...ason of its perfect wording. There is here a suggestion of embellishment that marks the limit of Aldrich's reach. It was well enough for him to object to Kiplingese and to the negligee dialect of James Whitcomb Riley , but he himself went to the other extreme in his solicitude for beautiful form. Even more than his master Tennyson, he loved fine form so ardently that he cared too little whether the embodied thou...