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Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 16 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 6 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 6 0 Browse Search
C. Edwards Lester, Life and public services of Charles Sumner: Born Jan. 6, 1811. Died March 11, 1874. 4 0 Browse Search
Cambridge History of American Literature: volume 2 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 4 0 Browse Search
The Daily Dispatch: October 13, 1864., [Electronic resource] 4 0 Browse Search
Rebellion Record: a Diary of American Events: Poetry and Incidents., Volume 1. (ed. Frank Moore) 2 0 Browse Search
The Daily Dispatch: April 29, 1864., [Electronic resource] 2 0 Browse Search
History of the First Universalist Church in Somerville, Mass. Illustrated; a souvenir of the fiftieth anniversary celebrated February 15-21, 1904 2 0 Browse Search
Francis Jackson Garrison, William Lloyd Garrison, 1805-1879; the story of his life told by his children: volume 4 2 0 Browse Search
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Browsing named entities in The Daily Dispatch: April 29, 1864., [Electronic resource]. You can also browse the collection for Mendelssohn or search for Mendelssohn in all documents.

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known loan, lank, rugged, "gray-back" troops, with the same lordly defiant air of individuality and self assertion as ever, constantly troop through the city, with their old, wild, discordant yells, making day or night hideous. The familiar Southern tunes of "Dixie" or the "Mocking Bird," execrably interpreted by a few lifes, a cornet, and a drum, contrast marvelously with the rich swell of fine German bands in Washington, which render to perfection the "Last Rose of Summer, " or one of Mendelssohn's superb marches, crashing among the distant echoes of Pennsylvania Avenue. And yet there is a heart, a nerve, and a sauciness about the Southern "Dixie" and the mine of its interpreters, which are looked for in vain among the stolid German musicians of Washington and the gandy troops bedizened with gold lace who follow them. But other symptoms of war, with the exception of the uniforms in the streets, Washington has none to show. The redundancy of "greenbacks"--those evidences, ac