lb n="2212" ed="F1" />the king himself for your succession 
<lb ed="G" />in Denmark? 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2213" ed="F1" /><p>Ay, sir, but 'While the grass grows,'
<lb n="359" ed="G" />—the proverb is <lb n="2214" ed="F1" />somewhat musty.

<lb n="2215" ed="F1" /><stage type="entrance">Re-enter Players with recorders.</stage>

<lb ed="G" /><lb n="2216" ed="F1" /></p><p>O, the recorders! let me see one.  To withdraw
<lb ed="G" />with you:—why <lb n="2217" ed="F1" />do you go about to recover 
<lb ed="G" />the wind of me, as if you <lb n="2218" ed="F1" />would drive me into
<lb ed="G" />a toil? 

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2219" ed="F1" /><p>O, my lord, if my duty be too bold,
<lb ed="G" />my love <lb n="2220" ed="F1" />is too unmannerly. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2221" ed="F1" /><p>I do not well understand that. Will
<lb ed="G" />you play <lb n="2222" ed="F1" />upon this pipe? 

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2223" ed="F1" /><p>My lord, I cannot.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2224" ed="F1" /><p>I pray you.

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2225" ed="F1" /><p>Believe me, I cannot.

<lb n="370" ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2226" ed="F1" /><p>I do beseech you.    

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2227" ed="F1" /><p>I know no touch of it, my lord.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2228" ed="F1" /><p>'Tis as easy as lying: govern these
<lb ed="G" />ventages <lb n="2229" ed="F1" />with your fingers and thumb, give it 
<lb ed="G" />breath with your <lb n="2230" ed="F1" />mouth, and it will discourse 
<lb ed="G" />most eloquent music. <lb n="2231" ed="F1" />Look you, these are the stops. 

<lb ed="G" /></p></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2232" ed="F1" /><p>But these cannot I command to any
<lb ed="G" />utterance <lb n="2233" ed="F1" />of harmony; I have not the skill. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2234" ed="F1" /><p>Why, look you now, how unworthy
<lb ed="G" />a thing <lb n="2235" ed="F1" />you make of me! You would play 
<lb ed="G" />upon me; you would <lb n="2236" ed="F1" />seem to know my stops; 
<lb ed="G" />you would pluck out the heart <lb n="2237" ed="F1" />of my mystery; 
<lb ed="G" />you would sound me from my lowest <lb n="2238" ed="F1" />note to 
<lb ed="G" />the top of my compass: and there is much 
<lb ed="G" />music, <lb n="2239" ed="F1" />excellent voice, in this little organ; yet 
<lb ed="G" />cannot <lb n="2240" ed="F1" />you make it speak. 'Sblood, do you 
<lb ed="G" />think I am easier to be <lb n="2241" ed="F1" />played on than a pipe?
<lb ed="G" />Call me what instrument you will, <lb n="2242" ed="F1" />though you
<lb ed="G" />can fret me, yet you cannot play upon me. 

<stage type="entrance">               Enter POLONIUS.</stage>

<lb n="390" ed="G" /></p><p>God <lb n="2243" ed="F1" />bless you, sir!                           
<lb n="2244" ed="F1" />
<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2245" ed="F1" /><p>My lord, the queen would speak with
<lb ed="G" />you, <lb n="2246" ed="F1" />and presently. 

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2247" ed="F1" /><p>Do you see yonder cloud that's almost
<lb ed="G" />in shape <lb n="2248" ed="F1" />of a camel? 

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2249" ed="F1" /><p>By the mass, and 'tis like a camel, indeed.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2250" ed="F1" /><p>Methinks it is like a weasel.

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2251" ed="F1" /><p>It is backed like a weasel.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2252" ed="F1" /><p>Or like a whale?

<lb n="399" ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2253" ed="F1" /><p>Very like a whale.                  

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2254" ed="F1" /><p>Then I will come to my mother by
<lb ed="G" />and by. <lb n="2255" ed="F1" />They fool me to the top of my bent.
<lb n="2256" ed="F1" /><lb ed="G" />I will come by and by. 

<lb ed="G" /></p></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2257" ed="F1" /><p>I will say so.

<lb ed="G" /></p></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2258" ed="F1" /><p>By and by is easily said.  <stage type="exit">Exit Polonius.]</stage> Leave me, friends.
<stage type="exit">Exeunt all but Hamlet.</stage>
<lb ed="G" /><lb n="2259" ed="F1" /></p><l>'Tis now the very witching time of night,
<lb ed="G" /><lb n="2260" ed="F1" /></l><l>When churchyards yawn and hell itself breathes out
<lb ed="G" /><lb n="2261" ed="F1" /></l><l>Contagion to this world: now could I drink hot blood,
<lb ed="G" /><lb n="2262" ed="F1" /></l><l>And do such bitter business as the day
<lb n="410" ed="G" /><lb n="2263" ed="F1" /></l><l>Would quake to look on. Soft! now to my mother. 
<lb ed="G" /><lb n="2264" ed="F1" /></l><l>O heart, lose not thy nature; let not ever
<lb ed="G" /><lb n="2265" ed="F1" /></l><l>The soul of Nero enter this firm bosom:
<lb ed="G" /><lb n="2266" ed="F1" /></l><l>Let me be cruel, not unnatural:
<lb ed="G" /><lb n="2267" ed="F1" /></l><l>I will speak daggers to her, but use none;
<lb ed="G" /><lb n="2268" ed="F1" /></l><l>My tongue and soul in this be hypocrites;
<lb ed="G" /><lb n="2269" ed="F1" /></l><l>How in my words soever she be shent,
<lb ed="G" /><lb n="2270" ed="F1" /></l><l>To give them seals never, my soul, consent!
<stage type="exit">Exit.</stage></l></sp>
</div2> 



<div2 n="3" type="scene" org="uniform" sample="complete"> 
<head>SCENE III</head>
<stage type="setting"> A room in the castle.</stage>
<lb n="2271" ed="F1" /><stage type="entrance"> Enter KING, ROSENCRANTZ, and GUILDENSTERN. </stage>

<lb ed="G" /><sp who="king."><speaker>King.</speaker><lb n="2272" ed="F1" /><l>I like him not, nor stands it safe with us
<lb ed="G" /><lb n="2273" ed="F1" /></l><l>To let his madness range.   Therefore prepare you;
<lb ed="G" /><lb n="2274" ed="F1" /></l><l>I your commission will forthwith dispatch,
<lb ed="G" /><lb n="2275" ed="F1" /></l><l>And he to England shall along with you:
<lb ed="G" /><lb n="2276" ed="F1" /></l><l>The terms of our estate may not endure
<lb ed="G" /><lb n="2277" ed="F1" /></l><l>Hazard so near us as doth hourly grow
<lb ed="G" /><lb n="2278" ed="F1" /></l><l>Out of his lunacies.

<lb ed="G" /></l></sp><sp who="guil."><speaker>Guil.</speaker><lb n="2279" ed="F1" /><l>We will ourselves provide:
<lb ed="G" /><lb n="2280" ed="F1" /></l><l>Most holy and religious fear it is
<lb ed="G" /><lb n="2281" ed="F1" /></l><l>To keep those many many bodies safe
<lb n="10" ed="G" /><lb n="2282" ed="F1" /></l><l>That live and feed upon your majesty.      

<lb ed="G" /></l></sp><sp who="ros."><speaker>Ros.</speaker><lb n="2283" ed="F1" /><l>The single <lb n="2284" ed="F1" />and peculiar life is bound,
<lb ed="G" /><lb n="2285" ed="F1" /></l><l>With all the strength and armour of the mind,
<lb ed="G" /><lb n="2286" ed="F1" /></l><l>To keep itself from noyance; but much more
<lb ed="G" /><lb n="2287" ed="F1" /></l><l>That spirit upon whose weal depend and rest
<lb ed="G" /><lb n="2288" ed="F1" /></l><l>The lives of many. The cease of majesty
<lb ed="G" /><lb n="2289" ed="F1" /></l><l>Dies not alone; but, like a gulf, doth draw
<lb ed="G" /><lb n="2290" ed="F1" /></l><l>What's near it with it: it is a massy wheel,
<lb ed="G" /><lb n="2291" ed="F1" /></l><l>Fix'd on the summit of the highest mount,
<lb ed="G" /><lb n="2292" ed="F1" /></l><l>To whose huge spokes ten thousand lesser things
<lb n="20" ed="G" /><lb n="2293" ed="F1" /></l><l>Are mortised and adjoin'd; which, when it falls, 
<lb ed="G" /><lb n="2294" ed="F1" /></l><l>Each small annexment, petty consequence,
<lb ed="G" /><lb n="2295" ed="F1" /></l><l>Attends the boisterous ruin. Never alone
<lb ed="G" /><lb n="2296" ed="F1" /></l><l>Did the king sigh, but with a general groan.

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="2297" ed="F1" /><l>Arm you, I pray you, to this speedy voyage;
<lb ed="G" /><lb n="2298" ed="F1" /></l><l>For we will fetters put upon this fear,
<lb ed="G" /><lb n="2299" ed="F1" /></l><l>Which now goes too free-footed.

<lb ed="G" /></l></sp><sp who="ros. guil."><speaker>Ros. and Guil.</speaker><lb n="2300" ed="F1" /><l>                  We will haste us.
<stage type="exit">Exeunt Rosencrantz and Guildenstern.</stage>
<lb n="2301" ed="F1" /><stage type="entrance">                Enter POLONIUS.</stage>

<lb ed="G" /></l></sp><sp who="pol."><speaker>Pol.</speaker><lb n="2302" ed="F1" /><l>My lord, he's going to his mother's closet: 
<lb ed="G" /><lb n="2303" ed="F1" /></l><l>Behind the arras I'll convey myself,
<lb ed="G" /><lb n="2304" ed="F1" /></l><l>To hear the process; I'll warrant she'll tax him home:
<lb n="30" ed="G" /><lb n="2305" ed="F1" /></l><l>And, as you said, and wisely was it said, 
<lb ed="G" /><lb n="2306" ed="F1" /></l><l>'Tis meet that some more audience than a mother,
<lb ed="G" /><lb n="2307" ed="F1" /></l><l>Since nature makes them partial, should o'erhear
<lb ed="G" /><lb n="2308" ed="F1" /></l><l>The speech, of vantage. Fare you well, my liege:
<lb ed="G" /><lb n="2309" ed="F1" /></l><l>I'll call upon you ere you go to bed,
<lb ed="G" /><lb n="2310" ed="F1" /></l><l>And tell you what I know.

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker><lb n="2311" ed="F1" /><l>Thanks, dear my lord.
<stage type="exit">Exit Polonius.</stage>
<lb ed="G" /><lb n="2312" ed="F1" /></l><l>O, my offence is rank, it smells to heaven;
<lb ed="G" /><lb n="2313" ed="F1" /></l><l>It hath the primal eldest curse upon't,
<lb ed="G" /><lb n="2314" ed="F1" /></l><l>A brother's murder. Pray can I not,
<lb ed="G" /><lb n="2315" ed="F1" /></l><l>Though inclination be as sharp as will:
<lb n="40" ed="G" /><lb n="2316" ed="F1" /></l><l>My stronger guilt defeats my strong intent; 
<lb ed="G" /><lb n="2317" ed="F1" /></l><l>And, like a man to double business bound,
<lb ed="G" /><lb n="2318" ed="F1" /></l><l>I stand in pause where I shall first begin,
<lb ed="G" /><lb n="2319" ed="F1" /></l><l>And both neglect. What if this cursed hand
<lb ed="G" /><lb n="2320" ed="F1" /></l><l>Were thicker than itself with brother's blood,
<lb ed="G" /><lb n="2321" ed="F1" /></l><l>Is there not rain enough in the sweet heavens
<lb ed="G" /><lb n="2322" ed="F1" /></l><l>To wash it white as snow?   Whereto serves mercy
<lb ed="G" /><lb n="2323" ed="F1" /></l><l>But to confront the visage of offence?
<lb ed="G" /><lb n="2324" ed="F1" /></l><l>And what's in prayer but this two-fold force,
<lb n="49" ed="G" /><lb n="2325" ed="F1" /></l><l>To be forestalled ere we come to fall,       
<lb ed="G" /><lb n="2326" ed="F1" /></l><l>Or pardon'd being down?   Then I'll look up;
<lb ed="G" /><lb n="2327" ed="F1" /></l><l>My fault is past.   But, O, what form of prayer
<lb ed="G" /><lb n="2328" ed="F1" /></l><l>Can serve my term?   'Forgive me my foul murder'?
<lb ed="G" /><lb n="2329" ed="F1" /></l><l>That cannot be; since I am still possess'd
<lb ed="G" /><lb n="2330" ed="F1" /></l><l>Of those effects for which I did the murder,
<lb ed="G" /><lb n="2331" ed="F1" /></l><l>My crown, mine own ambition and my queen.
<lb ed="G" /><lb n="2332" ed="F1" /></l><l>May one be pardon'd and retain the offence?
<lb ed="G" /><lb n="2333" ed="F1" /></l><l>In the corrupted currents of this world
<lb ed="G" /><lb n="2334" ed="F1" /></l><l>Offence's gilded hand may shove by justice,
<lb ed="G" /><lb n="2335" ed="F1" /></l><l>And oft 'tis seen the wicked prize itself
<lb n="60" ed="G" /><lb n="2336" ed="F1" /></l><l>Buys out the law: but 'tis not so above; 
<lb ed="G" /><lb n="2337" ed="F1" /></l><l>There is no shuffling, there the action lies
<lb ed="G" /><lb n="2338" ed="F1" /></l><l>In his true nature; and we ourselves compell'd,
<lb ed="G" /><lb n="2339" ed="F1" /></l><l>Even to the teeth and forehead of our faults,
<lb ed="G" /><lb n="2340" ed="F1" /></l><l>To give in evidence. What then? what rests?
<lb ed="G" /><lb n="2341" ed="F1" /></l><l>Try what repentance can: what can it not?
<lb ed="G" /><lb n="2342" ed="F1" /></l><l>Yet what can it when one can not repent?
<lb ed="G" /><lb n="2343" ed="F1" /></l><l>O wretched state!  O bosom black as death!
<lb ed="G" /><lb n="2344" ed="F1" /></l><l>O limed soul, that, strupgling to be free,
<lb ed="G" /><lb n="2345" ed="F1" /></l><l>Art more engaged! Help, angels! Make assay!
<lb n="70" ed="G" /><lb n="2346" ed="F1" /></l><l>Bow, stubborn knees; and, heart with strings of steel, 
<lb ed="G" /><lb n="2347" ed="F1" /></l><l>Be soft as sinews of the new-born babe!
<lb ed="G" /><lb n="2348" ed="F1" /></l><l>All may be well.

<stage>Retires and kneels.</stage>
<lb n="2349" ed="F1" /><stage type="entrance">                Enter HAMLET.</stage>

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2350" ed="F1" /><l>Now might I do it pat, now he is praying;
<lb ed="G" /><lb n="2351" ed="F1" /></l><l>And now I'll do't.   And so he goes to heaven;
<lb ed="G" /><lb n="2352" ed="F1" /></l><l>And so am I revenged. That would be scann'd:
<lb ed="G" /><lb n="2353" ed="F1" /></l><l>A villain kills my father; and for that,
<lb ed="G" /><lb n="2354" ed="F1" /></l><l>I, his sole son, do this same villain send
<lb ed="G" /><lb n="2355" ed="F1" /></l><l>To heaven.
<lb ed="G" /></l><l>O, this is hire and salary, not revenge.
<lb n="80" ed="G" /><lb n="2356" ed="F1" /></l><l>He took my father grossly, full of bread; 
<lb ed="G" /><lb n="2357" ed="F1" /></l><l>With all his crimes broad blown, as flush as May;
<lb ed="G" /><lb n="2358" ed="F1" /></l><l>And how his audit stands who knows save heaven?
<lb ed="G" /><lb n="2359" ed="F1" /></l><l>But in our circumstance and course of thought.
<lb ed="G" /><lb n="2360" ed="F1" /></l><l>'Tis heavy with him: and am I then revenged,
<lb ed="G" /><lb n="2361" ed="F1" /></l><l>To take him in the purging of his soul,
<lb ed="G" /><lb n="2362" ed="F1" /></l><l>When he is fit and season'd for his passage?
<lb ed="G" /></l><l>No!
<lb ed="G" /><lb n="2363" ed="F1" /></l><l>Up, sword; and know thou a more horrid hent:
<lb ed="G" /><lb n="2364" ed="F1" /></l><l>When he is drunk asleep, or in his rage,
<lb n="90" ed="G" /><lb n="2365" ed="F1" /></l><l>Or in the incestuous pleasure of his bed; 
<lb ed="G" /><lb n="2366" ed="F1" /></l><l>At gaming, swearing, or about some act
<lb ed="G" /><lb n="2367" ed="F1" /></l><l>That has no relish of salvation in't;
<lb ed="G" /><lb n="2368" ed="F1" /></l><l>Then trip him, that his heels may kick at heaven,
<lb ed="G" /><lb n="2369" ed="F1" /></l><l>And that his soul may be as damn'd and black
<lb ed="G" /><lb n="2370" ed="F1" /></l><l>As hell, whereto it goes.   My mother stays:
<lb ed="G" /><lb n="2371" ed="F1" /></l><l>This physic but prolongs thy sickly days.

<stage type="exit">Exit.</stage>

<lb ed="G" /></l></sp><sp who="king."><speaker>King.</speaker>    <stage>[Rising]</stage> <lb n="2372" ed="F1" /><l>My words fly up, my thoughts remain below:
<lb ed="G" /><lb n="2373" ed="F1" /></l><l>Words without thoughts never to heaven go.

<stage type="exit">[Exit.</stage></l></sp>
</div2> 



<div2 n="4" type="scene" org="uniform" sample="complete"> 
<head>SCENE IV</head>
<stage type="setting">   The Queen's closet. </stage>
<lb n="2374" ed="F1" /><stage type="entrance">         Enter QUEEN and POLONIUS.</stage>

<lb ed="G" /><sp who="pol."><speaker>Pol.</speaker><lb n="2375" ed="F1" /><l>He will come straight. <lb n="2376" ed="F1" />Look you lay home to him:
<lb ed="G" /><lb n="2377" ed="F1" /></l><l>Tell him his pranks have been too broad to bear with,
<lb ed="G" /><lb n="2378" ed="F1" /></l><l>And that your grace hath screen'd and stood between
<lb ed="G" /><lb n="2379" ed="F1" /></l><l>Much heat and him.   I'll sconce me even here.
<lb ed="G" /><lb n="2380" ed="F1" /></l><l>Pray you, be round with him.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker>  <stage>[Within]</stage> <lb n="2381" ed="F1" /><l>Mother, mother, mother!

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2382" ed="F1" /><l>I'll warrant you,
<lb ed="G" /></l><l>Fear me not: <lb n="2383" ed="F1" />withdraw, I hear him coming.

<stage>[Polonius hides behind the arras</stage>
<lb n="2384" ed="F1" /><stage type="entrance">Enter HAMLET.</stage>

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2385" ed="F1" /><l>Now, mother, what's the matter?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2386" ed="F1" /><l>Hamlet, thou hast thy father much offended.

<lb n="10" ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2387" ed="F1" /><l>Mother, you have my father much offended. 

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2388" ed="F1" /><l>Come, come, you answer with an idle tongue.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2389" ed="F1" /><l>Go, go, you question with a wicked tongue.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2390" ed="F1" /><l>Why, how now, Hamlet!

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2391" ed="F1" /><l>What's the matter now?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2392" ed="F1" /><l>Have you forgot me?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2393" ed="F1" /><l>No, by the rood, not so:
<lb ed="G" /><lb n="2394" ed="F1" /></l><l>You are the queen, your husband's brother's wife;
<lb ed="G" /><lb n="2395" ed="F1" /></l><l>And—would it were not so!—you are my mother.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2396" ed="F1" /><l>Nay, then, I'll set those to you that can speak.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2397" ed="F1" /><l>Come, come, and sit you down; you shall not <lb n="2398" ed="F1" />budge;
<lb ed="G" /><lb n="2399" ed="F1" /></l><l>You go not till I set you up a glass
<lb n="20" ed="G" /><lb n="2400" ed="F1" /></l><l>Where you may see the inmost part of you. 

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2401" ed="F1" /><l>What wilt thou do? thou wilt not murder me?
<lb ed="G" /><lb n="2402" ed="F1" /></l><l>Help, help, ho!
</l></sp>
<sp who="pol."><speaker>Pol.</speaker>  <stage>[Behind]</stage> <lb n="2403" ed="F1" /><l>What, ho! help, help, help!
</l></sp>
<sp who="ham."><speaker>Ham.</speaker>  <stage>[Drawing]</stage> <lb n="2404" ed="F1" /><l>How now! a rat? Dead, for a ducat, dead!

<stage>[Makes a pass through the arras.</stage>
</l></sp>
<sp who="pol."><speaker>Pol.</speaker>  <stage>[Behind]</stage> <lb n="2405" ed="F1" /><l>O, I am slain!

<stage>[Falls and dies.</stage>

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2406" ed="F1" /><l>O me, what hast thou done?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2407" ed="F1" /><l>Nay, I know not:
<lb ed="G" /></l><l>Is it the king?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2408" ed="F1" /><l>O, what a rash and bloody deed is this!

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2409" ed="F1" /><l>A bloody deed! almost as bad, good mother,
<lb ed="G" /><lb n="2410" ed="F1" /></l><l>As kill a king, and marry with his brother.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2411" ed="F1" /><l>As kill a king!

<lb n="30" ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2412" ed="F1" /><l>Ay, lady, 'twas my word. 
<stage>[Lifts up the arras and discovers Polonius.</stage>
<lb ed="G" /><lb n="2413" ed="F1" /></l><l>Thou wretched, rash, intruding fool, farewell!
<lb ed="G" /><lb n="2414" ed="F1" /></l><l>I took thee for thy better: take thy fortune;
<lb ed="G" /><lb n="2415" ed="F1" /></l><l>Thou find'st to be too busy is some danger.
<lb ed="G" /><lb n="2416" ed="F1" /></l><l>Leave wringing of your hands: peace! sit you down,
<lb ed="G" /><lb n="2417" ed="F1" /></l><l>And let me wring your heart; for so I shall,
<lb ed="G" /><lb n="2418" ed="F1" /></l><l>If it be made of penetrable stuff,
<lb ed="G" /><lb n="2419" ed="F1" /></l><l>If damned custom have not brass'd it so
<lb ed="G" /><lb n="2420" ed="F1" /></l><l>That it be proof and bulwark against sense.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2421" ed="F1" /><l>What have I done, that thou darest wag thy tongue
<lb ed="G" /><lb n="2422" ed="F1" /></l><l>In noise so rude against me?

<lb n="40" ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2423" ed="F1" /><l>Such an act 
<lb ed="G" /><lb n="2424" ed="F1" /></l><l>That blurs the grace and blush of modesty,
<lb ed="G" /><lb n="2425" ed="F1" /></l><l>Calls virtue hypocrite, takes off the rose
<lb ed="G" /><lb n="2426" ed="F1" /></l><l>&gt;From the fair forehead of an innocent love

<lb ed="G" /><lb n="2427" ed="F1" /></l><l>And sets a blister there, makes marriage-vows
<lb ed="G" /><lb n="2428" ed="F1" /></l><l>As false as dicers' oaths: O, such a deed
<lb ed="G" /><lb n="2429" ed="F1" /></l><l>As from the body of contraction plucks
<lb ed="G" /><lb n="2430" ed="F1" /></l><l>The very soul, and sweet religion makes
<lb ed="G" /><lb n="2431" ed="F1" /></l><l>A rhapsody of words: heaven's face doth glow;
<lb ed="G" /><lb n="2432" ed="F1" /></l><l>Yea, this solidity and compound mass,
<lb n="50" ed="G" /><lb n="2433" ed="F1" /></l><l>With tristful visage, as against the doom, 
<lb ed="G" /><lb n="2434" ed="F1" /></l><l>Is thought-sick at the act.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2435" ed="F1" /><l>Ay me, what act,
<lb ed="G" /></l><l>That roars so loud, and thunders <lb n="2436" ed="F1" />in the index?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2437" ed="F1" /><l>Look here, upon this picture, and on this,
<lb ed="G" /><lb n="2438" ed="F1" /></l><l>The counterfeit presentment of two brothers.
<lb ed="G" /><lb n="2439" ed="F1" /></l><l>See, what a grace was seated on this brow;
<lb ed="G" /><lb n="2440" ed="F1" /></l><l>Hyperion's curls; the front of Jove himself;
<lb ed="G" /><lb n="2441" ed="F1" /></l><l>An eye like Mars, to threaten and command;
<lb ed="G" /><lb n="2442" ed="F1" /></l><l>A station like the herald Mercury
<lb ed="G" /><lb n="2443" ed="F1" /></l><l>New-lighted on a heaven-kissing hill;
<lb n="60" ed="G" /><lb n="2444" ed="F1" /></l><l>A combination and a form indeed,         
<lb ed="G" /><lb n="2445" ed="F1" /></l><l>Where every god did seem to set his seal,
<lb ed="G" /><lb n="2446" ed="F1" /></l><l>To give the world assurance of a man:
<lb ed="G" /><lb n="2447" ed="F1" /></l><l>This was your husband. Look you now, what follows:
<lb ed="G" /><lb n="2448" ed="F1" /></l><l>Here is your husband; like a mildew'd ear,
<lb ed="G" /><lb n="2449" ed="F1" /></l><l>Blasting his wholesome brother.   Have you eyes?
<lb ed="G" /><lb n="2450" ed="F1" /></l><l>Could you on this fair mountain leave to feed,
<lb ed="G" /><lb n="2451" ed="F1" /></l><l>And batten on this moor?   Ha! have you eyes?
<lb ed="G" /><lb n="2452" ed="F1" /></l><l>You cannot call it love; for at your age
<lb ed="G" /><lb n="2453" ed="F1" /></l><l>The hey-day in the blood is tame, it's humble,
<lb n="70" ed="G" /><lb n="2454" ed="F1" /></l><l>And waits upon the judgement: and what judgement 
<lb ed="G" /><lb n="2455" ed="F1" /></l><l>Would step from this to this?   Sense, sure, you have,
<lb ed="G" /></l><l>Else could you not have motion; but sure, that sense
<lb ed="G" /></l><l>Is apoplex'd; for madness would not err,
<lb ed="G" /></l><l>Nor sense to ecstasy was ne'er so thrall'd
<lb ed="G" /></l><l>But it reserved some quantity of choice,
<lb ed="G" /></l><l>To serve in such a difference.   What devil was't
<lb ed="G" /><lb n="2456" ed="F1" /></l><l>That thus hath cozen'd you at hoodman-blind?
<lb ed="G" /></l><l>Eyes without feeling, feeling without sight,
<lb ed="G" /></l><l>Ears without hands or eyes, smelling sans all,
<lb n="80" ed="G" /></l><l>Or but a sickly part of one true sense      
<lb ed="G" /></l><l>Could not so mope.
<lb ed="G" /><lb n="2457" ed="F1" /></l><l>O shame! where is thy blush?   Rebellious hell,
<lb ed="G" /><lb n="2458" ed="F1" /></l><l>If thou canst mutine in a matron's bones,
<lb ed="G" /><lb n="2459" ed="F1" /></l><l>To flaming youth let virtue be as wax,
<lb ed="G" /><lb n="2460" ed="F1" /></l><l>And melt in her own fire: proclaim no shame
<lb ed="G" /><lb n="2461" ed="F1" /></l><l>When the compulsive ardour gives the charge,
<lb ed="G" /><lb n="2462" ed="F1" /></l><l>Since frost itself as actively doth burn
<lb ed="G" /><lb n="2463" ed="F1" /></l><l>And reason panders will.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2464" ed="F1" /><l>O Hamlet, speak no more:
<lb ed="G" /><lb n="2465" ed="F1" /></l><l>Thou turn'st mine eyes into my very soul;
<lb ed="G" /><lb n="2466" ed="F1" /></l><l>And there I see such black and grained spots
<lb ed="G" /><lb n="2467" ed="F1" /></l><l>As will not leave their tinct.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2468" ed="F1" /><l>Nay, but to live
<lb ed="G" /><lb n="2469" ed="F1" /></l><l>In the rank sweat of an enseamed bed,
<lb ed="G" /><lb n="2470" ed="F1" /></l><l>Stew'd in corruption, honeying and making love
<lb ed="G" /><lb n="2471" ed="F1" /></l><l>Over the nasty sty,—

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2472" ed="F1" /><l>O, speak to me no more;
<lb ed="G" /><lb n="2473" ed="F1" /></l><l>These words, like daggers, enter in mine ears;
<lb ed="G" /><lb n="2474" ed="F1" /></l><l>No more, sweet Hamlet!

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2475" ed="F1" /><l>A murderer and a villain;
<lb ed="G" /><lb n="2476" ed="F1" /></l><l>A slave that is not twentieth part the tithe
<lb ed="G" /><lb n="2477" ed="F1" /></l><l>Of your precedent lord; a vice of kings;
<lb ed="G" /><lb n="2478" ed="F1" /></l><l>A cutpurse of the empire and the rule,
<lb ed="G" /><lb n="2479" ed="F1" /></l><l>That from a shelf the precious diadem stole,
<lb ed="G" /><lb n="2480" ed="F1" /></l><l>And put it in his pocket!

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2481" ed="F1" /><l>No more!
<lb n="2482" ed="F1" />
<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2483" ed="F1" /><l>A king of shreds and patches,—
<stage type="entrance">Enter Ghost.</stage>
<lb ed="G" /><lb n="2484" ed="F1" /></l><l>Save me, and hover o'er me with your wings,
<lb ed="G" /><lb n="2485" ed="F1" /></l><l>You heavenly guards!   What would your gracious figure?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2486" ed="F1" /><l>Alas, he's mad!

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2487" ed="F1" /><l>Do you not come your tardy son to chide,
<lb ed="G" /><lb n="2488" ed="F1" /></l><l>That, lapsed in time and passion, lets go by
<lb ed="G" /><lb n="2489" ed="F1" /></l><l>The important acting of your dread command?
<lb ed="G" /></l><l>O, say!

<lb n="110" ed="G" /></l></sp><sp who="ghost."><speaker>Ghost.</speaker><lb n="2490" ed="F1" /><l>Do not forget: this visitation   
<lb ed="G" /><lb n="2491" ed="F1" /></l><l>Is but to whet thy almost blunted purpose.
<lb ed="G" /><lb n="2492" ed="F1" /></l><l>But, look, amazement on thy mother sits:
<lb ed="G" /><lb n="2493" ed="F1" /></l><l>O, step between her and her fighting soul:
<lb ed="G" /><lb n="2494" ed="F1" /></l><l>Conceit in weakest bodies strongest works:
<lb ed="G" /><lb n="2495" ed="F1" /></l><l>Speak to her, Hamlet.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2496" ed="F1" /><l>How is it with you, lady?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2497" ed="F1" /><l>Alas, how is't with you,
<lb ed="G" /><lb n="2498" ed="F1" /></l><l>That you do bend your eye on vacancy
<lb ed="G" /><lb n="2499" ed="F1" /></l><l>And with the incorporal air do hold discourse?
<lb ed="G" /><lb n="2500" ed="F1" /></l><l>Forth at your eyes your spirits wildly peep;
<lb n="120" ed="G" /><lb n="2501" ed="F1" /></l><l>And, as the sleeping soldiers in the alarm, 
<lb ed="G" /><lb n="2502" ed="F1" /></l><l>Your bedded hair, like life in excrements,
<lb ed="G" /><lb n="2503" ed="F1" /></l><l>Start up, and stand an end. O gentle son,
<lb ed="G" /><lb n="2504" ed="F1" /></l><l>Upon the heat and flame of thy distemper
<lb ed="G" /><lb n="2505" ed="F1" /></l><l>Sprinkle cool patience.   Whereon do you look?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2506" ed="F1" /><l>On him, on him!   Look you, how pale he glares!
<lb ed="G" /><lb n="2507" ed="F1" /></l><l>His form and cause conjoin'd, preaching to stones,
<lb ed="G" /><lb n="2508" ed="F1" /></l><l>Would make them capable.  Do not look upon me;
<lb ed="G" /><lb n="2509" ed="F1" /></l><l>Lest with this piteous action you convert
<lb ed="G" /><lb n="2510" ed="F1" /></l><l>My stern effects: then what I have to do
<lb n="130" ed="G" /><lb n="2511" ed="F1" /></l><l>Will want true colour; tears perchance for blood. 

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2512" ed="F1" /><l>To whom do you speak this?

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2513" ed="F1" /><l>Do you see nothing there?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2514" ed="F1" /><l>Nothing at all; yet all that is I see.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2515" ed="F1" /><l>Nor did you nothing hear?

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2516" ed="F1" /><l>No, nothing but ourselves.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2517" ed="F1" /><l>Why, look you there look, how it steals away!
<lb ed="G" /><lb n="2518" ed="F1" /></l><l>My father, in his habit as he lived!
<lb ed="G" /><lb n="2519" ed="F1" /></l><l>Look, where he goes, even now, out at the portal!
<stage type="exit">Exit Ghost. </stage>

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2520" ed="F1" /><l>This is the very coinage of your brain:
<lb ed="G" /><lb n="2521" ed="F1" /></l><l>This bodiless creation ecstasy
<lb ed="G" /></l><l>Is very cunning in.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2522" ed="F1" /><l>Ecstasy !
<lb n="140" ed="G" /><lb n="2523" ed="F1" /></l><l>My pulse, as yours, doth temperately keep time, 
<lb ed="G" /><lb n="2524" ed="F1" /></l><l>And makes as healthful music: it is not madness
<lb ed="G" /><lb n="2525" ed="F1" /></l><l>That I have utter'd: bring me to the test,
<lb ed="G" /><lb n="2526" ed="F1" /></l><l>And I the matter will re-word; which madness
<lb ed="G" /><lb n="2527" ed="F1" /></l><l>Would gambol from.   Mother, for love of grace,
<lb ed="G" /><lb n="2528" ed="F1" /></l><l>Lay not that flattering unction to your soul,
<lb ed="G" /><lb n="2529" ed="F1" /></l><l>That not your trespass, but my madness speaks:
<lb ed="G" /><lb n="2530" ed="F1" /></l><l>It will but skin and film the ulcerous place,
<lb ed="G" /><lb n="2531" ed="F1" /></l><l>Whiles rank corruption, mining all within,
<lb ed="G" /><lb n="2532" ed="F1" /></l><l>Infects unseen. Confess yourself to heaven;
<lb ed="G" /><lb n="2533" ed="F1" /></l><l>Repent what's past; avoid what is to come;
<lb ed="G" /><lb n="2534" ed="F1" /></l><l>And do not spread the compost on the weeds,
<lb ed="G" /><lb n="2535" ed="F1" /></l><l>To make them ranker.   Forgive me this my virtue;
<lb ed="G" /><lb n="2536" ed="F1" /></l><l>For in the fatness of these pursy times
<lb ed="G" /><lb n="2537" ed="F1" /></l><l>Virtue itself of vice must pardon beg,
<lb ed="G" /><lb n="2538" ed="F1" /></l><l>Yea, curb and woo for leave to do him good.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2539" ed="F1" /><l>O Hamlet, <lb n="2540" ed="F1" />thou hast cleft my heart in twain.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2541" ed="F1" /><l>O, throw away the worser part of it,
<lb ed="G" /><lb n="2542" ed="F1" /></l><l>And live the purer with the other half.
<lb ed="G" /><lb n="2543" ed="F1" /></l><l>Good night: but go not to mine uncle's bed;
<lb n="160" ed="G" /><lb n="2544" ed="F1" /></l><l>Assume a virtue, if you have it not.       
<lb ed="G" /></l><l>That monster, custom, who all sense doth eat,
<lb ed="G" /></l><l>Of habits devil, is angel yet in this,
<lb ed="G" /></l><l>That to the use of actions fair and good
<lb ed="G" /></l><l>He likewise gives a frock or livery,
<lb ed="G" /></l><l>That aptly is put on. Refrain to-night,
<lb ed="G" /><lb n="2545" ed="F1" /></l><l>And that shall lend a kind of easiness
<lb ed="G" /><lb n="2546" ed="F1" /></l><l>To the next abstinence: the next more easy;
<lb ed="G" /></l><l>For use almost can change the stamp of nature,
<lb ed="G" /></l><l>And either....the devil, or throw him out
<lb n="170" ed="G" /></l><l>With wondrous potency.   Once more, good night: 
<lb ed="G" /><lb n="2547" ed="F1" /></l><l>And when you are desirous to be bless'd,
<lb ed="G" /><lb n="2548" ed="F1" /></l><l>I'll blessing beg of you. For this same lord,
<stage>[Pointing to Polonius.</stage>
<lb ed="G" /><lb n="2549" ed="F1" /></l><l>I do repent: but heaven hath pleased it so,
<lb ed="G" /><lb n="2550" ed="F1" /></l><l>To punish me with this and this with me,
<lb ed="G" /><lb n="2551" ed="F1" /></l><l>That I must be their scourge and minister.
<lb ed="G" /><lb n="2552" ed="F1" /></l><l>I will bestow him, and will answer well
<lb ed="G" /><lb n="2553" ed="F1" /></l><l>The death I gave him. So, again, good night.
<lb ed="G" /><lb n="2554" ed="F1" /></l><l>I must be cruel, only to be kind:
<lb ed="G" /><lb n="2555" ed="F1" /></l><l>Thus bad begins and worse remains behind.
<lb ed="G" /></l><l>One word more, good lady.

<lb n="180" ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2556" ed="F1" /><l>What shall I do?   

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2557" ed="F1" /><l>Not this, by no means, that I bid you do:
<lb ed="G" /><lb n="2558" ed="F1" /></l><l>Let the bloat king tempt you again to bed;
<lb ed="G" /><lb n="2559" ed="F1" /></l><l>Pinch wanton on your cheek; call you his mouse;
<lb ed="G" /><lb n="2560" ed="F1" /></l><l>And let him, for a pair of reechy kisses,
<lb ed="G" /><lb n="2561" ed="F1" /></l><l>Or paddling in your neck with his damn'd fingers,
<lb ed="G" /><lb n="2562" ed="F1" /></l><l>Make you to ravel all this matter out,
<lb ed="G" /><lb n="2563" ed="F1" /></l><l>That I essentially am not in madness,
<lb ed="G" /><lb n="2564" ed="F1" /></l><l>But mad in craft. 'Twere good you let him know;
<lb ed="G" /><lb n="2565" ed="F1" /></l><l>For who, that's but a queen, fair, sober, wise,
<lb n="190" ed="G" /><lb n="2566" ed="F1" /></l><l>Would from a paddock, from a bat, a gib, 
<lb ed="G" /><lb n="2567" ed="F1" /></l><l>Such dear concernings hide? who would do so?
<lb ed="G" /><lb n="2568" ed="F1" /></l><l>No, in despite of sense and secrecy,
<lb ed="G" /><lb n="2569" ed="F1" /></l><l>Unpeg the basket on the house's top,
<lb ed="G" /><lb n="2570" ed="F1" /></l><l>Let the birds fly, and, like the famous ape,
<lb ed="G" /><lb n="2571" ed="F1" /></l><l>To try conclusions, in the basket creep,
<lb ed="G" /><lb n="2572" ed="F1" /></l><l>And break your own neck down.

<lb ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2573" ed="F1" /><l>Be thou assured, if words be made of breath,
<lb ed="G" /><lb n="2574" ed="F1" /></l><l>And breath of life, I have no life to breathe
<lb ed="G" /><lb n="2575" ed="F1" /></l><l>What thou hast said to me.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><lb n="2576" ed="F1" /><l>I must to England; you know that?

<lb n="200" ed="G" /></l></sp><sp who="queen."><speaker>Queen.</speaker><lb n="2577" ed="F1" /><l>Alack, 
<lb ed="G" /></l><l>I had forgot: 'tis so concluded on.

<lb ed="G" /></l></sp><sp who="ham."><speaker>Ham.</speaker><l>There's letters seal'd: and my two schoolfellows,
<lb ed="G" /></l><l>Whom I will trust as I will adders fang'd,
<lb ed="G" /></l><l>They bear the mandate; they must sweep my way,
<lb ed="G" /></l><l>And marshal me to knavery. Let it work;
<lb ed="G" /></l><l>For 'tis the sport to have the enginer
<lb ed="G" /></l><l>Hoist with his own petar: and't shall go hard
<lb ed="G" /></l><l>But I will delve one yard below their mines,
<lb ed="G" /></l><l>And blow them at the moon: O, 'tis most sweet,
<lb n="210" ed="G" /></l><l>When in one line two crafts directly meet. 
<lb ed="G" /><lb n="2578" ed="F1" /></l><l>This man shall set me packing:
<lb ed="G" /><lb n="2579" ed="F1" /></l><l>I'll lug the guts into the neighbour room.
<lb ed="G" /><lb n="2580" ed="F1" /></l><l>Mother, good night. Indeed this counsellor
<lb ed="G" /><lb n="2581" ed="F1" /></l><l>Is now most still, most secret and most grave,
<lb ed="G" /><lb n="2582" ed="F1" /></l><l>Who was in life a foolish prating knave.
<lb ed="G" /><lb n="2583" ed="F1" /></l><l>Come, sir, to draw toward an end with you.
<lb ed="G" /><lb n="2584" ed="F1" /></l><l>Good night, mother.
<lb n="2585" ed="F1" /><stage type="exit">Exeunt severally; Hamlet dragging in Polonius.</stage></l></sp>
</div2> 
</div1></body></text></TEI.2>