hide Matching Documents

The documents where this entity occurs most often are shown below. Click on a document to open it.

Document Max. Freq Min. Freq
James Russell Lowell, Among my books 12 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 10 0 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 4 0 Browse Search
John Esten Cooke, Wearing of the Gray: Being Personal Portraits, Scenes, and Adventures of War. 2 0 Browse Search
The writings of John Greenleaf Whittier, Volume 7. (ed. John Greenleaf Whittier) 2 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 2 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 2 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
Thomas Wentworth Higginson, Cheerful Yesterdays 2 0 Browse Search
The Daily Dispatch: November 6, 1860., [Electronic resource] 2 0 Browse Search
View all matching documents...

Browsing named entities in George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard). You can also browse the collection for Ariosto or search for Ariosto in all documents.

Your search returned 1 result in 1 document section:

George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard), Chapter 8: (search)
relating to his office as Master of the Mint, with correspondence, etc.; and the other is the collection of Milton's papers, chiefly in his own handwriting, including Comus, Lycidas, Arcades, Sonnets, etc., and some letters, which have been bound up, and preserved here about a century. Nothing of the sort can be more interesting or curious, especially the many emendations of Milton's poems in his own hand. Twenty years ago I remember being shown, at Ferrara, the original manuscript of Ariosto's Orlando Furioso, and the old librarian pointed out to me, at the bottom of a blotted page, these words, with a date, all in pencil, Vittorio Alfieri vide e venero, adding that when Alfieri wrote them, his tears fell so fast that they dropped on the paper and blistered it. It was impossible to avoid having something of the same feeling when looking at these venerable remains of two of the greatest men, in the opposite departments of science and poetry, that the world has ever seen . . . .