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Jula Ward Howe, Reminiscences: 1819-1899 6 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 2 0 Browse Search
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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Eminent women of the drama. (search)
d at the Academy of Music, in 1861. Her first really great success, though, was made as Margherita, in Gounod's Faust, which was first produced in New York, in the season of 1864-65. Personal adaptability to the character was, doubtless, one of the chief sources of this success. Margherita is a pure, delicate, gentle, loving, simple-hearted, and simple-minded maiden; and Miss Kellogg filled this ideal, not less in spirit than in outward seeming. Another of her successes was made as Linda di Chamounix, in May, 1867. Her acting and singing, in the malediction scene, in act second of this opera, are still remembered, with lively emotions of astonishment and admiration, because of their extraordinary vitality, tragic force, and glittering precision of method, in which art concealed every trace of art and wielded the magical wand of nature. In addition to these, Miss Kellogg has made signal successes in Crispino e la Comare, Fra Diavola, Il Barbiere di Seviglia, I Puritani, L'etoile d