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595 BC (search for this): book 9, chapter 3
n that the hellebore of fine quality is produced, though that produced in the former is better prepared, and on this account many people resort thither to be purged and cured; for in the Phocian Anticyra, they add, grows a sesame-like medicinal plant with which the Oetaean hellebore is prepared. Now Anticyra still endures, but Cirrha and Crisa have been destroyed, the former earlier, by the Crisaeans, and Crisa itself later, by Eurylochus the Thessalian, at the time of the Crisaean War.About 595 B.C. For the Crisaeans, already prosperous because of the duties levied on importations from Sicily and Italy, proceeded to impose harsh taxes on those who came to visit the temple,Of Appolo at Delphi. even contrary to the decrees of the Amphictyons. And the same thing also happened in the case of the Amphissians, who belonged to the Ozolian Locrians. For these too, coming over, not only restored Crisa and proceeded to put under cultivation again the plain which had been consecrated by the
270 BC (search for this): book 9, chapter 3
an Nome. There are five parts of it: angkrousis, ampeira, katakeleusmos, iambi and dactyli, and syringes. Now the melody was composed by Timosthenes, the admiral of the second Ptolemy, who also compiled The Harbours, a work in ten books;If the text of this sentence is correct, Strabo must be referring to the melody played as the Pythian Nome in his own time or in that of some authority whom he is quoting, earlier compositions perhaps having been superseded by that of Timosthenes (fl. about 270 B.C.). But since the invention of the Pythian Nome has been ascribed to Sacadas (Pollux 4.77), who was victorious with the flute at the Pythian Games about three hundred years before the time of Timosthenes (Paus. 6.14.9, 10.7.4), Guhrauer (Jahrb. für Class. Philol., Suppl. 8, 1875-1876, pp. 311—351 makes a strong argument for a lacuna in the Greek text, and for making Strabo say that the melody was composed by Sacadas and later merely described by Timosthenes in one of his numerous works.
338 BC (search for this): book 9, chapter 3
not the same as Hyampeia on Parnassus; also far inland is Elateia, the largest city of the Phocians, which is unknown by Homer, for it is more recent than the Homeric age, and it is advantageously situated in that it commands the passes from Thessaly. DemosthenesDem. 18.168 clearly indicates the natural advantage of its position when he speaks of the commotion that suddenly took place at Athens when a messenger came to the Prytanes with the report that Elateia had been captured.By Philip in 338 B.C. Parapotamii is a settlement on the Cephissus River near Phanoteus and Chaeroneia and Elateia. Theopompus says that this place is distant from Chaeroneia about forty stadia and marks the boundary of the territories of the Ambryseans, the Panopeans and the Daulians; and that it lies on a moderately high hill at the pass which leads from Boeotia into Phocis, between the mountains Parnassus and Hadylius, between which is left a tract of about five stadia divided by the Cephissus River, whi
352 BC (search for this): book 9, chapter 3
dicate its wealth, and also the plundering done by the Phocians, which kindled the Phocian War, or Sacred War, as it is called. Now this plundering took place in the time of Philip, the son of Amyntas, although writers have a notion of another and earlier plundering, in ancient times, in which the wealth mentioned by Homer was carried out of the temple. For, they add, not so much as a trace of it was saved down to those later times in which Onomarchus and his army, and Phaÿllus and his army,352 B.C. Both were Phocian generals. For an account of their robberies see Diod. Sic. 16. 31-61 robbed the temple; but the wealth then carried away was more recent than that mentioned by Homer; for there were deposited in treasure houses offerings dedicated from spoils of war, preserving inscriptions on which were included the names of those who dedicated them; for instance, Gyges, Croesus, the Sybarites, and the SpinetaeSee 5. 1. 7. who lived near the Adriatic, and so with the rest. And it
457 BC (search for this): book 9, chapter 3
also, is Trachin, a Phocian town, which bears the same name as the Oetaean city; and its inhabitants are called Trachinians. Anemoreia"Wind-swept." has been named from a circumstance connected with it: squalls of wind sweep down upon it from Catopterius,"The Look-out." as it is called, a beetling cliff extending from Parnassus. This place was a boundary between Delphi and the Phocians when the Lacedaemonians caused the Delphians to revolt from the common organization of the Phocians,About 457 B.C. (see Thuc. 1.107-108). and permitted them to form a separate State of their own. Some, however, call the place Anemoleia. And then one comes to Hyampolis (later called Hya by some), to which, as I have said,9. 2. 3. Cf. 10. 3. 4. the Hyantes were banished from Boeotia. This city is very far inland, near Parapotamii, and is not the same as Hyampeia on Parnassus; also far inland is Elateia, the largest city of the Phocians, which is unknown by Homer, for it is more recent than the Hom
1919 AD (search for this): book 9, chapter 3
Nome has been ascribed to Sacadas (Pollux 4.77), who was victorious with the flute at the Pythian Games about three hundred years before the time of Timosthenes (Paus. 6.14.9, 10.7.4), Guhrauer (Jahrb. für Class. Philol., Suppl. 8, 1875-1876, pp. 311—351 makes a strong argument for a lacuna in the Greek text, and for making Strabo say that the melody was composed by Sacadas and later merely described by Timosthenes in one of his numerous works. Cp. also H. Riemann, Handb. der Musikgeschichte 1919, vol. i, pp. 63-65. and through this melody he means to celebrate the contest between Apollo and the dragon, setting forth the prelude as anakrousis, the first onset of the contest as ampeira, the contest itself as katakeleusmos, the triumph following the victory as iambus and dactylus, the rhythms being in two measures, one of which, the dactyl, is appropriate to hymns of praise, whereas the other, the iamb, is suited to reproaches (compare the word "iambize"), and the expiration of the dra
1875 AD - 1876 AD (search for this): book 9, chapter 3
rabo must be referring to the melody played as the Pythian Nome in his own time or in that of some authority whom he is quoting, earlier compositions perhaps having been superseded by that of Timosthenes (fl. about 270 B.C.). But since the invention of the Pythian Nome has been ascribed to Sacadas (Pollux 4.77), who was victorious with the flute at the Pythian Games about three hundred years before the time of Timosthenes (Paus. 6.14.9, 10.7.4), Guhrauer (Jahrb. für Class. Philol., Suppl. 8, 1875-1876, pp. 311—351 makes a strong argument for a lacuna in the Greek text, and for making Strabo say that the melody was composed by Sacadas and later merely described by Timosthenes in one of his numerous works. Cp. also H. Riemann, Handb. der Musikgeschichte 1919, vol. i, pp. 63-65. and through this melody he means to celebrate the contest between Apollo and the dragon, setting forth the prelude as anakrousis, the first onset of the contest as ampeira, the contest itself as katakeleusmos,