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The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller) 4 0 Browse Search
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of one Dix or Dixy, who had a large plantation, some say on Manhattan Island, others on Staten Island. When the progress of abolition sentiment obliged him to migrate southward, his slaves looked back to their old home as a paradise. But with years the term Dixie's Land was transferred to their new home and was taken up by both white and black as a name for the South. Emmet's production was sung for the first time on Monday night, September 19, 1859, at 472 Broadway, New York City, where Bryant's Minstrels were then showing. It enjoyed instant popularity. Its vogue in the South was begun in New Orleans in the Spring of 1861. Mrs. John Woods was then playing at the New Orleans Varieties Theater in John Brougham's burlesque of ‘Pocahontas.’ In the last scene was a zouave march. At the first performance the zouaves were led by Miss Susan Denin, singing ‘Dixie,’ and reappearing seven times in answer to the persistent applause. The whole South took it up. Swear upon your country's
erwards consigned to oblivion. Where are you going, soldiers, With banner, gun and sword? We're marching south to Canaan To battle for the Lord. What Captain leads your armies Along the rebel coasts? The mighty One of Israel, His name is Lord of Hosts. Chorus- To Canaan, to Canaan, The Lord has led us forth, To blow before the heathen walls The trumpets of the North. Dixie: the original version Dixie was first written as a walk-a-round by an Ohioan, Dan Emmet, and was first sung in Dan Bryant's minstrel show on Broadway, New York, shortly before the war. It came into martial usage by accident and its stirring strains inspired the regiments on many a battlefield. Curiously enough it was adapted to patriotic words on both sides and remained popular with North and South alike after the struggle was over. Abraham Lincoln loved the tune and considered the fact that it was truly representative of the land of cotton far more important than its lack of adherence to the strict laws of