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Thomas Wentworth Higginson, Cheerful Yesterdays 30 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 12 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 12 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 10 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 10 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 1 8 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 6 0 Browse Search
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 6 0 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 6 0 Browse Search
John Harrison Wilson, The life of Charles Henry Dana 6 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature. You can also browse the collection for Victor Hugo or search for Victor Hugo in all documents.

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Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Chapter 8: the Southern influence---Whitman (search)
hed by his songs. He talks of labor as one who had never really labored; his Drum Taps proceed from one who has never personally responded to the tap of the drum. He has something of the turgid wealth, the rather self-conscious amplitude, of Victor Hugo, and much of his broad, vague, indolent desire for the welfare of the whole human race; but he has none of Hugo's structural power, his dramatic or at least melodramatic instinct, and his occasionally terse and brilliant condensation. He somHugo's structural power, his dramatic or at least melodramatic instinct, and his occasionally terse and brilliant condensation. He sometimes suggests a young man of rather ideal stamp who used to invite Mr. Emerson and others to give readings at his room in Boston, many years ago. He was an ardent disciple of Fourier, and had painted on his door in large golden letters the motto of Fourier, Universal Unity, with beams of starlight diverging from it in all directions. Below this was the motto, hung separately and painted in neat black and white, Please wipe your feet. Unfortunately, Whitman himself, with all his genius, was n
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature, Index. (search)
, 117. Historians, New England, 116-119. History of the Jews, 241. History of the United States, Bancroft's, 143. Hoffman, Charles Fenno, 105. Holland, J. G., 124. Holmes, Oliver Wendell, 10, 133, 135, 137, 143, 146, 152-160, 161, 162-164, 197, 242, 264. Hooper, Mrs., 264. Hopkinson, Francis, 54, 55. House of the seven Gables, Hawthorne's, 185. Howe, Mrs., Julia Ward, 264. Howells, W. D., 3, 236, 248-252. Huckleberry Finn, Mark Twain's, 248. Hudibras, Butler's, 41. Hugo, Victor, 233. Hunt, Leigh, 66. Hymns of the marshes, Lanier's, 225. Hymn to the night, Longfellow's, 142. Hyperion, Keats's, 225. HIyperion, Longfellow's, 140, 141. I fill this Cup, Pinkney's, 216. In a summer evening, Harriet Prescott Spofford's, 264. Indian Burying-ground, Freneau's, 36. Ingraham, Joseph Holt, 129. Innocents abroad, Mark Twain's, 248. Irving, Washington, 83-92, 94, 119, 140, 142, 161, 240. I sing the body Electric, Whitman's, 230. I slept and drea