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Syracuse (Italy) (search for this): book 8, section 1342b
s is shown by poetry; for all Bacchiac versification and all movement of that sortOr perhaps bakxei/a and ki/nhsis denote bodily movement accompanying the song; or they may denote the emotional frenzy expressed and stimulated by it. The dithyramb was a form of poetry of this class, originally celebrating the birth of Dionysus. Philoxenus, one of the most famous dithyrambic poets, 435-380 B.C., lived at Athens, and later at the court of Dionysius of Syracuse. belongs particularly to the flute among the instruments, and these meters find their suitable accompaniment in tunes in the Phrygian mode among the harmonies: for example the dithyramb is admittedly held to be a Phrygian meter, and the experts on this subject adduce many instances to prove this, particularly the fact that Philoxenus when he attempted to compose a dithyramb, The Mysians, in the Dorian mode was unable to do so, but merely by the force of n
Athens (Greece) (search for this): book 8, section 1342b
ruments—both are violently exciting and emotional. This is shown by poetry; for all Bacchiac versification and all movement of that sortOr perhaps bakxei/a and ki/nhsis denote bodily movement accompanying the song; or they may denote the emotional frenzy expressed and stimulated by it. The dithyramb was a form of poetry of this class, originally celebrating the birth of Dionysus. Philoxenus, one of the most famous dithyrambic poets, 435-380 B.C., lived at Athens, and later at the court of Dionysius of Syracuse. belongs particularly to the flute among the instruments, and these meters find their suitable accompaniment in tunes in the Phrygian mode among the harmonies: for example the dithyramb is admittedly held to be a Phrygian meter, and the experts on this subject adduce many instances to prove this, particularly the fact that Philoxenus when he attempted to compose a dithyramb, The Mysians, in the Dorian mode
435 BC - 380 BC (search for this): book 8, section 1342b
es as the flute among instruments—both are violently exciting and emotional. This is shown by poetry; for all Bacchiac versification and all movement of that sortOr perhaps bakxei/a and ki/nhsis denote bodily movement accompanying the song; or they may denote the emotional frenzy expressed and stimulated by it. The dithyramb was a form of poetry of this class, originally celebrating the birth of Dionysus. Philoxenus, one of the most famous dithyrambic poets, 435-380 B.C., lived at Athens, and later at the court of Dionysius of Syracuse. belongs particularly to the flute among the instruments, and these meters find their suitable accompaniment in tunes in the Phrygian mode among the harmonies: for example the dithyramb is admittedly held to be a Phrygian meter, and the experts on this subject adduce many instances to prove this, particularly the fact that Philoxenus when he attempted to compose a dithyramb, The