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Document Max. Freq Min. Freq
Harper's Encyclopedia of United States History (ed. Benson Lossing) 80 0 Browse Search
Knight's Mechanical Encyclopedia (ed. Knight) 50 0 Browse Search
Henry Morton Stanley, Dorothy Stanley, The Autobiography of Sir Henry Morton Stanley 18 0 Browse Search
Southern Historical Society Papers, Volume 17. (ed. Reverend J. William Jones) 10 0 Browse Search
Adam Badeau, Grant in peace: from Appomattox to Mount McGregor, a personal memoir 8 0 Browse Search
Raphael Semmes, Memoirs of Service Afloat During the War Between the States 8 0 Browse Search
The Daily Dispatch: December 17, 1860., [Electronic resource] 6 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 2. (ed. Frank Moore) 6 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 6 0 Browse Search
Southern Historical Society Papers, Volume 10. (ed. Reverend J. William Jones) 4 0 Browse Search
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Browsing named entities in The Daily Dispatch: August 31, 1861., [Electronic resource]. You can also browse the collection for Australia (Australia) or search for Australia (Australia) in all documents.

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The Daily Dispatch: August 31, 1861., [Electronic resource], Death of Miss Hayes, the "Irish Nightingale." (search)
ing her first appearance in New York in a concert at Tripler Hall, where the Lafarge Hotel now stands. Her successful career in this country is well known. She seldom appeared in opera while in the United States, preferring to appear in concerts, following in this the example of her Swedish rival who had just preceded her. While here she became attached to her agent, Mr. Bushnell--a professional man, whom she subsequently married. She afterwards visited California, the Sandwich Islands, Australia and India, returning to London, where she appeared at Convent Garden, in 1855. At a little later period her husband died. Her voice was a soprano of great compass and strength, very smooth, and remarkably flexible. In opera her most successful roles were Lucia, in "Luciadi Lammermoor," and Linda, in "Linda di Chamouni." She appeared occasionally in English Opera with Miss Novello, where her usual success attended her. In the judgment of some, however, she was better in concert than