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Emil Schalk, A. O., The Art of War written expressly for and dedicated to the U.S. Volunteer Army. 4 0 Browse Search
John G. Nicolay, A Short Life of Abraham Lincoln, condensed from Nicolay and Hayes' Abraham Lincoln: A History 2 0 Browse Search
Medford Historical Society Papers, Volume 17. 2 0 Browse Search
Mary Thacher Higginson, Thomas Wentworth Higginson: the story of his life 2 0 Browse Search
Edward Alfred Pollard, The lost cause; a new Southern history of the War of the Confederates ... Drawn from official sources and approved by the most distinguished Confederate leaders. 2 0 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 2 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 2. (ed. Frank Moore) 2 0 Browse Search
Horace Greeley, The American Conflict: A History of the Great Rebellion in the United States of America, 1860-65: its Causes, Incidents, and Results: Intended to exhibit especially its moral and political phases with the drift and progress of American opinion respecting human slavery from 1776 to the close of the War for the Union. Volume I. 2 0 Browse Search
Official Records of the Union and Confederate Armies, Chapter XXII: Operations in Kentucky, Tennessee, North Mississippi, North Alabama, and Southwest Virginia. March 4-June 10, 1862., Part II: Correspondence, Orders, and Returns. (ed. Lieut. Col. Robert N. Scott) 2 0 Browse Search
The Daily Dispatch: July 8, 1861., [Electronic resource] 2 0 Browse Search
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Browsing named entities in Emil Schalk, A. O., The Art of War written expressly for and dedicated to the U.S. Volunteer Army.. You can also browse the collection for Two Points (Minnesota, United States) or search for Two Points (Minnesota, United States) in all documents.

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Emil Schalk, A. O., The Art of War written expressly for and dedicated to the U.S. Volunteer Army., Grand Tactics. (search)
of the three zones, Fig. 21. Fig. 21. 2d. The line of battle is a straight line, but inclined to that of the enemy. It has-- a. One point of attack, properly called an oblique line of battle, Figs. 22, 23. Fig. 22. Fig. 23. b. Two points of attack, Fig. 24. Fig. 24. In a and b, the angles can be 90 or under 90 degrees. 3d. The line of battle is a broken one formed in echelons. a. One point of attack, Fig. 25. Fig. 25. b. Two points of attack, Fig. 26. Fig. 2Two points of attack, Fig. 26. Fig. 26. 4th. The line of battle is a straight one, but forms a crotchet on one flank, Fig. 27. Fig. 27. 5th. The line of battle is a curve. a. Concave, Fig. 28. Fig. 28. b. Convex, Fig. 29. Fig. 29. The first order of battle, being a straight line without any reinforcement, would be. the arrangement, as the French would say, of a sabreur. This battle would represent the primitive state of the art of war. However, there is one case in which we would adopt it, and even be oblig