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Harper's Encyclopedia of United States History (ed. Benson Lossing) 4 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 4 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 4 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 2 0 Browse Search
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Harper's Encyclopedia of United States History (ed. Benson Lossing), Centennial Exhibition, (search)
pening ceremonies were grand and imposing. Representatives of many nations were present. The late Dom Pedro II., then Emperor of Brazil (with his empress), was the only crowned head present. The American Congress and the foreign diplomats were largely represented. The President of the United States (General Grant), in the presence of fully 100,000 people, appeared upon the great platform erected for the occasion, accompanied by his wife, when the Grand Centennial March, composed by Richard Wagner, the great German musical composer, was performed by the orchestra of Theodore Thomas. Then Bishop Simpson, of the Methodist Episcopal Church, uttered a prayer, and was followed by a thousand voices chanting an impressive Centennial hymn, composed by John Greenleaf Whittier, accompanied by a grand organ and the whole orchestra. When the chanting was ended the chairman of the Centennial Board of Finance formally presented the building to the United States Centennial Commission. After a
Harper's Encyclopedia of United States History (ed. Benson Lossing), Seidl, Anton 1850- (search)
Seidl, Anton 1850- Orchestral conductor; born in Budapest, Hungary, May 7, 1850; studied music at the Leipsic Conservatory, and later became a confidential friend and amanuensis of Richard Wagner during the latter's labors at Bayreuth. After rapidly rising in fame as Wagner's assistant conductor and as a general conductor at Leipsic in 1878 as the leader of the Angelo Neumann tour with the Nibelungen dramas, and at the Bremen Opera House in 1883-85, Mr. Seidl was engaged, in 1885, as conductor for the Metropolitan Opera House, New York, to succeed Dr. Leopold Damrosch. During his incumbency of this post—which continued intermittently for twelve years —there were produced under his direction, for the first time in America, Wagner's Das Rheingold; Siegfried; Gotterdammerung; Tristan und Isolde; and Die Meistersanger. In addition to his duties as conductor at the Metropolitan Opera House, Mr. Seidl was, at various times during his residence in the United States, conductor of the
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Anna Elizabeth Dickinson. (search)
closed and the people began to disperse, it was noised round that Miss Dickinson was there; a cry was heard at once on all sides, A speech! A speech! The moon was just rising, mingling its pale rays with those of the setting sun, throwing a soft, mysterious light over the whole scene. The troops gathered round with bristling bayonets and flags flying, the band was hushed to silence, and, when all was still, mounted on a gun wagon, with General Pleasanton and his staff on one side, and General Wagner and his staff on the other, this beautiful girl addressed our boys in blue. She urged that justice and equality might be secured to every citizen in the republic; that slavery and war might end forever, and peace be restored; that our country might indeed be the land of the free, and the home of the brave. As she stood there uttering words of warning and prophecy, it seemed as if her lips had been touched with a live coal from the altar of heaven. Her inspired words moved the hearts
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen, Rosa Bonheur. (search)
combined iron, brick, and wood with rare artistic taste. From the cellar to the roof everything is graceful and coquettish in this miniature castle. Its irregularity is its greatest charm, and your eyes could feast all day on the turrets hung with ivy and the balconies entwined with honeysuckle, if your ears did not ring with a peculiar harmony which detracts from your admiration. You imagine that in the barn near by an Orpheus transformed into an animal is chanting forth a chorus of Richard Wagner's; but, after listening attentively, this strange concert is found to proceed from the bleating of sheep, the lowing of cows, the neighing of horses, and the yelping of dogs. The servant pointed out to me a funny-looking little man, coming towards me knitting his eyebrows. He had on an enormous straw hat. Looking under it I perceived a soft, beardless face, browned by the sun and lighted up by two moderate-sized chestnut-colored eyes. The small nose rather exaggerated the size of t
s (Frederick), II, 20. Victory, Temple of, I, 274. Vienna, I, 94; II, 182. Villegas, Jose, II, 240, 243, 256. Vincent Hospital, II, 158. Vineyard Haven, I, 342, 387. Vinton, Mr., II, 287. Virginia, I, 29. Viti de Marco, Marchesa de, II, 255. Viti de Marco, Marchese de, II, 255. Voickoff, Alex, I, 350. Voshell, Lucy, II, 344, 345, 347. Waddington, Mary K., II, 9. Waddington, William, II, 9. Wade, Benjamin, I, 321. Wadsworth, William, I, 86. Wagner, Richard, II, 156. Wales, I, 88; II, 166. Walker, Francis, II, 150, 172, 226. Wallace, H. B., I, 134, 271. Wallack's Theatre, I, 143, 352. Walmsley, Mrs., II, 209. Ward, name of, I, 4. Ward, Capt., II, 8. Ward, Anne, I, 19, 22. Ward, Annie, see Mailliard. Ward, Emily A., I, 50, 57, 60, 64. Ward, F. Marion, I, 17, 22, 30, 46-48, 58, 130, 352; II, 108, 174, 175, 411. Ward, Henry, I, 22, 60. Ward, Henry, I, 31, 60; II, 174, 175. Ward, Henry, I, 17, 46-48, 5
Thomas Wentworth Higginson, The new world and the new book, The New world and the New book (search)
nd life, we must say, as our fathers did, Farewell, dear England, and seek what is our own. Emerson set free our poetry, our prose; Howell is setting free our fiction; he himself is as yet only half out of the chrysalis, but the wings are there. It must always be remembered that in literature, alone of all arts, place is of secondary importance, for its masterpieces can be carried round the world in one's pockets. We need to go to Europe to see the great galleries, to hear the music of Wagner, but the boy who reads Aeschylus and Horace and Shakespeare by his pine-knot fire has at his command the essence of all universities, so far as literary training goes. But were this otherwise, we must remember that libraries, galleries, and buildings are all secondary to that great human life of which they are only the secretions or appendages. My Madonnas—thus wrote to me that recluse woman of genius, Emily Dickinson —are the women who pass my house to their work, bearing Saviours in thei
Thomas Wentworth Higginson, The new world and the new book, Index (search)
unt, Leo, 35. Tonics, literary, 62. Touchstone quoted, 21. Tourgueneff, Ivan, 219. Town and gown, 161. Tracy, Uriah, 46. Transcendental school, the, 8. Translators, American, 144. Travers, W. R., 82. Trench, R. C., 57. Trollope, Frances, 24. Tupper, M. F., 98. Twain, Mark, see Clemens. Tyndall, John, 22. U, V. Urquhart, David, 208, 209. Vestris, M., 83. Virgil, 99, 171, 217. Voltaire, F. M. A. de, 52, 53, 83, 187, 189 Von Holst, H. E., 32. W. Wagner, Richard, 16. Wallace, H. B., 51. Wallace, Lew, 67. Walpole, Horace, 135, 210. Walton, Izaak, 202. Walworth, M. T., 198, 200. Ward, Artemus, 59. Warner, C. D., 2. 72. Washington, George, 112, 155. Wasson, D. A., v., 103. Weapons of precision, 192. Webb, R. D., 29. Webster, Daniel, 155, 224. Weiss, John, 104. Weller, Sam, 182. Westminster Abbey of a book catalogue, 152. White, J. Blanco, 98. Whitman, Walt, 58, 67, 100. Whittier, J. G., 25, 60, 62, 66. Wieland, C. M., 90.