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nd the other the mimographer. The time at which Sophron flourished is loosely stated by Suidas as "the times of Xerxes and Euripides ;" but we have another evidence for his date in the statement that his son Xenarchus lived at the court of Dionysius I., during the Rhegian War (B. C. 399-387; see Clinton, F. H. s. a. 393). All that can be said, therefore, with any certainty, is that Sophron flourished during the middle, and perhaps the latter part of the fifth century B. C., perhaps about B. C. 460-420. rather more than half a century later than Epicharmus. Works Mimes When Sophron is called the inventor of mimes, the meaning is, as in the case of similar statements respecting the other branches of Dorian Comedy, that he reduced to the form of a literary composition a species of amusement which the Greeks of Sicily, who were pre-eminent for broad humour and merriment, had practised from time immemorial at their public festivals, and the nature of which was very similar to the pe
r this reason he is sometimes called a comic poet, a denomination which has led Suidas (s. v.) and, after him, some modern writers, into the mistake of distinguishing two persons of the name, the one a comic poet, and the other the mimographer. The time at which Sophron flourished is loosely stated by Suidas as "the times of Xerxes and Euripides ;" but we have another evidence for his date in the statement that his son Xenarchus lived at the court of Dionysius I., during the Rhegian War (B. C. 399-387; see Clinton, F. H. s. a. 393). All that can be said, therefore, with any certainty, is that Sophron flourished during the middle, and perhaps the latter part of the fifth century B. C., perhaps about B. C. 460-420. rather more than half a century later than Epicharmus. Works Mimes When Sophron is called the inventor of mimes, the meaning is, as in the case of similar statements respecting the other branches of Dorian Comedy, that he reduced to the form of a literary composition a
reason he is sometimes called a comic poet, a denomination which has led Suidas (s. v.) and, after him, some modern writers, into the mistake of distinguishing two persons of the name, the one a comic poet, and the other the mimographer. The time at which Sophron flourished is loosely stated by Suidas as "the times of Xerxes and Euripides ;" but we have another evidence for his date in the statement that his son Xenarchus lived at the court of Dionysius I., during the Rhegian War (B. C. 399-387; see Clinton, F. H. s. a. 393). All that can be said, therefore, with any certainty, is that Sophron flourished during the middle, and perhaps the latter part of the fifth century B. C., perhaps about B. C. 460-420. rather more than half a century later than Epicharmus. Works Mimes When Sophron is called the inventor of mimes, the meaning is, as in the case of similar statements respecting the other branches of Dorian Comedy, that he reduced to the form of a literary composition a specie
other the mimographer. The time at which Sophron flourished is loosely stated by Suidas as "the times of Xerxes and Euripides ;" but we have another evidence for his date in the statement that his son Xenarchus lived at the court of Dionysius I., during the Rhegian War (B. C. 399-387; see Clinton, F. H. s. a. 393). All that can be said, therefore, with any certainty, is that Sophron flourished during the middle, and perhaps the latter part of the fifth century B. C., perhaps about B. C. 460-420. rather more than half a century later than Epicharmus. Works Mimes When Sophron is called the inventor of mimes, the meaning is, as in the case of similar statements respecting the other branches of Dorian Comedy, that he reduced to the form of a literary composition a species of amusement which the Greeks of Sicily, who were pre-eminent for broad humour and merriment, had practised from time immemorial at their public festivals, and the nature of which was very similar to the performan