Browsing named entities in Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Michael or search for Michael in all documents.

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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 9: the beginnings of verse, 1610-1808 (search)
adir is reached by the Rev. Nicholas Noyes (1647-1717), who in his elegies on the Rev. John Higginson and the Rev. Joseph Green shows promising possibilities of bathos, but who in his poem on the Rev. James Brayley's attack of the stone revels in such a plethora of conceits and puns as to put to the blush his most gifted English contemporaries. The one elegiac poem of early New England that may be worth preserving is the Funeral song (1709), written by the Rev. Samuel Wigglesworth, son of Michael, on the death of his friend Nathaniel Clarke. Together with its real feeling, it exhibits a certain felicity of diction that bespeaks Elizabethan models; and such phrases as where increate eternity's concealed, solemn music, and warbling divinest airs, seem to show that Milton had reached New England. As a genre the elegy died with the decline of the clergy, and passed as a fashion passes with changed conditions. The most interesting as well as the most pleasing figure in early New Eng