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Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 52 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 20 0 Browse Search
James Parton, The life of Horace Greeley 18 2 Browse Search
Raphael Semmes, Memoirs of Service Afloat During the War Between the States 10 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 1. (ed. Frank Moore) 2 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 2 0 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Fenimore Cooper or search for Fenimore Cooper in all documents.

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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Preface (search)
is fellow countrymen a profound bias in favor of the autochthonous. What are the Tibers and Scamanders, he cries, measured by the Missouri and the Amazon? Or what the loveliness of Illysus or Avon by the Connecticut or the Potomack?-Whenever a nation wills it, prodigies are born. Admiration and patronage create myriads who struggle for the mastery, and for the olympick crown. Encourage the game and the victors will come. In some measure, no doubt, Rip Van Winkle, the Indian romances of Cooper, the philosophy of Emerson and Thoreau, the novels of Hawthorne, Longfellow's Evangeline, Miles Standish, and Hiawatha were responses to this encouragement of the game — to the nation's willing an expression of its new American consciousness. Against the full rigour of the demand for an independent national literature there was, by the middle of the last century, a wholesome reaction represented in Rufus Wilmot Griswold's introduction to his Prose writers of America (1847). Since this old
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 1: travellers and observers, 1763-1846 (search)
ost every educated mind, is well established in American literature from William Bartram to Fenimore Cooper. The related notion of social equality in a state of nature has a more solid basis. As in review, with Edward Everett as editor, hurried to the defence, and Timothy Dwight, Irving, Fenimore Cooper, and Paulding were among those who, with or without finesse, parried the foreign thrusts. le episode. The best kind of reply to the taunt of Sydney Smith was the literary work of Fenimore Cooper and Washington Irving, who are more fully treated elsewhere in this history. See also Book II, Chaps. IV and VI. Of Cooper's novels, three more important ones had been produced before he was entangled in the controversies that occupied much of his life. The pioneers reflected his early English nor Americans; nor did the criticism in Homeward bound and Home as found tend to pacify Cooper's fellow-countrymen. The turmoil of his later years did not prevent him from writing two of his
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: the early drama, 1756-1860 (search)
nt of farcical characters like the Toodles out of material whose history goes back to sentimental domestic drama, scored one of his greatest popular successes. The dramatization of American novels calls for a word of comment here. The work of Cooper, W. G. Simms, J. P. Kennedy, C. F. Hoffman, R. M. Bird, T. S. Fay, Mrs. Stowe, and others, was quickly placed on the stage. It will be noticed that it was chiefly in the sphere of the romance that this was the case, Cooper being the prime favouCooper being the prime favourite. Though this work was rarely done by a dramatist of distinction, it was often popular. What impresses one most in a survey of these types of drama is the evidence of organic growth. It is possible to trace in the development of the drama in this country before the Civil War certain fairly distinct periods. The first ends with the closing of the theatres in 1774 and has as its principal event the production of The Prince of Parthia in 1767. The second, from 1774 to 1787, includes the
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 3: early essayists (search)
r writer would be a hopeless task, but the papers known to have been written wholly or in large measure by Paulding indicate that his part in the undertaking was not inferior to Irving's. Nor was Paulding less a master of a graceful and vivacious style, formed by his boyish reading of The Citizen of the world. It was he who first sketched the characters of the Cockloft family, and in the case of Mine uncle John he took the likeness of a real uncle as deftly as Irving portrayed the lively Mrs. Cooper in Sophie sparkle or the fastidious Joseph Dennie in Launcelot Langstaff. Aunt Charity, who died of a Frenchman, was apparently a joint production. The two writers might have acquired from Steele and his successors the art of drawing crotchety characters, if not the fondness for detecting them, but the inevitable urban setting of the British essays afforded few models for such studies of nature as the Autumnal reflections of the seventeenth Salmagundi paper. There Paulding — who undoub
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
ch but few quotations, of either epigrammatic criticism or haunting beauty. A book could be written on this thesis, but a paragraph must suffice. It is just as well: it is better to realize what Bryant was than to exploit what he was not. And if he was and is a true poet, he belongs to our best traditions also as critic. He was never, to be sure, the professional guide of literary taste, like Arnold and Lowell. Apart from sensible but obvious memorial addresses on Irving, Halleck, and Cooper, his best known essay is introductory to his Library of poetry and song; it enunciates fewer keen judgments on individuals, fewer profound principles, than does Emerson's introduction to his Parnassus, but it does enunciate the primacy of a luminous style and of themes central to common man, in noble paragraphs that should not be forgotten, certainly not by any one who believes that criticism gains in authority when it is the concentrated deduction of experience. Of his services as editor o