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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 8 0 Browse Search
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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Eminent women of the drama. (search)
regarded with much enthusiasm — save that of horror; and there seems no especial need of pausing upon it here. From Italy Ristori turned her eyes to France. To conquer Paris would be to conquer Europe; for Paris was the art-capital of the continent. Taking all the risks, therefore, Ristori selected an Italian company and made her way to the renowned metropolis. It was during the season of the first Universal Exposition, on the 22d of May, 1855, that she made her first appearance in Paris.art in the tenderly musical and delicately colored poem of Leigh Hunt — was the opening piece in this important season. Ristori played Francesca. It is a character that reveals her sweetness more than her strength; but her personation of it was a perfect success. Seven nights afterwards she played Myrrha. All Paris was at her feet. Ristori, wrote Jules Janin, then the representative dramatic critic she is tragedy itself; she is comedy; she is the drama. Our language is too poor, said Lamar