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P. Ovidius Naso, Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours (ed. various) 6 0 Browse Search
Sallust, Conspiracy of Catiline (ed. John Selby Watson, Rev. John Selby Watson, M.A.) 4 0 Browse Search
P. Ovidius Naso, Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours (ed. various) 4 0 Browse Search
George P. Rowell and Company's American Newspaper Directory, containing accurate lists of all the newspapers and periodicals published in the United States and territories, and the dominion of Canada, and British Colonies of North America., together with a description of the towns and cities in which they are published. (ed. George P. Rowell and company) 4 0 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 2 0 Browse Search
Pliny the Elder, The Natural History (ed. John Bostock, M.D., F.R.S., H.T. Riley, Esq., B.A.) 2 0 Browse Search
C. Suetonius Tranquillus, The Lives of the Caesars (ed. Alexander Thomson) 2 0 Browse Search
The Daily Dispatch: December 25, 1860., [Electronic resource] 2 0 Browse Search
T. Maccius Plautus, Aulularia, or The Concealed Treasure (ed. Henry Thomas Riley) 2 0 Browse Search
P. Ovidius Naso, Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours (ed. various) 2 0 Browse Search
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Browsing named entities in George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard). You can also browse the collection for Ovid (New York, United States) or search for Ovid (New York, United States) in all documents.

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George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard), Chapter 7: (search)
tanze, Loggia, etc.; and these sketches being copied upon the majolica by other artists, and yet not coinciding with Raphael's works entirely, were naturally supposed to be his by superficial inquirers; and secondly, that among the painters on this ware, there was a certain Raphael Colle, whose name was easily confounded with that of the most famous of painters. The collection at Loretto is the best extant of all this kind of ware, and is beautiful and curious. The subjects are taken from Ovid's Metamorphoses, the Roman History, the Old and New Testaments; the colors are fresh and fair, and the execution so fine that Christina of Sweden offered to replace them with silver jars of equal weight,— and they are thick and heavy,—but was refused. After a long and careful sketch of the history of the Campagna from the earliest times, and of the speculations as to the causes of its unhealthiness, Mr. Ticknor says:— The present situation is that of a boundless waste, over which the <