Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller). You can also browse the collection for May 23rd or search for May 23rd in all documents.

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rear of Washington, and was the granary for all the Virginia armies. When McClellan with his hundred thousand men was advancing upon Richmond, which seemed certain to fall before superior numbers, Jackson prevented the junction of the Union armies by a series of startling achievements. On May 8th, by a forced march, he took the Federal force at McDowell by surprise, and despite a four hours resistance drove it back in defeat. He followed up the retreating troops. In the early morning of May 23d, at Fort royal, the clear notes of the bugle, followed by the crash of musketry, startled the Union camp. The hastily formed line was sturdily repelling the charge when the appearance of cavalry in its rear caused it to fall back. But Jackson was soon following the dust of the retreating column down the road to Winchester. There banks, who was fond of shell, was attacked with artillery on the morning of May 25th, after which ten thousand bayonets rushed forward to the ringing Rebel yell
wo had lain; And the old man's tremulous, palsied arm Could never lean on a son's again. In Washington's chiefest avenue Thus appeared the crowds that greeted the army whose home-coming inspired Bret Harte's poem. From the steps of the Treasury building the impatient people gaze down Pennsylvania Avenue on the morning of June 8, 1865, awaiting the march of the Sixth Corps of the Army of the Potomac, which had been prevented by duty in Virginia from participating in the Grand Review of May 23rd. The scene is similar. The women and children in the foreground, the senators and important citizens in silk hats, the throng surging far out into the street beneath the fluttering banners, the general restlessness and impatience are the same as on the earlier and more famous gala occasion. The pomp and panoply of war are here in the parades and the blare of trumpets and the admiring hosts that line the street—not in the actual service in the field. Harte writes of actual warfare as a s