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James Russell Lowell, Among my books 8 0 Browse Search
C. Edwards Lester, Life and public services of Charles Sumner: Born Jan. 6, 1811. Died March 11, 1874. 4 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
Southern Historical Society Papers, Volume 17. (ed. Reverend J. William Jones) 4 0 Browse Search
Elias Nason, The Life and Times of Charles Sumner: His Boyhood, Education and Public Career. 2 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 2 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 2 0 Browse Search
The writings of John Greenleaf Whittier, Volume 3. (ed. John Greenleaf Whittier) 2 0 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Lycidas or search for Lycidas in all documents.

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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
sublime idea sublimely — for it is the sublimity in the treatment that makes us realize the sublimity of the idea. We can at most conceive a poet's style as a whole; as, along with his individual world of meditation and vision, another phase of his creative power — as his creation of music. Possibly it is the deepest and most wonderful of the poet's creations, transcending its manifestation in connection with any single poem. Perhaps, for instance, Milton's greatest creative act was not Lycidas, or the Sonnets, or Paradise lost, but that music we call Miltonic. Certainly this is the more true the more organic the style is; and, as said before, Bryant's style was highly organic. An astute and sympathetic mind who might never have seen a verse of Bryant's could deduce that style from what has been said in this chapter — if what has been said has been correctly said. Such a mind would not need to be told that Bryant's diction was severe, simple, chaste, narrower in range than th<
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Index. (search)
liam, 118, 119, 121, 162 Locke, 57, 58, 66, 70 n., 81, 93, 116, 1 8, 329, 334 Locke Amsden, 310 Lockhart, 305 Logan, 309 Logan, C. A., 228 Logan, James, 189 Loiterer, the, 234 London chronicle, the, 129, 140 London magazine, the, 121 Long, Major S. H., 205, 210 Longfellow, 166, 212, 244, 261, 262, 273, 355 Looking Glass for the times, a, 151 Love in 1876, 226 Lowell, James Russell, 241, 244, 249, 261, 268, 270, 276, 279, 282, 341, 344 Lucretius, 269 Lycidas, 274 Lyell, Sir, Charles, 186, 207 Lyon, Richard, 156 Lyrical ballads, 183, 262, 262 n. Lytton, Lord, 243 M McDonough, Thomas, 222 McFingal, 139, 171-173, 182 McKinnon, John D., 163 McLane, Louis, 250 MacDonald, W., 125 n., 130 n., 134 n., 141 n. Madison, 146, 148, 149, 170 Madoc, 212 Magnalia, 51 Malebranche, 58 Mallet, David, 215 Man at home, the, 290 Mandeville, Bernard, 91 Mandeville, 292 Manners of the times, the, 175 Manual of American