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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 20 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 19 1 Browse Search
Thomas Wentworth Higginson, Olde Cambridge 6 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 6 0 Browse Search
Rebellion Record: a Diary of American Events: Poetry and Incidents., Volume 5. (ed. Frank Moore) 2 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 2 0 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for T. B. Aldrich or search for T. B. Aldrich in all documents.

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Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 6: the short story (search)
might have happened had James and Howells and Aldrich had full control it is idle to speculate; whaint of the new vogue. Artists like James and Aldrich went on with their work as if The luck of Roae the story a model for later writers. After Aldrich, Stockton and Bunner and O. Henry. AldrichAldrich brought a style to the short story as distinctive as Cable's, a certain patrician elegance, yet a supplied by the reader's imagination. All of Aldrich's thin repertoire of short stories is of the Book III, Chap. XI. had not the technique of Aldrich nor his naturalness and ease. Certainly he hnto their work. His genius was Gallic. Like Aldrich, he approached the short story from the fastindpoint of the lyric poet. With him, as with Aldrich, art was a matter of exquisite touches, of inore American than Henry James, more even than Aldrich. He chose always distinctively native subjecork had more depth of soul than Stockton's or Aldrich's. The story may be trivial, a mere expanded