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Pausanias, Description of Greece 2 2 Browse Search
A Dictionary of Greek and Roman biography and mythology (ed. William Smith) 1 1 Browse Search
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Pausanias, Description of Greece, Attica, chapter 28 (search)
Why they set up a bronze statue of Cylon in spite of his plotting a tyranny632 B.C., I cannot say for certain; but I infer that it was because he was very beautiful to look upon, and of no undistinguished fame, having won an Olympian victory in the double foot-race, while he had married the daughter of Theagenes, tyrant of Megara. In addition to the works I have mentioned, there are two tithes dedicated by the Athenians after wars. There is first a bronze Athena, tithe from the Persians who landed at Marathon. It is the work of Pheidias, but the reliefs upon the shield, including the fight between Centaurs and Lapithae, are said to be from the chisel of Mysfl. 430 B.C., for whom they say Parrhasius the son of Evenor, designed this and the rest of his works. The point of the spear of this Athena and the crest of her helmet are visible to those sailing to Athens, as soon as Sunium is passed. Then there is a bronze chariot, tithe from the Boeotians and the Chalcidians in Euboeac. 507
Pausanias, Description of Greece, Elis 1, chapter 11 (search)
hildren of Niobe. Between the feet of the throne are four rods, each one stretching from foot to foot. The rod straight opposite the entrance has on it seven images; how the eighth of them disappeared nobody knows. These must be intended to be copies of obsolete contests, since in the time of Pheidias contests for boys had not yet been introduced.This statement is certainly incorrect; Pausanias himself says that contests for the boys were introduced at the thirty-seventh Festival, i.e. in 632 B.C. Several suggestions have been made for correcting the text. One of the most attractive is that of C. Robert （see Hermes XXIII. 1888, p. 451）, who would read a)gwnistw=n for a)gwnisma/twn and transpose ou) ga/r (for which he reads a)/ra) pw . . . th=s *feidi/ou to after o)gdoh/konta. This would mean: “So P. had not reached the age of boys at the time of Pheidias.” The figure of one binding his own head with a ribbon is said to resemble in appearance Pantarces, a stripling of Elis said to
A Dictionary of Greek and Roman biography and mythology (ed. William Smith), Stesi'chorus (search)
Stesi'chorus （*Sthoi/xoros), of Himera in Sicily, a celebrated Greek poet, contemporary with Sappho, Alcaeus, Pittacus, and Phalaris, later than Alcman. and earlier than Simonides, is said to have been born in Ol. 37, B. C. 632, to have flourished about Ol. 43, B. C. 603, and to have died in Ol. 55. 1, B. C. 560, or Ol. 56, B. C. 556-552, at the age of eighty or, according to Lucian, eighty-five. (Suid. s. vv. *Sthsi/xoros, *Simwni/dhs, *Sapfw/; Euseb. Chron. Ol. 43. 1; Aristot. Rh. 2.20.5 ; Cyrill. Julian. i. p. 12d.; Lucian. Macrob. 26 ; Clinton, F. H. vol. i. s. a. 611. vol. ii. s. aa. 556, 553.) Various attempts have been made to remove the slight discrepancies in the above numbers ; but it appears better to be content with the general result, which they clearly establish, that Stesichorus flourished at the beginning and during the first part of the sixth century B. C. There appears, at first sight, to be a discrepancy between these testimonies and the statement of the Parian M