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, at the head of which were Scopas and Praxiteles. He is placed by Pliny (Plin. Nat. 34.8. s. 19) with Polycles I., Cephisodotus I., and Hypatodorus, at the 102d Olympiad (B. C. 372). We have several other indications of his time. From the end of the 106th Olympiad (B. C. 352) and onwards he was employed upon the tomb of Mausolus (Plin. Nat. 36.5. s. 4.9; Vitruv. vii. Praef. § 13: SATYRUS); and he was one of the artists employed by Philip to celebrate his victory at Chaeroneia, Ol. 110, 3, B. C. 338. The statement, that he made a statue of Autolycus, who conquered in the boys' pancration at the Panathenaea in Ol. 89 or 90, and whose victory was the occasion of the Symposion of Xenophon (Plin. Nat. 34.8. s. 19.17; comp. Schneider, Quaest. de Conviv. Xenoph.), seems at first sight to be inconsistent with the other dates; but the obvious explanation is, that the statue was not a dedicatory one in honour of the victory, but a subject chosen by the artist on account of the beauty of Autoly
Leo'chares (*Lewxa/rhs). 1. An Athenian statuary and sculptor, was one of the great artists of the later Athenian school, at the head of which were Scopas and Praxiteles. He is placed by Pliny (Plin. Nat. 34.8. s. 19) with Polycles I., Cephisodotus I., and Hypatodorus, at the 102d Olympiad (B. C. 372). We have several other indications of his time. From the end of the 106th Olympiad (B. C. 352) and onwards he was employed upon the tomb of Mausolus (Plin. Nat. 36.5. s. 4.9; Vitruv. vii. Praef. § 13: SATYRUS); and he was one of the artists employed by Philip to celebrate his victory at Chaeroneia, Ol. 110, 3, B. C. 338. The statement, that he made a statue of Autolycus, who conquered in the boys' pancration at the Panathenaea in Ol. 89 or 90, and whose victory was the occasion of the Symposion of Xenophon (Plin. Nat. 34.8. s. 19.17; comp. Schneider, Quaest. de Conviv. Xenoph.), seems at first sight to be inconsistent with the other dates; but the obvious explanation is, that the stat
Leo'chares (*Lewxa/rhs). 1. An Athenian statuary and sculptor, was one of the great artists of the later Athenian school, at the head of which were Scopas and Praxiteles. He is placed by Pliny (Plin. Nat. 34.8. s. 19) with Polycles I., Cephisodotus I., and Hypatodorus, at the 102d Olympiad (B. C. 372). We have several other indications of his time. From the end of the 106th Olympiad (B. C. 352) and onwards he was employed upon the tomb of Mausolus (Plin. Nat. 36.5. s. 4.9; Vitruv. vii. Praef. § 13: SATYRUS); and he was one of the artists employed by Philip to celebrate his victory at Chaeroneia, Ol. 110, 3, B. C. 338. The statement, that he made a statue of Autolycus, who conquered in the boys' pancration at the Panathenaea in Ol. 89 or 90, and whose victory was the occasion of the Symposion of Xenophon (Plin. Nat. 34.8. s. 19.17; comp. Schneider, Quaest. de Conviv. Xenoph.), seems at first sight to be inconsistent with the other dates; but the obvious explanation is, that the stat