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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 16 0 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 10 2 Browse Search
Harper's Encyclopedia of United States History (ed. Benson Lossing) 8 0 Browse Search
The Daily Dispatch: January 24, 1861., [Electronic resource] 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
The Daily Dispatch: July 14, 1862., [Electronic resource] 3 1 Browse Search
Southern Historical Society Papers, Volume 19. (ed. Reverend J. William Jones) 3 1 Browse Search
Southern Historical Society Papers, Volume 9. (ed. Reverend J. William Jones) 3 1 Browse Search
Maj. Jed. Hotchkiss, Confederate Military History, a library of Confederate States Military History: Volume 3, Virginia (ed. Clement Anselm Evans) 2 0 Browse Search
Thomas Wentworth Higginson, Carlyle's laugh and other surprises 2 0 Browse Search
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Thomas Wentworth Higginson, Carlyle's laugh and other surprises, XXIV. a half-century of American literature (1857-1907） (search)
n its own original way, and not conventionally. It was destined, as Cicero said of ancient Rome, to produce its statesmen and orators first, and its poets later. Literature was not inclined to show itself with much promptness, during and after long years of conflict, first with the Indians, then with the mother country. There were individual instances of good writing: Judge Sewall's private diaries, sometimes simple and noble, sometimes unconsciously eloquent, often infinitely amusing; William Byrd's and Sarah Knight's piquant glimpses of early Virginia travel; Cotton Mather's quaint and sometimes eloquent passages; Freneau's poetry, from which Scott and Campbell borrowed phrases. Behind all, there was the stately figure of Jonathan Edwards standing gravely in the background, like a monk at the cloister door, with his treatise on the Freedom of the will. Thus much for the scanty literary product; but when we turn to look for a new-born statesmanship in a nation equally new-born,