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Thomas Wentworth Higginson, Massachusetts in the Army and Navy during the war of 1861-1865, vol. 1, Mass. officers and men who died. 688 688 Browse Search
Thomas Wentworth Higginson, Massachusetts in the Army and Navy during the war of 1861-1865, vol. 2 69 69 Browse Search
Frederick H. Dyer, Compendium of the War of the Rebellion: Name Index of Commands 51 51 Browse Search
Capt. Calvin D. Cowles , 23d U. S. Infantry, Major George B. Davis , U. S. Army, Leslie J. Perry, Joseph W. Kirkley, The Official Military Atlas of the Civil War 27 27 Browse Search
Waitt, Ernest Linden, History of the Nineteenth regiment, Massachusetts volunteer infantry , 1861-1865 14 14 Browse Search
Frederick H. Dyer, Compendium of the War of the Rebellion: Regimental Histories 10 10 Browse Search
The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 2: Two Years of Grim War. (ed. Francis Trevelyan Miller) 8 8 Browse Search
Rev. James K. Ewer , Company 3, Third Mass. Cav., Roster of the Third Massachusetts Cavalry Regiment in the war for the Union 8 8 Browse Search
Frederick H. Dyer, Compendium of the War of the Rebellion: Battles 7 7 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 5. (ed. Frank Moore) 7 7 Browse Search
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Browsing named entities in The Photographic History of The Civil War: in ten volumes, Thousands of Scenes Photographed 1861-65, with Text by many Special Authorities, Volume 1: The Opening Battles. (ed. Francis Trevelyan Miller). You can also browse the collection for September 17th, 1862 AD or search for September 17th, 1862 AD in all documents.

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d. The superb result is here spread forth and illuminated for posterity. The passing wagon train This historic bridge crossed Antietam Creek on the turnpike leading from Boonsboro to Sharpsburg. It is one of the memorable spots in the history of the war. The photograph was taken soon after the battle of Antietam; the overturned stone wall and shattered fences, together with the appearance of the adjacent ground, are mute witnesses of the conflict that raged about it on September 16-17, 1862, when the control of this bridge was important to both McClellan and Lee. The former held it during the battle; and the fire of his artillery from the ridges near the bridge enabled the disordered Union lines to recover in time to check the ferocious assaults of the Confederates. Apart from all the above considerations, these invaluable pictures are well worth attention from the standpoint of pictorial art. We talk a great deal nowadays about the astonishing advances of modern art-phot
me after this bloody and indecisive battle. The pose and the features of the two men are admirably characteristic. Two weeks have elapsed since Lee's withdrawal across the river, but the Army of the Potomac, while rested and fully resupplied, has been held by its young commander in an inexplicable inaction. Lincoln's persistent The battle fog at Antietam The sulphur smoke of the guns, covering the field like a sea mist, tells us to-day as clearly as it told the photographer on September 17, 1862, that a battle is in progress off to the right. It was indeed the bloodiest single day's action of the war, and there probably exists no finer picture of an actual engagement than this remarkable photograph. At the moment of exposure the firing must have been terrific. Down in the meadow are seen the caissons of the artillery; the guns are engaged less than a quarter of a mile away. The battle-field of Antietam was the first that remained in complete possession of the Union troops