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Harper's Encyclopedia of United States History (ed. Benson Lossing) 260 260 Browse Search
George P. Rowell and Company's American Newspaper Directory, containing accurate lists of all the newspapers and periodicals published in the United States and territories, and the dominion of Canada, and British Colonies of North America., together with a description of the towns and cities in which they are published. (ed. George P. Rowell and company) 232 232 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 63 63 Browse Search
Lucius R. Paige, History of Cambridge, Massachusetts, 1630-1877, with a genealogical register 48 48 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 45 45 Browse Search
Brigadier-General Ellison Capers, Confederate Military History, a library of Confederate States Military History: Volume 5, South Carolina (ed. Clement Anselm Evans) 30 30 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 25 25 Browse Search
Hon. J. L. M. Curry , LL.D., William Robertson Garrett , A. M. , Ph.D., Confederate Military History, a library of Confederate States Military History: Volume 1.1, Legal Justification of the South in secession, The South as a factor in the territorial expansion of the United States (ed. Clement Anselm Evans) 22 22 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 22 22 Browse Search
Abraham Lincoln, Stephen A. Douglas, Debates of Lincoln and Douglas: Carefully Prepared by the Reporters of Each Party at the times of their Delivery. 20 20 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for 1856 AD or search for 1856 AD in all documents.

Your search returned 10 results in 5 document sections:

Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: the historians, 1607-1783 (search)
nd in it also was a reference to the manuscript. Seven years later two gentlemen of Boston came across the reference in Anderson's book. An investigation was made, and the identity of the Fulham manuscript with Bradford's was completely established. The Bishop of London held that only an act of Parliament could restore it to the place whence it had been taken. He made, however, no objection to a request that the Massachusetts Historical Society be allowed to publish the manuscript, and in 1856 that society gave the world the first complete publication of Bradford's book. It was enriched with annotations by the learned Charles Deane. In 1867 another request was made that the bishop should surrender the manuscript, but the reply was the same as in the first instance. In 1896 the then Bishop of London relented, and Bradford's manuscript was given up without an act of Parliament. It was received in Boston with high honour and much joy on the part of learned men and was placed in t
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: the early drama, 1756-1860 (search)
age. Trent, W. P., William Gilmore Simms, 1892, p. 117. W. G. Simms wrote two novels, Beauchampe (1842) and Charlemont (1856), upon this event, and C. F. Hoffman his Greyslaer (1840). Beauchampe was dramatized in 1856 by John Savage under the titl1856 by John Savage under the title of Sybil, which was frequently played. Mrs. Conner transferred the scene to Milan at the close of the fifteenth century. This preference for foreign scenes, especially in Spain or Italy, remains one of the significant features of this type of plaGaslight. Such titles as The dry goods clerk of New York (1851), The Seamstress of New York (1851), New York by Gaslight (1856), The poor of New York (1857), Life in Brooklyn, its lights and Shades, its virtues and vices (1858) illustrate the natures Self, E. G. Wilkins's Young New York, Cornelius Mathews's False Pretences; or, both sides of good Society, all played in 1856, become caricature of a descending quality. Perhaps the most clever of the later comedies of social life is Americans in
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
ake poetry out of American materials, convinced that Thrice happy he who first shall strike the lyre, With homebred feeling, and with homebred fire. The backwoodsman (1818), from which this conventional couplet is taken, recounts, without much plot, in sturdy heroics more like Crabbe's realism than Goldsmith's idyllic sentiment, the rugged life and wild surroundings of a frontiersman and his family. It is an honest document, if not distinguished literature. James Gates Percival (1795-1856) typified that crude manifestation of Romanticism, the self-constituted, the self-conscious poetic genius. Similarly, he typified the poetic mood that is without the poetic reason. The stuff of him is preeminently the stuff of poetry, but unclarified, uncontrolled, unorganized. It is often as if the personalities of Byron, Shelley, Wordsworth, Moore, and Bryant had been merged into one helpless hypnoidal state of metrical and emotional garrulity. Yet every now and then an open-minded read
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 7: fiction II--contemporaries of Cooper. (search)
, furnishes a kind of comic afterpiece for the series. Simms subsequently returned to the body of his theme and produced The Forayers (1853) and its sequel Eutaw (1856) to do honour to the American successes of the year 1781. Of these The scout is perhaps the poorest, because of the large admixture of Simms's cardinal vice, hoic, as Cooper more poetic, the farther he ventured from regions of order and law. Richard Hurdis (1838), Border Beagles (1840), Beauchampe (1842), and Charlemont (1856) are amazingly sensational. Nor was Simms happy when he abandoned native for foreign history, as in Pelayo (1838), The Damsel of Darien (1839), Count Julian (1845e at once, Moby Dick seems to have exhausted him. Pierre (1852) is hopelessly frantic; Israel Potter (1855) is not markedly original; neither are The Piazza tales (1856), and The confidence man (1857). The verses which he wrote in his later years, his sole output, are in a few instances happy, but far more often jagged and harsh.
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 9: Emerson (search)
fect by throwing a direct light into the soul of the hearer and bidding him look there and acknowledge what he sees. Of the events of these years there is not much to relate. A journey to Europe, in 1847, resulted in the only two of his books which may be said to have been composed as units: Representative men (published in 1850, from a series of lectures delivered in London), which displays Emerson's great powers as an ethical critic, in the larger use of that phrase, and English traits (1856), which proves that his eyes were observing the world about him with Yankee shrewdness all the while that he seemed to be gazing into transcendental clouds. Into the question of slavery and disunion which was now agitating the country, he entered slowly. It was natural that one to whom the power and meaning of institutions had little appeal and to whom liberty was the all-including virtue, should have been drawn to the side of the Abolitionists, but at first there was a philosophical aloofn