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Browsing named entities in Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4. You can also browse the collection for Thomas Crawford or search for Thomas Crawford in all documents.
Your search returned 3 results in 3 document sections:
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4, Chapter 50 : last months of the Civil War .—Chase and Taney , chief-justices .—the first colored attorney in the supreme court —reciprocity with Canada .—the New Jersey monopoly.— retaliation in war.—reconstruction.—debate on Louisiana .—Lincoln and Sumner .—visit to Richmond .—the president's death by assassination.—Sumner's eulogy upon him. —President Johnson ; his method of reconstruction.—Sumner's protests against race distinctions.—death of friends. —French visitors and correspondents.—1864 -1865 . (search)
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4, Chapter 51 : reconstruction under Johnson 's policy.—the fourteenth amendment to the constitution.—defeat of equal suffrage for the District of Columbia , and for Colorado , Nebraska , and Tennessee .—fundamental conditions.— proposed trial of Jefferson Davis .—the neutrality acts. —Stockton's claim as a senator.—tributes to public men. —consolidation of the statutes.—excessive labor.— address on Johnson 's Policy.—his mother's death.—his marriage.—1865 -1866 . (search)
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 4, Note. (search)
Note.
The following is a memorandum of the known likenesses of Sumner arranged as nearly as may be in chronological order:—
1. The earliest representation of any kind is Crawford's bust, taken at Rome in 1839, now in the Boston Art Museum (ante, vol.
II. pp. 94, 265).
2. Crayon drawing, by Eastman Johnson in 1846, belonging to the Longfellow family, and engraved for this Memoir (vol.
II.). It is held by the artist to have been a good likeness at the tine, but others express a doubt.
3. Crayon, by W. W. Story; made from sittings in 1851 at the request of the seventh Earl of Carlisle, with some final touches from Seth W. Cheney, as Story left for Europe before it was quite finished (ante, vol.
III. p. 64; IV. p. 261). It has been kept at Castle Howard, Yorkshire; it is a good likeness, and represents Sumner at his best, in the fulness and strength of manhood.
Prescott wrote to Sumner in January, 1852: You cannot expect a better likeness in every sense.
It was lithogra