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Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 40 0 Browse Search
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 1 32 2 Browse Search
Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 25 5 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 21 1 Browse Search
Thomas Wentworth Higginson, Henry Walcott Boynton, Reader's History of American Literature 19 1 Browse Search
Thomas Wentworth Higginson, Irene E. Jerome., In a fair country 16 0 Browse Search
Bliss Perry, The American spirit in lierature: a chronicle of great interpreters 14 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 10 0 Browse Search
Thomas Wentworth Higginson, Letters and Journals of Thomas Wentworth Higginson 10 0 Browse Search
Henry Morton Stanley, Dorothy Stanley, The Autobiography of Sir Henry Morton Stanley 8 0 Browse Search
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Browsing named entities in Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe. You can also browse the collection for Wordsworth or search for Wordsworth in all documents.

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Charles E. Stowe, Harriet Beecher Stowe compiled from her letters and journals by her son Charles Edward Stowe, Chapter 14: the minister's wooing, 1857-1859. (search)
tyle of advice? Not at all. My advice is to follow your own instincts,--to stick to nature, and to avoid what people commonly call the Ideal; for that, and beauty, and pathos, and success, all lie in the simply natural. We all preach it, from Wordsworth down, and we all, from Wordsworth down, don't practice it. Don't I feel it every day in this weary editorial mill of mine, that there are ten thousand people who can write ideal things for one who can see, and feel, and reproduce nature and chaWordsworth down, don't practice it. Don't I feel it every day in this weary editorial mill of mine, that there are ten thousand people who can write ideal things for one who can see, and feel, and reproduce nature and character? Ten thousand, did I say? Nay, ten million. What made Shakespeare so great? Nothing but eyes and — faith in them. The same is true of Thackeray. I see nowhere more often than in authors the truth that men love their opposites. Dickens insists on being tragic and makes shipwreck. I always thought (forgive me) that the Hebrew parts of Dred were a mistake. Do not think me impertinent; I am only honestly anxious that what I consider a very remarkable genius should have faith in it