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Joshua Lawrence Chamberlain, The Passing of the Armies: The Last Campaign of the Armies. 181 1 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume II. 71 3 Browse Search
Philip Henry Sheridan, Personal Memoirs of P. H. Sheridan, General, United States Army . 44 4 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 3 40 0 Browse Search
Edward Porter Alexander, Military memoirs of a Confederate: a critical narrative 36 0 Browse Search
Southern Historical Society Papers, Volume 11. (ed. Reverend J. William Jones) 32 0 Browse Search
Comte de Paris, History of the Civil War in America. Vol. 2. (ed. Henry Coppee , LL.D.) 28 0 Browse Search
Maj. Jed. Hotchkiss, Confederate Military History, a library of Confederate States Military History: Volume 3, Virginia (ed. Clement Anselm Evans) 20 0 Browse Search
D. H. Hill, Jr., Confederate Military History, a library of Confederate States Military History: Volume 4, North Carolina (ed. Clement Anselm Evans) 14 0 Browse Search
General Horace Porter, Campaigning with Grant 10 0 Browse Search
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Browsing named entities in Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing). You can also browse the collection for Crawford or search for Crawford in all documents.

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Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing), chapter 4 (search)
e entertainments were shared with many admirers, and, as I now remember them, certain months about the years 1839, 1840, seem colored with the genius of these Italians. Our walls were hung with prints of the Sistine frescoes; we were all petty collectors; and prints of Correggio and Guercino took the place, for the time, of epics and philosophy. In the summer of 1839, Boston was still more rightfully adorned with the Allston Gallery; and the sculptures of our compatriots Greenough, and Crawford, and Powers, were brought hither. The following lines were addressed by Margaret to the Orpheus:— Crawfords Orpheus. Each Orpheus must to the abyss descend, For only thus the poet can be wise,— Must make the sad Persephone his friend, And buried love to second life arise; Again his love must lose, through too much love, Must lose his life by living life too true; For what he sought below has passed above, Already done is all that he would do; Must tune all being with his single lyre; M
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing), chapter 11 (search)
ery, to know the real mind, the vital blood of Italy, —took a leading part. I am sorry to say that a large portion of my countrymen here take the same slothful and prejudiced view as the English, and, after many years' sojourn, betray entire ignorance of Italian literature and Italian life beyond what is attainable in a month's passage through the thoroughfares. However, they did show, this time, a becoming spirit, and erected the American Eagle where its cry ought to be heard from afar. Crawford, here in Rome, has had the just feeling to join the Guard, and it is a real sacrifice for an artist to spend time on the exercises; but it well becomes the sculptor of Orpheus. In reference to what I have said of many Americans in Italy, I will only add that they talk about the corrupt and degenerate state of Italy as they do about that of our slaves at home. They come ready trained to that mode of reasoning which affirms, that, because men are degraded by bad institutions, they are not f