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Document | Max. Freq | Min. Freq | ||
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Thucydides, The Peloponnesian War | 762 | 0 | Browse | Search |
Pausanias, Description of Greece | 376 | 0 | Browse | Search |
Diodorus Siculus, Library | 356 | 0 | Browse | Search |
Herodotus, The Histories (ed. A. D. Godley) | 296 | 0 | Browse | Search |
Demosthenes, Speeches 11-20 | 228 | 0 | Browse | Search |
Demosthenes, Speeches 11-20 | 222 | 0 | Browse | Search |
Demosthenes, Exordia (ed. Norman W. DeWitt, Norman J. DeWitt) | 178 | 0 | Browse | Search |
Demosthenes, Speeches 21-30 | 158 | 0 | Browse | Search |
Apollodorus, Library and Epitome (ed. Sir James George Frazer) | 138 | 0 | Browse | Search |
Andocides, Speeches | 122 | 0 | Browse | Search |
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Browsing named entities in Aristophanes, Plutus (ed. Eugene O'Neill, Jr.). You can also browse the collection for Athens (Greece) or search for Athens (Greece) in all documents.
Your search returned 3 results in 3 document sections:
Cario
SCENE: —The Orchestra represents a public square in Athens. In the background is the house of Chremylus. A ragged old blind man enters, followed by Chremylus and his slave Cario.
What an unhappy fate, great gods, to be the slave of a fool! A servant may give the best of advice, but if his master does not follow it, the poor slave must inevitably have his share in the disaster; for fortune does not allow him to dispose of his own body, it belongs to his master who has bought it. Alas! 'tis the way of the world. But the god, Apollo,in tragic style whose oracles the Pythian priestess on her golden tripod makes known to us, deserves my censure, for surely he is a physician and a cunning diviner; and yet my master is leaving his temple infected with mere madness and insists on following a blind man. Is this not opposed to all good sense? It is for us, who see clearly, to guide those who don't; whereas he clings to the trail of a blind fellow and compels me to do the same without ans