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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 38 0 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 32 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 31 1 Browse Search
Francis B. Carpenter, Six Months at the White House 28 0 Browse Search
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2 16 0 Browse Search
James Parton, The life of Horace Greeley 10 0 Browse Search
J. B. Jones, A Rebel War Clerk's Diary 10 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 8 0 Browse Search
The Daily Dispatch: March 12, 1861., [Electronic resource] 8 0 Browse Search
Rebellion Record: a Diary of American Events: Poetry and Incidents., Volume 4. (ed. Frank Moore) 4 0 Browse Search
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Browsing named entities in James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen. You can also browse the collection for Shakspeare or search for Shakspeare in all documents.

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James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Eminent women of the drama. (search)
a little amateur practice at a private theatre, was made at Covent Garden, London, in 1823, when she enacted Olivia, in Shakspeare's Twelfth night. By the critics of that period the performance was regarded as promising; but that was all; so the youued, Charles Kean triumphantly finished,--the grand and noble work of doing entire justice, in their representation, to Shakspeare's plays. Strangely enough, accuracy on the stage is a modern virtue. hamlet, as played by Garrick, wore the wig and tver before been attempted, by every possible auxiliary of art, skill, learning, labor, and money, to place the plays of Shakspeare on the stage in a thoroughly correct and splendid manner. That work he accomplished; and he is said to have remarked, stage. The public received her kindly, and she seems to have played very well. But no novice can adequately personate Shakspeare's Juliet. The character taxes the art of a thoroughly trained actress: and, in general, it is much more truthfully inte