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Browsing named entities in a specific section of Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). Search the whole document.

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Georgia (Georgia, United States) (search for this): chapter 2.15
d. In the fourth year of the war the note of triumph passed from the Southern to the Northern poets. S. H. M. Byers's Sherman's March to the sea and Halpine's The song of Sherman's Army are almost gay, and Henry Clay Work's Marching through Georgia if not gay is nothing else. Holmes's Sherman's in Savannah rhymed the name of the fallen city with banner. Strangely haunting is Whitman's Ethiopia Saluting the Colors. Also haunting, but sad, is Melville's A Dirge for McPherson—— True fable poem The battle hymn of the republic, but the words proved too fine to suit the soldiers, who would not sing of grapes of wrath or the beauty of the lilies. They preferred instead such pieces as Three hundred thousand more, Marching through Georgia, and The year of Jubilee, which have been already mentioned, the equally favoured The battle Cry of freedom, Tramp, Tramp, Tramp, and Just before the battle, mother, of George Frederick Root, and Walter Kittredge's Tenting on the old camp ground
Savannah, Tenn. (Tennessee, United States) (search for this): chapter 2.15
ur hearts wax strange and chill, With an ominous shudder and thrill, Even here, on the strong Slave-Sod, Lest, haply, we be found (Ah, dread no brave hath drowned!) Fighting against Great God. In the fourth year of the war the note of triumph passed from the Southern to the Northern poets. S. H. M. Byers's Sherman's March to the sea and Halpine's The song of Sherman's Army are almost gay, and Henry Clay Work's Marching through Georgia if not gay is nothing else. Holmes's Sherman's in Savannah rhymed the name of the fallen city with banner. Strangely haunting is Whitman's Ethiopia Saluting the Colors. Also haunting, but sad, is Melville's A Dirge for McPherson—— True fame is his, for life is o'er Sarpedon of the mighty war—— while his Sheridan at Cedar Creek, The fall of Richmond, and The surrender at Appomattox, though never widely known, are full of that distinction which Melville, with all his irregularities, was never long without, in prose or verse. Thomas Buchanan
Fredericksburg, Va. (Virginia, United States) (search for this): chapter 2.15
ch is said to have played a large part in holding California loyal. The advance of Lee to Antietam, his repulse there, and his retreat found a record in Whittier's Barbara Frietchie, Melville's The Victor of Antietam, Boker's The crossing at Fredericksburg, John Boyle O'Reilly's At Fredericksburg, and Aldrich's exquisite sonnets Fredericksburg and By the Potomac. Meanwhile the war in the West was not without its poet— annalists, of whom the most notable perhaps was Forceythe Willson (1837-67Fredericksburg and By the Potomac. Meanwhile the war in the West was not without its poet— annalists, of whom the most notable perhaps was Forceythe Willson (1837-67), a native of New York who lived in Indiana from 1852 to 1864 and wrote Union editorials for the Louisville Journal. During the first year of the war he began his sombre, disheartened In state, a poem which spoke of the Union as dead and lying on its bier: The Sisterhood that was so sweet, The Starry System sphered complete, Which the mazed Orient used to greet, The Four and Thirty fallen Stars glimmer and glitter at her feet. The next year he wrote Boy Brittan to commemorate a seventeen-y
Centreville (Maryland, United States) (search for this): chapter 2.15
athizers to the passage through Baltimore streets of the Sixth Massachusetts. A. J. H. Duganne, in his impetuous Bethel, sang of the heroism but not the blunders of that battle, the chief victim of which, Theodore Winthrop, See also Book III, Chap. XI. was the subject of Thomas William Parsons's lofty Dirge for one who fell in battle. Bull Run, theme of many exultant Southern ballads and satires, See also Book III, Chap. III. brought from Boker the impassioned Upon the Hill before Centreville. In the controversy with England which followed the seizure of Mason and Slidell, Lowell wrote his spirited and determined Jonathan to John, second in the new series of Biglow papers. During September, 1861, Mrs. Ethelinda, (Ethel Lynn) Beers wrote The Picket-Guard (attributed in the South to Lamar Fontaine or Thaddeus Oliver), a widely popular piece expressing sympathy with the minor and unnoted victims of the conflict. Also popular was the anonymous Tardy George, that is, General McC
Harper's Ferry (West Virginia, United States) (search for this): chapter 2.15
nion army and became a brigadier-general. Although his verse lacks metrical skill, it is vigorous and full of feeling, generally free of animosities, and in the tone of the soldier rather than of the bitter poet who stays at home. To get a really vivid idea of the lyric expression of the time one should look less to individual writers or groups of writers than to the subjects which were most commonly their themes. The John Brown affair found many poets: Stedman in How old Brown took Harper's Ferry, Brownell in The battle of Charlestown, fiercely ironic, Whittier in Brown of Ossawatomie, and, above all, the anonymous author (he may have been Charles Sprague Hall) of John Brown's body, which, set to the air of an old Methodist hymn, became the most popular marching song of the Union armies, and survived innumerable parodies and rival versions—to be sung not only by American but by British troops in the present war. The secession of South Carolina called forth the earnest, affectiona
Hartford (Connecticut, United States) (search for this): chapter 2.15
most significant work deals almost wholly with the conflict. At least one of them has not received his due share of praise-Henry Howard Brownell (1820-1872), called by Holmes Our Battle Laureate. Born at Providence, he went with his family to Hartford, where he graduated from Trinity College in 1841. After a short season of teaching in Mobile, he returned to Hartford, was admitted to the bar, and began the practice of his profession, while also joining his brother in literary work. His earlHartford, was admitted to the bar, and began the practice of his profession, while also joining his brother in literary work. His early devotion to the sea, stimulated by frequent voyages, inspired him to sing of its awe and its beauty. Like his brother, who lost his life in 1859 exploring South America, he had the spirit of an adventurer, but, though his little volume of Poems (1847) had contained some lines of verse ringing with denunciation of ease and lazy comfort at a time when such a question as slavery was pressing for answer, he had dealt, for the most part not originally or strikingly, only with the eternal themes of
South America (search for this): chapter 2.15
d by Holmes Our Battle Laureate. Born at Providence, he went with his family to Hartford, where he graduated from Trinity College in 1841. After a short season of teaching in Mobile, he returned to Hartford, was admitted to the bar, and began the practice of his profession, while also joining his brother in literary work. His early devotion to the sea, stimulated by frequent voyages, inspired him to sing of its awe and its beauty. Like his brother, who lost his life in 1859 exploring South America, he had the spirit of an adventurer, but, though his little volume of Poems (1847) had contained some lines of verse ringing with denunciation of ease and lazy comfort at a time when such a question as slavery was pressing for answer, he had dealt, for the most part not originally or strikingly, only with the eternal themes of minor poets—love, disappointments, passing beauty, the hard fate of the poetical tribe—and did not really find expression for himself until the Civil War. For a Ha
South Carolina (South Carolina, United States) (search for this): chapter 2.15
poets: Stedman in How old Brown took Harper's Ferry, Brownell in The battle of Charlestown, fiercely ironic, Whittier in Brown of Ossawatomie, and, above all, the anonymous author (he may have been Charles Sprague Hall) of John Brown's body, which, set to the air of an old Methodist hymn, became the most popular marching song of the Union armies, and survived innumerable parodies and rival versions—to be sung not only by American but by British troops in the present war. The secession of South Carolina called forth the earnest, affectionate Brother Jonathan's lament for sister Caroline by Oliver Wendell Holmes. Stedman and Brownell were but two of the many stirred to verse by the attack on Sumter. The spirit of the volunteers was celebrated in A Call to True Men by Robert Traill Spence Lowell, Who's ready? by Elizabeth Stuart Phelps, The heart of the War by J. G. Holland; Theodore Tilton published in The independent for 18 April, 1861, his clanging and exciting tocsin The great Bel
Providence, R. I. (Rhode Island, United States) (search for this): chapter 2.15
The purpose of this chapter is to tell not of the major poets of the mid-century period, most of whom, in the intervals of full poetic careers traced elsewhere in this history, lent powerful voices to the cause of anti-slavery and union, but of some of the lesser figures whose best or most significant work deals almost wholly with the conflict. At least one of them has not received his due share of praise-Henry Howard Brownell (1820-1872), called by Holmes Our Battle Laureate. Born at Providence, he went with his family to Hartford, where he graduated from Trinity College in 1841. After a short season of teaching in Mobile, he returned to Hartford, was admitted to the bar, and began the practice of his profession, while also joining his brother in literary work. His early devotion to the sea, stimulated by frequent voyages, inspired him to sing of its awe and its beauty. Like his brother, who lost his life in 1859 exploring South America, he had the spirit of an adventurer, but
Lookout Mountain, Tenn. (Tennessee, United States) (search for this): chapter 2.15
on's later High tide (1888). Stedman, however, made a ringing ballad, Gettysburg, and Bret Harte preserved a real episode of the day in his John Burns of Gettysburg. Best of all, of course, was Lincoln's famous address at the battle-field on 19 November, 1863, which lacks nothing of poetry but its outer forms. As Grant rose to fame the poets kept pace with his deeds: Melville with Running the Batteries and Boker with Before Vicksburg dealt with the struggle to open the Mississippi. Lookout Mountain was commemorated by Boker—The battle of Lookout Mountain—and William Dean Howells—The battle in the clouds. Two poems this year honoured the negro soldiers that the Union army had begun to use. Boker's The black regiment concerns itself with the assault on Fort Hudson; Brownell's Bury them is a stern and terrible poem on the slaughter of the Fifty-Fourth Massachusetts, with their Colonel, Robert Gould Shaw, at Fort Wagner, South Carolina. The Confederates buried Shaw in a pit under a h<
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