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Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 2 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
Thomas Wentworth Higginson, Henry Wadsworth Longfellow 2 2 Browse Search
The Daily Dispatch: July 17, 1863., [Electronic resource] 2 0 Browse Search
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Browsing named entities in James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen. You can also browse the collection for Bierstadt or search for Bierstadt in all documents.

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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Harriet G. Hosmer. (search)
of the monument about thirty thousand dollars. In the Dublin Exhibition of 1865, Miss Hosmer offered to the public the Sleeping Faun, in marble of life size, which was sold on the day it was opened for five thousand dollars. Sir Charles Eastlake said, If it had been discovered among the ruins of Rome or Pompeii, it would have been pronounced one of the best of Grecian statues. It was exhibited again in the Universal Exposition of Paris, 1867, where, with the great paintings of Church, Bierstadt, Huntington, and others, it gave to tie most aesthetic nations new apprehensions of the progress and honors of American art. Among the many pieces of marble statuary of modern artists, says the United States Commissioner, E. C. Cowdin, Esq., none was more admired than the Sleeping Faun, a figure of antique grace finely conceived and admirably executed. The Waking Faun, a companion piece, at a recent date was only clay. It is owned, with a second copy of the former, by Lady Ashburton,