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Document Max. Freq Min. Freq
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 11. (ed. Frank Moore) 94 12 Browse Search
Edward Porter Alexander, Military memoirs of a Confederate: a critical narrative 76 2 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume II. 52 4 Browse Search
D. H. Hill, Jr., Confederate Military History, a library of Confederate States Military History: Volume 4, North Carolina (ed. Clement Anselm Evans) 30 2 Browse Search
Fitzhugh Lee, General Lee 22 0 Browse Search
Comte de Paris, History of the Civil War in America. Vol. 2. (ed. Henry Coppee , LL.D.) 20 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 16 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 10. (ed. Frank Moore) 16 2 Browse Search
Thomas Wentworth Higginson, Harvard Memorial Biographies 13 3 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 3: The Decisive Battles. (ed. Francis Trevelyan Miller) 12 0 Browse Search
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Browsing named entities in Elias Nason, The Life and Times of Charles Sumner: His Boyhood, Education and Public Career.. You can also browse the collection for Gibbon or search for Gibbon in all documents.

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The strength of the contestant is not equal to the armor. This was the condition of Charles Sumner. His tastes and inclinations also led him to the belles-lettres and humanities. He practically took, as every one who means to make the most of his abilities will do, a kind of elective course. He gave himself to the study of history, of rhetoric, eloquence, and poetry. He read with zest and keen avidity the works of the great masters. He was fascinated by the splendid diction of Hume and Gibbon, the charming style of Addison and Goldsmith, the glowing eloquence of William Pitt, of Richard Brinsley Sheridan, and of Edmund Burke. His imagination was enkindled by the golden thoughts of Dante, Milton (always with him a favorite), Dryden, Pope, and Shakspeare. With these immortal geniuses he lived, and from them drew his inspiration. He strolled, moreover, into distant and untrodden fields of literature, and, as the bee, selected honey from unnoticed flowers. Here he gathered sweets