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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 2 0 Browse Search
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Browsing named entities in Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1. You can also browse the collection for Amos Wells or search for Amos Wells in all documents.

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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 15: mine eyes have seen the glory of the coming of the Lord 1908-1910; aet. 89-91 (search)
, if her son were there, she would play accompaniments from the Messiah or Elijah ; rippling through the difficult music, transposing it, if necessary to suit the singer's voice, with ease and accuracy. Musicians said that she was the ideal accompanist, never asserting herself, but giving perfect sympathy and support to the singer. We return to the Journal. January, 1908. I had prayed the dear Father to give me this one more poem, a verse for this year's Decoration Day, asked for by Amos Wells, of Christian Endeavor belonging. I took my pen and the poem came quite spontaneously. It seemed an answer to my prayer, but I hold fast the thought that the great Christ asked no sign from God and needed none, so deeply did he enter into life divine. I also thought, regarding Christ and Moses, that we must be content that a certain mystery should envelop these heroic figures of human history. Our small measuring tape or rod is not for them. If they were not exactly in fact what we t