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Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 32 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 26 0 Browse Search
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 16 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 12 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 10 0 Browse Search
Thomas Wentworth Higginson, The new world and the new book 8 0 Browse Search
Thomas Wentworth Higginson, Margaret Fuller Ossoli 8 0 Browse Search
John Harrison Wilson, The life of Charles Henry Dana 6 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 6 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 6 0 Browse Search
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Browsing named entities in Thomas Wentworth Higginson, The new world and the new book. You can also browse the collection for Schiller or search for Schiller in all documents.

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Thomas Wentworth Higginson, The new world and the new book, X (search)
, that we greatly err in supposing that Goethe's early fame bore much comparison with his deserts. He was, indeed, praised for Werther and Gotz von Berlichingen, but the romances of August La Fontaine were in equal demand, and the latter, being a voluminous writer, was much more in men's mouths. The poets of the period were Wieland and Ramler; and Kotzebue and Iffland ruled the stage. Even forty years ago, I remember well, it was considered an open subject of discussion whether Goethe or Schiller was the greater name; and Professor Felton of Harvard University took the pains to translate a long history of German literature by Menzel, the one object of which was to show that Goethe was quite a secondary figure, and not destined to any lasting reputation. It was one of the objections to Margaret Fuller, in the cultivated Cambridge circle of that day, that she spoke disrespectfully of Menzel in the Dial, and called him a Philistine—the first introduction into English, so far as I kno
Thomas Wentworth Higginson, The new world and the new book, XXI (search)
ere born into it, and grew up under it. Byron had as much to do with creating it as any one in England; but more probably it goes back to Rousseau in France; hardly, I should think to Petrarch, to whom Lowell is disposed to attribute it, and who certainly exerted very little influence in the way of sentimentality on his friend Chaucer. But the Byronic atmosphere certainly spread to Germany, as may be seen by the place conceded to that poet in Goethe's Faust; although Goethe's Werther, and Schiller's Die Rauber showed that the tendency itself was at one time indigenous everywhere. In England, Bulwer and the younger Disraeli aimed to be prose Byrons; and in Moore and Mrs. Hemans, followed by Mrs. Norton and L. E. L., we see the sentimental spirit in successive degrees of dilution. All the vocal music of forty or fifty years ago —when the great German composers were but just beginning to make their power felt in this country—was of an intensely sentimental description; delightfully
Thomas Wentworth Higginson, The new world and the new book, XXII (search)
how far this concentration is really due to the exceptional greatness of the subject, and how far to the tendency of genius to draw to itself all the floating materials of the time, to drain its best intellects, to reflect its best impulses. Dante, of all great writers, is the least explainable in this way; but in the case of Shakespeare, of Voltaire, of Goethe, it is obvious enough. The last named was always ready to admit his own obligations, not merely to his own fellow-countrymen, as Schiller, but to Englishmen and Frenchmen; and was profoundly moved on receiving the first French version of his Faust, from the thought of the profound influence exercised by Voltaire and his great contemporaries over him as over the whole civilized world. Humbler men are constantly obliged to recognize how they themselves have been fed and nourished by those lowlier still; and we may be very sure that the greatest are formed in the same way, and draw from many obscure and even inexplicable source
Thomas Wentworth Higginson, The new world and the new book, Index (search)
S., 117, 169, 171, 172, 174. Posterity, a contemporaneous, 51. Precision, weapons of, 192. Prescott, W. H., 59. Q. Quincy, Edmund, 22. Quintilian, 232. R. Racine, Jean, 92. Ramler, C. W., 90. Raphael da Urbino, 188. Rainsford, W. S., 79. Richter, J. P. F., 182. Rollo Books, the, 180. Roscoe, William, 216. Russell, W. Clark, 202. Ruskin, John, 53, 97, 114, 187 197, 206. Rousseau, J. J., 179. S. Sala, G. A., 203. Sand, George, 56. Scherer, Edmond, 5. Schiller, J. C. F. von, 90, 179, 189. Scott. Sir Walter, 10, 15, 46, 94. Scudder, S. H., 73. Self-depreciation, the trick of, 206. Sentimental, decline of the, 178. Seward, Anna, 218. Shadow of Europe, the, 27. Shakespeare, William, 16, 21, 48, 52, 186, 188, 189, 191. Shelley, P. B., 190. Sheridan, P. H., 47, 123. Sidney, Sir, Philip, 83. Slavery, Emerson's poem on, 8. Sly, Christopher, 213. Smith, Goldwin, 3. Southey, Robert, 217. Spencer, Herbert, 216. Spenser, Edmund, 18