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the travertine foundation. To secure the stability of the structure the chamber itself had afterward been filled up with concrete, certainly after 1764, in which year one Radet wrote his name on the lintel of the door (CR cit.). The entire surface of the shaft is covered with reliefs, arranged on a spiral band, which varies in width from about go centimetres at the bottom to nearly 1.25 metre at the top. These reliefs represent the principal events in the campaigns of Trajan in Dacia between 101 and 106 A.D., and also form a complete encyclopedia of the organisation and equipment of the Roman army in the second century. The average height of the figures is 60 centimetres, and they were cut after the column had been erected, so that the joints of the blocks are almost entirely concealed. These reliefs were also coloured most brilliantly (Bull. d. Inst. 1833, 92; 1836, 39-41). So PI. 289: but both statements are open to question. Casts of these reliefs may be seen in the Lateran Muse
marble table was fixed there to carry the urn, (b) that there is no room for the letters SOPER but only for sop, so that tan(tis opi>bus should be read. ' Rupibus ' is proposed in Rev. Ot. anc. 1922, 303-305, but seems to him as unsatisfactory as other previous suggestions. It is also figured on several coins of Trajan after 113 (Cohen, Traian 115, 284, 359, 555-6). As Lehmann-Hartleben points out, the earlier coins (Cohen, ib. 357, which is earlier than iio; in ib. 358 the type survived till 115) show a bird, probably an eagle, on the top of the column, which, when first projected, was not intended to serve as Trajan's tomb, though the change of object had come before its erection had actually begun. It was called columna cochlis (Not. Reg. VIIi), and was a columna centenaria, like the COLUMN OF M. AURELIUS (q.v.), although the latter adjective is not actually applied to it in the few extant references in ancient literature. It is built of Parian marble. The shaft and basis, compos
57; BC 1904, 341-346; and for a base which may have belonged to it, JRS 1919, 192). The reliefs (supra, 241) found within the area of the forum may have belonged to the temple, but more probably to the encircling colonnade. The forum of Trajan was probably the most impressive and magnificent group of buildings in Rome (Cassiod. Var. vii. 6; Vict. Caes. 13. 5; Paus. locc. citt.), and a vivid picture is given of the astonishment of the Emperor Constantius on the occasion of his visit to it in 356 A.D. (Amm. Marcell. xvi. 10. 15). The history of its destruction begins with the sixth century, and throughout the Middle Ages it furnished an almost inexhaustible supply of decorative material for the churches and palaces of Rome (cf. BC 1901, 300-308; DAP 2. xv. 367-368; LS passim). See Jord. i. 2.453-467; Gilb. iii. 234-237; LR 312-321; DuP 117-119; ZA 44-52; RA 113-116. For restorations, see Richter e Grifi, Ristauro del Foro Traiano, Rome 1839; Canina, Edifizi ii. pls. 111-125; D'Esp. Mon
tine foundation. To secure the stability of the structure the chamber itself had afterward been filled up with concrete, certainly after 1764, in which year one Radet wrote his name on the lintel of the door (CR cit.). The entire surface of the shaft is covered with reliefs, arranged on a spiral band, which varies in width from about go centimetres at the bottom to nearly 1.25 metre at the top. These reliefs represent the principal events in the campaigns of Trajan in Dacia between 101 and 106 A.D., and also form a complete encyclopedia of the organisation and equipment of the Roman army in the second century. The average height of the figures is 60 centimetres, and they were cut after the column had been erected, so that the joints of the blocks are almost entirely concealed. These reliefs were also coloured most brilliantly (Bull. d. Inst. 1833, 92; 1836, 39-41). So PI. 289: but both statements are open to question. Casts of these reliefs may be seen in the Lateran Museum, St. Ger
Marcus Aurelius sold the treasures of the imperial palace to defray the expenses of war (Hist. Aug. Marc. 17. 4; 21. 9; Eutrop. viii. 13; ep. de Caes. 16. 9), and Aurelian burned the lists of the proscribed (Hist. Aug. Aurel. 39. 3; cf. Cass. Dio lxxi. 32. 2); and here the laws were frequently fastened up on bronze tablets (cf. cod. Theodos. xiv. 2. 1: proposita in foro Traiani; Leges Novellae Valentiniani III, ed. Meyer- Mommsen 19.4; 21. . 7; 2. 6; 23. 9; 27. 8; 31 7. et passim). Down to 353 A.D. the senators kept their money and silver in chests in this forum and the place of deposit was called Opes (Schol. Iuv. 10. 24). The forum is represented on coins (Cohen, Traj. 167-169), and is mentioned in Reg. (Reg. VIII, app.; Pol. Silv. 545). The hemicycle on the north-east side of the forum area has been partially excavated (NS 1907, 414-427). Built of ornamental brick with travertine trimmings, it consists principally of two stories of chambers abutting directly against the side of the
um: Hist. Aug. Marc. 22. 7; Sid. Apoll. Carm. 2.544; CIL vi. 1724, 1749): the last, largest and most magnificent of the imperial fora, built by Trajan with the assistance of the Greek architect Apollodorus, and dedicated, at least in part, about 113 A.D. (Cass. Dio lxviii. 16. 3; lxix. 4. I; Vict. Caes. 13. 5: adhuc Romae a Domitiano coepta forum atque alia multa plusquam magnifice coluit ornavitque, which may perhaps mean that the work was planned and possibly begun by Domitian; see S. Sculpt. silica Ulpia was a small rectangular court, 24 metres wide and 16 deep, formed by the basilica itself, the two halls of the bibliotheca (see below), and, later, the temple of Trajan. In the centre of this court the columna Traiani was erected in 113 A.D. Nibby (Roma Antica ii. 183) had already pointed out that the colonnade joining the two libraries on the north was only removed when the column was built (Toeb. i. 62). Its construction is ascribed in the dedicatory inscription on the pedestal to
so, we should have to attribute to Domitian the removal of the mass of earth from the slopes of the Quirinal which is communicated by the inscription on the column of Trajan-and this is of course impossible. The name porticus curva (Cassiod. Var. iv. 30) should probably be applied to the south-western hemicycle of this forum, and not to the apse of the Secretarium Senatus; see CURIA IULIA (p. 146). On the north-west side of the area of the forum was the basilica Ulpia (probably completed in 112 A.D., CIL vi. 959; FUR frgs. 25-26; Not. app.; Cohen, Traj. 42-44; Hist. Aug. Com. 2. I : in basilica Traiani; Geog. min. ed. Riese, p. 120: sicut et quae dicitur forum Traianum quae habet basilicam praecipuam et nominatam), rectangular in shape with apses at each end. Its floor was one metre higher than the level of the area, and was approached by flights of steps of giallo antico. The main entrance was in the middle of the east side, from the area of the forum, where there was a decorative fag
eliefs (supra, 241) found within the area of the forum may have belonged to the temple, but more probably to the encircling colonnade. The forum of Trajan was probably the most impressive and magnificent group of buildings in Rome (Cassiod. Var. vii. 6; Vict. Caes. 13. 5; Paus. locc. citt.), and a vivid picture is given of the astonishment of the Emperor Constantius on the occasion of his visit to it in 356 A.D. (Amm. Marcell. xvi. 10. 15). The history of its destruction begins with the sixth century, and throughout the Middle Ages it furnished an almost inexhaustible supply of decorative material for the churches and palaces of Rome (cf. BC 1901, 300-308; DAP 2. xv. 367-368; LS passim). See Jord. i. 2.453-467; Gilb. iii. 234-237; LR 312-321; DuP 117-119; ZA 44-52; RA 113-116. For restorations, see Richter e Grifi, Ristauro del Foro Traiano, Rome 1839; Canina, Edifizi ii. pls. 111-125; D'Esp. Mon. ii. 103-109; Fr. i. 76, 77, 80; cf. also Mem.L. 5. xvii. 523, 524; ASA 54-57, 84, 122.
1200 AD - 1299 AD (search for this): entry forum-traiani
ion of Balnea Pauli, but this is itself merely a sixteenth century invention, based on a false reading in Juvenal vii. 233. (See BALINEUM PHOEBI.) Cf. Adinolfi, Roma nell' eta di mezzo, ii. 43, 47. Hulsen quotes a privilege of 938 (Reg. Subl. p. 63, n. 24) which speaks of Adrianus quondam de banneo Neapolim This, as Hulsen has suggested, may be a mistake for Neapolini, the name of the owner of the bath. ; and the name occurs in the form mons Balnei Neapolis and mons Manianapoli in the thirteenth century (HCh 351). Here must have been situated the church of S. Salvator de Divitiis or in Cryptis (HCh 438). Two drawings by Cronaca (?) show a portion of the south enclosure wall of the forum proper, which was of blocks of white marble, and decorated with an internal colonnade like the forum Transitorium, with a line of tabernae outside. The frieze with a griffin and cupids, now in the Lateran (SScR 150, pl. 33), belonged to this wall (Bartoli, in Mem. AP I. ii. 177-192), and from its
1500 AD - 1599 AD (search for this): entry forum-traiani
e of the hill. The semi-circular space in front of this hemicycle was paved with white marble and surrounded with a colonnade decorated with gilt bronze trophies. Still higher, on the upper level of the Quirinal, is a series of halls, now occupied by the barracks of the Milizia, approached by steps from the forum level (Ann. Assoc. Art. cult. Arch. 1910-11 (Rome 1912), 43). The mediaeval name Magnanapoli is by some thought to be a corruption of Balnea Pauli, but this is itself merely a sixteenth century invention, based on a false reading in Juvenal vii. 233. (See BALINEUM PHOEBI.) Cf. Adinolfi, Roma nell' eta di mezzo, ii. 43, 47. Hulsen quotes a privilege of 938 (Reg. Subl. p. 63, n. 24) which speaks of Adrianus quondam de banneo Neapolim This, as Hulsen has suggested, may be a mistake for Neapolini, the name of the owner of the bath. ; and the name occurs in the form mons Balnei Neapolis and mons Manianapoli in the thirteenth century (HCh 351). Here must have been situated the c
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