hide Sorting

You can sort these results in two ways:

By entity
Chronological order for dates, alphabetical order for places and people.
By position (current method)
As the entities appear in the document.

You are currently sorting in descending order. Sort in ascending order.

hide Most Frequent Entities

The entities that appear most frequently in this document are shown below.

Entity Max. Freq Min. Freq
Olympia (Greece) 384 0 Browse Search
Athens (Greece) 376 0 Browse Search
Delphi (Greece) 334 0 Browse Search
Elis (Greece) 310 0 Browse Search
Greece (Greece) 290 0 Browse Search
Thebes (Greece) 276 0 Browse Search
Argos (Greece) 256 0 Browse Search
Peloponnesus (Greece) 194 0 Browse Search
Troy (Turkey) 178 0 Browse Search
Lacedaemon (Greece) 162 0 Browse Search
View all entities in this document...

Browsing named entities in a specific section of Pausanias, Description of Greece. Search the whole document.

Found 58 total hits in 16 results.

1 2
Sphacteria (Greece) (search for this): book 5, chapter 26
The Dorian Messenian who received Naupactus from the Athenians dedicated at Olympia the image of Victory upon the pillar. It is the work of Paeonius of Mende, and was made from the proceeds of enemy spoils,circa 430 B.C. I think from the war with the Arcarnanians and Oeniadae. The Messenians themselves declare that their offering came from their exploit with the Athenians in the island of Sphacteria,425 B.C. and that the name of their enemy was omitted through dread of the Lacedaemonians; for, they say, they are not in the least afraid of Oeniadae and the Acarnanians. The offerings of Micythus I found were numerous and not together. Next after Iphitus of Elis, and Echecheiria crowning Iphitus, come the following offerings of Micythus: Amphitrite, Poseidon and Hestia; the artist was Glaucus the Argive.circa 460 B.C. Along the left side of the great temple Micythus dedicated other offerings: the Maid, daughter of Demeter, Aphrodite, Ganymedes and Artemis, the poets Homer and Hesiod, then
Rhegium (Italy) (search for this): book 5, chapter 26
were Argives by birth, but the name of their teacher is not recorded. Their date is fixed by that of Micythus, who dedicated the works of art at Olympia. For Herodotus in his historyHdt. 7.170 says that this Micythus, when Anaxilas was despot of Rhegium, became his slave and steward of his property afterwards, on the death of Anaxilas, he went away to Tegea. The inscriptions on the offerings give Choerus as the father of Micythus, and as his fatherland the Greek cities of Rhegium and Messene onRhegium and Messene on the Strait. The inscriptions say that he lived at Tegea, and he dedicated the offerings at Olympia in fulfillment of a vow made for the recovery of a son, who fell ill of a wasting disease. Near to the greater offerings of Micythus, which were made by the Argive Glaucus, stands an image of Athena with a helmet on her head and clad in an aegis. Nicodamus of Maenalus was the artist, but it was dedicated by the Eleans. Beside the Athena has been set up a Victory. The Mantineans dedicated it, but
Boeotia (Greece) (search for this): book 5, chapter 26
ry of a son, who fell ill of a wasting disease. Near to the greater offerings of Micythus, which were made by the Argive Glaucus, stands an image of Athena with a helmet on her head and clad in an aegis. Nicodamus of Maenalus was the artist, but it was dedicated by the Eleans. Beside the Athena has been set up a Victory. The Mantineans dedicated it, but they do not mention the war in the inscription. Calamis is said to have made it without wings in imitation of the wooden image at Athens called Wingless Victory. By the smaller offerings of Micythus, that were made by Dionysius, are some of the exploits of Heracles, including what he did to the Nemean lion, the Hydra, the Hound of Hell, and the boar by the river Erymanthus. These were brought to Olympia by the people of Heracleia when they had overrun the land of the Mariandynians, their foreign neighbors. Heracleia is a city built on the Euxine sea, a colony of Megara, though the people of Tanagra in Boeotia joined in the settlement.
Argive (Greece) (search for this): book 5, chapter 26
are that their offering came from their exploit with the Athenians in the island of Sphacteria,425 B.C. and that the name of their enemy was omitted through dread of the Lacedaemonians; for, they say, they are not in the least afraid of Oeniadae and the Acarnanians. The offerings of Micythus I found were numerous and not together. Next after Iphitus of Elis, and Echecheiria crowning Iphitus, come the following offerings of Micythus: Amphitrite, Poseidon and Hestia; the artist was Glaucus the Argive.circa 460 B.C. Along the left side of the great temple Micythus dedicated other offerings: the Maid, daughter of Demeter, Aphrodite, Ganymedes and Artemis, the poets Homer and Hesiod, then again deities, Asclepius and Health. Among the offerings of Micythus is Struggle carrying jumping-weights, the shape of which is as follows. They are half of a circle, not an exact circle but elliptical, and made so that the fingers pass through as they do through the handle of a shield. Such are the fashi
Messene (Greece) (search for this): book 5, chapter 26
s, who were Argives by birth, but the name of their teacher is not recorded. Their date is fixed by that of Micythus, who dedicated the works of art at Olympia. For Herodotus in his historyHdt. 7.170 says that this Micythus, when Anaxilas was despot of Rhegium, became his slave and steward of his property afterwards, on the death of Anaxilas, he went away to Tegea. The inscriptions on the offerings give Choerus as the father of Micythus, and as his fatherland the Greek cities of Rhegium and Messene on the Strait. The inscriptions say that he lived at Tegea, and he dedicated the offerings at Olympia in fulfillment of a vow made for the recovery of a son, who fell ill of a wasting disease. Near to the greater offerings of Micythus, which were made by the Argive Glaucus, stands an image of Athena with a helmet on her head and clad in an aegis. Nicodamus of Maenalus was the artist, but it was dedicated by the Eleans. Beside the Athena has been set up a Victory. The Mantineans dedicated it
Naupactus (Greece) (search for this): book 5, chapter 26
The Dorian Messenian who received Naupactus from the Athenians dedicated at Olympia the image of Victory upon the pillar. It is the work of Paeonius of Mende, and was made from the proceeds of enemy spoils,circa 430 B.C. I think from the war with the Arcarnanians and Oeniadae. The Messenians themselves declare that their offering came from their exploit with the Athenians in the island of Sphacteria,425 B.C. and that the name of their enemy was omitted through dread of the Lacedaemonians; for, they say, they are not in the least afraid of Oeniadae and the Acarnanians. The offerings of Micythus I found were numerous and not together. Next after Iphitus of Elis, and Echecheiria crowning Iphitus, come the following offerings of Micythus: Amphitrite, Poseidon and Hestia; the artist was Glaucus the Argive.circa 460 B.C. Along the left side of the great temple Micythus dedicated other offerings: the Maid, daughter of Demeter, Aphrodite, Ganymedes and Artemis, the poets Homer and Hesiod, the
Elis (Greece) (search for this): book 5, chapter 26
s made from the proceeds of enemy spoils,circa 430 B.C. I think from the war with the Arcarnanians and Oeniadae. The Messenians themselves declare that their offering came from their exploit with the Athenians in the island of Sphacteria,425 B.C. and that the name of their enemy was omitted through dread of the Lacedaemonians; for, they say, they are not in the least afraid of Oeniadae and the Acarnanians. The offerings of Micythus I found were numerous and not together. Next after Iphitus of Elis, and Echecheiria crowning Iphitus, come the following offerings of Micythus: Amphitrite, Poseidon and Hestia; the artist was Glaucus the Argive.circa 460 B.C. Along the left side of the great temple Micythus dedicated other offerings: the Maid, daughter of Demeter, Aphrodite, Ganymedes and Artemis, the poets Homer and Hesiod, then again deities, Asclepius and Health. Among the offerings of Micythus is Struggle carrying jumping-weights, the shape of which is as follows. They are half of a circ
Argos (Greece) (search for this): book 5, chapter 26
er and Hesiod, then again deities, Asclepius and Health. Among the offerings of Micythus is Struggle carrying jumping-weights, the shape of which is as follows. They are half of a circle, not an exact circle but elliptical, and made so that the fingers pass through as they do through the handle of a shield. Such are the fashion of them. By the statue of Struggle are Dionysus, Orpheus the Thracian, and an image of Zeus which I mentioned just now.Paus. 5.24.6 They are the works of Dionysius of Argos.circa 460 B.C. They say that Micythus set up other offerings also in addition to these, and that they formed part of the treasures taken away by Nero. The artists are said to have been Dionysius and Glaucus, who were Argives by birth, but the name of their teacher is not recorded. Their date is fixed by that of Micythus, who dedicated the works of art at Olympia. For Herodotus in his historyHdt. 7.170 says that this Micythus, when Anaxilas was despot of Rhegium, became his slave and steward
Tegea (search for this): book 5, chapter 26
us, who dedicated the works of art at Olympia. For Herodotus in his historyHdt. 7.170 says that this Micythus, when Anaxilas was despot of Rhegium, became his slave and steward of his property afterwards, on the death of Anaxilas, he went away to Tegea. The inscriptions on the offerings give Choerus as the father of Micythus, and as his fatherland the Greek cities of Rhegium and Messene on the Strait. The inscriptions say that he lived at Tegea, and he dedicated the offerings at Olympia in fulfTegea, and he dedicated the offerings at Olympia in fulfillment of a vow made for the recovery of a son, who fell ill of a wasting disease. Near to the greater offerings of Micythus, which were made by the Argive Glaucus, stands an image of Athena with a helmet on her head and clad in an aegis. Nicodamus of Maenalus was the artist, but it was dedicated by the Eleans. Beside the Athena has been set up a Victory. The Mantineans dedicated it, but they do not mention the war in the inscription. Calamis is said to have made it without wings in imitation
Megara (Greece) (search for this): book 5, chapter 26
ery of a son, who fell ill of a wasting disease. Near to the greater offerings of Micythus, which were made by the Argive Glaucus, stands an image of Athena with a helmet on her head and clad in an aegis. Nicodamus of Maenalus was the artist, but it was dedicated by the Eleans. Beside the Athena has been set up a Victory. The Mantineans dedicated it, but they do not mention the war in the inscription. Calamis is said to have made it without wings in imitation of the wooden image at Athens called Wingless Victory. By the smaller offerings of Micythus, that were made by Dionysius, are some of the exploits of Heracles, including what he did to the Nemean lion, the Hydra, the Hound of Hell, and the boar by the river Erymanthus. These were brought to Olympia by the people of Heracleia when they had overrun the land of the Mariandynians, their foreign neighbors. Heracleia is a city built on the Euxine sea, a colony of Megara, though the people of Tanagra in Boeotia joined in the settlement.
1 2