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Browsing named entities in a specific section of Samuel Ball Platner, Thomas Ashby, A Topographical Dictionary of Ancient Rome. Search the whole document.

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the building had begun by that time, although Petronius Maximus, prefect of the city, set up statues within it in 421, and one inscribed pedestal was found in situ in the eighth century by the compiler of the Einsiedeln Itinerary (CIL vi. 1650). Hulsen has shown (RPA i. 169-174; HCh 226 (S. Caeciliae de Monte Faffo, cf. 337 Cf. also BC 1925, 64. ) that the name templum Marcelli still clung to the ruins in 998, that the Fabii or Faffi were in possession of them as early as the middle of the twelfth century, and held them until the end of the thirteenth, when they were succeeded by the Savelli. It is very doubtful, on the other hand, whether the Pierleoni had any connection with the theatre. In 1368 it came into the possession of the Savelli family, and in 1712 into that of the Orsini. The present Palazzo was built by Baldassare Peruzzi for the Savelli in the early part of the sixteenth century, and stands upon the scaena and a large part of the cavea of the theatre (BC 1901, 52-70
ung to the ruins in 998, that the Fabii or Faffi were in possession of them as early as the middle of the twelfth century, and held them until the end of the thirteenth, when they were succeeded by the Savelli. It is very doubtful, on the other hand, whether the Pierleoni had any connection with the theatre. In 1368 it came into the possession of the Savelli family, and in 1712 into that of the Orsini. The present Palazzo was built by Baldassare Peruzzi for the Savelli in the early part of the sixteenth century, and stands upon the scaena and a large part of the cavea of the theatre (BC 1901, 52-70; 1914, 109; Lovatelli, Passeggiate nella Roma antica, Rome 1909, 53-88; LS iii. 7-8; for drawings of the ruins from the fifteenth century,/dateRange> on, see literature just quoted; PBS ii., index to plates, p. 90; vi. 200; DuP 134-136; and see Ill. 48; and HJ 517, n. 29, 30; for a reconstruction, Canina, Ed. iv. pls. 159-163; for a reliable plan, that of Peruzzi, Uffizi 478, 631, This dr
o make room for it he removed the temple of PIETAS (q.v.) in the forum Holitorium and other shrines and private houses (Plin. NH vii. 21 ; Cass. Dio xliii. 49. 3), but the building was not actually constructed by him but by Augustus, who found it necessary to purchase additional land from private owners at his own expense (Mon. Anc. iv. 22). The theatre was a memorial of Marcellus and dedicated in his name (Cass. Dio, Mon. Anc. locc. citt.; Liv. Epit. 138; Suet. Aug. 29; Plut. Marc. 30). In 17 B.C. the work of construction was so far advanced that part of the celebration of the ludi saeculares took place within the theatre (CIL vi. 32323. 157 ; Here it is called' theatrum [quod est] in circo Flaminio.' EE viii. 233), but the dedication did not occur until 13 (Cass. Dio liv. 26. i), or less probably II (Plin. NH viii. 65; cf. Chron. Pasch. a. u. c. 732, ed. Momms. i. 218). On this occasion magnificent games were held (Cass. Dio liii. 30. 6; liv. 26. I; Suet. Aug. 43). Augustus placed
i. 32328, 33 ; EE viii. 271, 285). It is found on sundry inscriptions as an indication of location (Fast. Allif. Vail. a. d. xvi Kal. Sept., CIL i². 217, 240, Amit. a. d. xv Kal. Nov., 12. p. 245: Iano ad theatrum Marcelli; Urb. CIL i². 252, 339; vi. 9868: sagarius a theatro Marcelli; 10028; 33838 a: coactor a theatro Marcelliano); in Servius incidentally (Aen. vii. 607, cf. Jord. i. 2, 347); and in Reg. (Reg. IX). Some of the travertine blocks used in the restoration of the pons Cestius in 370 A.D. were taken from this theatre (NS 1886, 159), which may perhaps indicate that the destruction of the building had begun by that time, although Petronius Maximus, prefect of the city, set up statues within it in 421, and one inscribed pedestal was found in situ in the eighth century by the compiler of the Einsiedeln Itinerary (CIL vi. 1650). Hulsen has shown (RPA i. 169-174; HCh 226 (S. Caeciliae de Monte Faffo, cf. 337 Cf. also BC 1925, 64. ) that the name templum Marcelli still clung to
d any connection with the theatre. In 1368 it came into the possession of the Savelli family, and in 1712 into that of the Orsini. The present Palazzo was built by Baldassare Peruzzi for the Savelli in the early part of the sixteenth century, and stands upon the scaena and a large part of the cavea of the theatre (BC 1901, 52-70; 1914, 109; Lovatelli, Passeggiate nella Roma antica, Rome 1909, 53-88; LS iii. 7-8; for drawings of the ruins from the fifteenth century,/dateRange> on, see literature just quoted; PBS ii., index to plates, p. 90; vi. 200; DuP 134-136; and see Ill. 48; and HJ 517, n. 29, 30; for a reconstruction, Canina, Ed. iv. pls. 159-163; for a reliable plan, that of Peruzzi, Uffizi 478, 631, This drawing is cited by Hulsen (loc. cit.), but, as a fact, there is very little of the plan on it. The plan was reproduced by Serlio (Architettura, iii. 57), from an apparently lost drawing; while the sections by Peruzzi are still extant (Uffizi, 603, 604=Bartoli, cit. 171, 170).
celli; 10028; 33838 a: coactor a theatro Marcelliano); in Servius incidentally (Aen. vii. 607, cf. Jord. i. 2, 347); and in Reg. (Reg. IX). Some of the travertine blocks used in the restoration of the pons Cestius in 370 A.D. were taken from this theatre (NS 1886, 159), which may perhaps indicate that the destruction of the building had begun by that time, although Petronius Maximus, prefect of the city, set up statues within it in 421, and one inscribed pedestal was found in situ in the eighth century by the compiler of the Einsiedeln Itinerary (CIL vi. 1650). Hulsen has shown (RPA i. 169-174; HCh 226 (S. Caeciliae de Monte Faffo, cf. 337 Cf. also BC 1925, 64. ) that the name templum Marcelli still clung to the ruins in 998, that the Fabii or Faffi were in possession of them as early as the middle of the twelfth century, and held them until the end of the thirteenth, when they were succeeded by the Savelli. It is very doubtful, on the other hand, whether the Pierleoni had any conn