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Southern Historical Society Papers, Volume 9. (ed. Reverend J. William Jones) 19 1 Browse Search
Admiral David D. Porter, The Naval History of the Civil War. 14 2 Browse Search
Comte de Paris, History of the Civil War in America. Vol. 3. (ed. Henry Coppee , LL.D.) 8 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 8 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 8 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 6 0 Browse Search
The Daily Dispatch: October 5, 1864., [Electronic resource] 6 0 Browse Search
Thomas Wentworth Higginson, Henry Wadsworth Longfellow 6 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 6 0 Browse Search
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Browsing named entities in Medford Historical Society Papers, Volume 3.. You can also browse the collection for Thomas Moore or search for Thomas Moore in all documents.

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t wholly unknown to the reading public, it did not fail of recognition on its publication. Mr. Griswold calls Zophiel the finest fallen angel that has come to us from the hand of a poet. Milton's outcasts from heaven, he says, are utterly depraved and abraded of their glory, but Zophiel has traces of his original virtue and beauty, and a lingering hope of restoration to the presence of the Divinity. Mrs. Gustafson claims that neither in the Loves of the Angels nor in Lalla Rookh does Thomas Moore's flowing measure equal the musical cadences of Zophiel, and that there is greater beauty of scene and bloom lavished on the single acacian bower where Zophiel wistfully watches over Egla's sleep than on the whole journey of the beautiful Lalla. She also adds: In the Choric Song of Tennyson's Lotos-Eaters the mosaic detail of sensuous description, though as delicate, is not as thoughtful nor so warm in feeling; and again, Milton's presentment of Satan, though a grand is a somewhat coar