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Document Max. Freq Min. Freq
Knight's Mechanical Encyclopedia (ed. Knight) 110 0 Browse Search
Thomas Wentworth Higginson, Atlantic Essays 42 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 24 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 16 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 16 0 Browse Search
James Russell Lowell, Among my books 14 0 Browse Search
The Daily Dispatch: March 9, 1861., [Electronic resource] 14 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 12 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 12 0 Browse Search
The Daily Dispatch: March 12, 1861., [Electronic resource] 12 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Irene E. Jerome., In a fair country. You can also browse the collection for Homer or search for Homer in all documents.

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Thomas Wentworth Higginson, Irene E. Jerome., In a fair country, April days (search)
know an arbor-vitae from a pine,—he doesn't know anything. When Ben grows up to maturity, bearing such terrible definitions in his unshrinking hands, which of us will be safe? The softer aspects of Nature, especially, require time and culture before man can enjoy them. To rude races her processes bring only terror, which is very slowly outgrown. Humboldt has best exhibited the scantiness of finer natural perceptions in Greek and Roman literature, in spite of the grand oceanic rhythm of Homer, and the delicate water-coloring of the Greek Anthology and of Horace. The Oriental and the Norse sacred books are full of fresh and beautiful allusions; but the Greek saw in Nature only a framework for Art, and the Roman only a camping-ground for men. Even Virgil describes the grotto of Aeneas merely as a black grove with horrid shade,—Horrenti atrum nemus imminet umbra. Wordsworth points out, that, even in English literature, the Windsor Forest of Anne, Countess of Winchelsea, was the fi
Thomas Wentworth Higginson, Irene E. Jerome., In a fair country, My out-door study (search)
more personal acquaintance with the woods than was exhibited by the preacher. But the preachers are not much worse than the authors. The prosaic Buckle, indeed, admits that the poets have in all time been consummate observers, and that their observations have been as valuable as those of the men of science; and yet we look even to the poets for very casual and occasional glimpses of Nature only, not for any continuous reflection of her glory. Thus, Chaucer is perfumed with early spring; Homer resounds like the sea; in the Greek Anthology the sun always shines on the fisherman's cottage by the beach; we associate the Vishnu Purana with lakes and lotuses, Keats with nightingales in forest dim, while the long grass waving on the lonely heath is the last memorial of the fading fame of Ossian. Of course Shakespeare's omniscience included all natural phenomena; but the rest, great or small, associate themselves with some special aspects, and not with the daily atmosphere. Coming to o