...eorge Hazelton and J. H. Benrimo's (4 November, 1912), an imaginative creation of real worth, far exceeding anything that Hazelton had ever done before, and defying imitation by Benrimo, who built ( Cohan and Harris Theatre, 6 March, 1917) upon it. It convinces the most unhopeful critic that what the American theatre needs is not so much material as an intellectual, a spiritual unity about it which wi...