Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 9: Poetry and Eloquence. (ed. Francis Trevelyan Miller). You can also browse the collection for Hilton Head (South Carolina, United States) or search for Hilton Head (South Carolina, United States) in all documents.

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tery Wagner and in the charges at the Petersburg crater. The lighter side: Sambo's right to be kilt This effusion has a curious historical value. Charles Graham Halpine, an Irishman in birth and training, had established himself in literary work in New York when the war broke out. He enlisted in a three months regiment and continued on the staff of different officers, where he attracted attention for his executive ability. In 1862 he was on the staff of General David Hunter at Hilton head, South Carolina. General Hunter organized the first regiment of negro troops to be mustered into the Federal service. This proceeding created serious alarm in Congress, and great excitement over the country. Halpine contributed this humorous treatment of the contested subject to the New York Herald over the signature of private miles O'Reilly. Some tell us 'tis a burnina shame To make the naygers fight; Ana that the thrade of beina kilt Belongs but to the white: But as for me, upon my s
The shaft is in the stone! Meanwhile, behalf the tardy years Which keep in trust your storied tombs, Behold! your sisters bring their tears, And these memorial blooms. Break not his sweet repose: the burial-ground of sailors who fell at Hilton head in 1861 This sequestered spot, the burial-place of the sailors who lost their lives in the capture of Hilton Head by the Federal fleet on November 7, 1861, might have been designed to fit the poem by John Albee. The live-oaks droop tenderlHilton Head by the Federal fleet on November 7, 1861, might have been designed to fit the poem by John Albee. The live-oaks droop tenderly above it and cast a gloom around. Through it comes faintly ‘the sea's near murmur.’ But though the names of men like these may be unknown to fame, they are not forgotten in their quiet resting-places. Each Memorial Day brings the gratitude of a nation that was saved because they dared to die. Small tributes! but your shades will smile More proudly on these wreaths to-day, Than when some cannon-moulded pile Shall overlook this bay. Stoop, angels, hither from the skies! There is no holier s
ol. Trowbridge learned that it was first sung on the occasion when General Beauregard gathered the slaves from the Port royal Islands to build fortifications at Hilton head and Bay Point. No more peck oa corn for me, No more, no more; No more peck oa corn for me, Many tousand go. No more driver's lash for me, No more, no more; No mn my head, And rolly in my Jesus arm; In dat mornina all day, In dat mornina all day, In dat mornina all day, When Jesus de Christ been born. Meet, O lord: Hilton head in 1861—the time and place of this negro song's creation This photograph appears here by a curious coincidence. With the presentation of the spiritual that commemorates an event of the war connected with the Confederate General Drayton, there has come to light a photograph of his home on Hilton Head in 1861. Through these gates, watched by loving eyes, he rode on the milk-white horse, the morning of the engagement at Bay Point. Mr. W. F. Allen, who collected many slave-songs, was tol