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hoose to mention it to. He is Mr. Thomas Crawford, Thomas Crawford was born in New York, March 22, 1813, and died in London, Oct. 10, 1857. He visited Italy in 1835, and studied under Thorwaldsen at Rome. Among his chief works are the Orpheus (1840), in the Boston Athenaeum; the colossal equestrian statue of Washington at Ricponi much, and regret that I saw so little of him. Of Wilde Richard Henry Wilde, 1789-1847. He represented Georgia in Congress at different times, from 1815 to 1835; was in Europe from 1835 to 1840, residing much of the time in Florence; published a book on The Love, Madness, and Imprisonment of Tasso; undertook a Life of Dant1835 to 1840, residing much of the time in Florence; published a book on The Love, Madness, and Imprisonment of Tasso; undertook a Life of Dante, which he did not live to complete; and became, in 1847, Professor of Common Law in the University of Louisiana. He was fond of literary researches, and his name finds a place among American poets. I have seen very little. I have called upon him and he upon me; but I have found him at home only once, and he has never found me
statue all that it should be. He is doubtful whether he shall get it finished to his satisfaction within a year from now; and he will not part with it, so long as he can hope to amend it by further labor. The other piece upon which he is engaged for the Capitol is not yet entirely set up; as far as he has gone it is very fine. It is intended to represent the surprise of a white settlement by the Indians. The Rescue. The group reminds me of the Deluge, by Kessels, A Dutch sculptor, 1784-1836. the drawing of which, by the way, Greenough has never seen. On the ground is a mother clasping her child, in order to save it from the uplifted tomahawk of an Indian who stands over her, but whose hand is arrested by a fearless settler, who is represented on a rock so that the upper half of his body appears above the Indian. This subject has capacities of all kinds. The woman is on the ground, so that she does not conceal the Indian, who is naked (except an accidental fold about his loins
ner. His writings have related not only to Italian literature, but also to American history and biography of the period of the Revolution. He was Consul at Rome, 1837-45, afterwards Professor of Modern Languages in Brown University, and later a professor in Cornell University. From Rome he made two excursions,—one to Tivoli,n, for which the artist received a commission in 1832, cost him four years of active labor, and was not shipped from Italy till Oct., 1840. The Rescue, designed in 1837, was completed in 1851. Greenough's Essays, with a Memoir by H. T. Tuckerman, were published after his death. Tuckerman's Book of Artists, pp. 247-275. I like in of Franklin, of Marquis Capponi, &c. I have seen a good deal of Powers. Hiram Powers, 1805-73. He was born in Vermont; removed to Cincinnati; went to Italy in 1837; exhibited his Eve in 1838; and soon after executed the Greek Slave. Tuckerman's Book of Artists, pp. 276-294. He is very pleasant and agreeable. His busts are t
high; but Greenough means to make one as large as the Apollo Belvedere. He has also done a beautiful little bas-relief for Mr. Salisbury,—the angel telling St. John not to address his prayers to him but to God; and is now engaged on a bas-relief for Miss Gibbs, to be put in a church at Newport; also busts of Franklin, of Marquis Capponi, &c. I have seen a good deal of Powers. Hiram Powers, 1805-73. He was born in Vermont; removed to Cincinnati; went to Italy in 1837; exhibited his Eve in 1838; and soon after executed the Greek Slave. Tuckerman's Book of Artists, pp. 276-294. He is very pleasant and agreeable. His busts are truly remarkable, close likenesses without coarseness or vulgarity,—without Frazeeism.I asked Greenough if he thought Powers could make a young Augustus. If he had a young Augustus to sit to him, was the reply. At present he has not gone beyond bust-making. He has made two fancy heads which are quite pretty, but rather tame and insignificant; so that I am
and to look up. You can do a great deal of good in this way. I hope that Horace, when grown up, will not smart as I do under the mortification of a defective education. From Venice he wrote a long letter to Judge Story, urging the adoption of a higher standard at Harvard College, where, as he thought, there was then a want of thoroughness in the system of instruction. It hardly needs to be noted, that in American colleges, and particularly in Harvard, great changes have been made since 1839 in the direction to which Sumner then pointed. Particularly he lamented the imperfect way in which the modern languages were taught,—a defect from which he had especially suffered. He wrote:— Let a boy acquire one thing well, and he gets a standard of excellence to which he will endeavor to bring up his other knowledge; and, moreover, he will be conscious of his deficiencies by observing the difference between what he knows well and what indifferently. Let the requisites for admission be
May, 1839 AD (search for this): chapter 14
Chapter 20: Italy.—May to September, 1839.—Age, 28. Leaving Paris April 20, and going by way of Lyons, Sumner embarked at Marseilles, May 3, by steamer for Naples. On the route he visited Genoa, See his description of Genoa, July 4, 1845, in The True Grandeur of Nations: She still sits in queenly pride as she sat then,—her mural crown studded with towers; her churches rich with marble floors and rarest pictures; her palaces of ancient doges and admirals yet spared by the hand of Time; her close streets thronged by a hundred thousand inhabitants,—at the foot of the Apennines as they approach the blue and tideless waters of the Mediterranean Sea, leaning her back against their strong mountain-sides, overshadowed by the foliage of the fig-tree and the olive, while the orange and the lemon with pleasant perfume scent the air where reigns perpetual spring. Who can contemplate such a city without delight?—Works, Vol. I. p. 26. Leghorn, and Pisa, and was kept a day at the unat
May 19th, 1839 AD (search for this): chapter 14
e world by her arms, her jurisprudence, her church,—now sways it further by her arts. Pilgrims from afar, where her eagles, her praetors, her interdicts never reached, become willing subjects of this new empire; and the Vatican, stored with the priceless remains of antiquity and the touching creations of modern art, has succeeded to the Vatican whose thunders intermingled with the strifes of modern Europe. Works, Vol. I. pp. 275-276 Letters. To George S. Hillard. Naples, May 19, 1839. Embarked at Marseilles, May 3, in the steamer Pharamond; touched and passed two days at Genoa, wandered among its palaces and groves of oranges, and enjoyed its paintings. Next stopped at Leghorn long enough to make a most delightful excursion to Pisa, to ascend its leaning tower, and admire its cathedral; then to Civita Vecchia, in which dirty hole we were kept a day, and then to Naples. How can I describe to you, my dear Hillard, the richness of pleasure that I have enjoyed! Here
June 28th, 1839 AD (search for this): chapter 14
of the Supreme Pontiff; rode all night; crossed for twenty-eight miles the Pontine marshes; and at length, from the heights of Alba, near the tomb of the Curiatii, descried the dome of St. Peter's and Rome! I have now driven within sight of the Colosseum and the Arch of Constantine, and under Trajan's Column! My fondest expectations are all on tiptoe. Good-by and love to you all. Most affectionately ever, Charles Sumner. To William H. Prescott, Boston. Piazza di Spagna, Rome, June 28, 1839. my dear Sir,—Amidst saddening and perplexing intelligence from opposite quarters, I received your agreeable letter of the 18th April. Ante,Vol. I. p. 308, note. I have done nothing worthy of the thanks you have been so good as to send me. The debt is on my side; for, over and above the great satisfaction I derived from the hasty perusal of your work (during a few of the odd hours rescued from society and sight-seeing), I experienced in England a constant pleasure from the honor whi
July 13th, 1839 AD (search for this): chapter 14
S. Let me take the great liberty, in this duplication of postscript, to mention that there is a young American sculptor here, Mr. Thomas Crawford, who has great merit, and has found considerable favor among artists. Laudatur et alget.Can't something be done for him in Boston? I shall write at length to Hillard or Longfellow about him, and should feel much gratified if you would counsel with them as to the proper way of promoting his interests. C. S. To George S. Hillard. Rome, July 13, 1839. dear Hillard,—I have now before me all your kind, very kind, letters of March 19, April 29, and May 23. In the first you say, I wonder where you are just now, &c. I opened this letter and read it on the Capitoline Hill, with those steps in view over which the friars walked while Gibbon contemplated; the wonderful equestrian statue of Marcus Aurelius before me; while thickening about in every direction were the associations of Old Rome. I need not say that your page was more intere
July 26th, 1839 AD (search for this): chapter 14
y convent,—where I intend to live as I chiefly do here, on fruit, salads, and wine,—I shall go to Florence. But I shall write you from my hermitage, if Nature and the library spare me any time. To George S. Hillard. Convent of Palazzuola, July 26, 1839. dear Hillard,—In my last, dated from Rome, I mentioned that there was an American sculptor there, who needs and deserves more patronage than he has. I wish now to call your particular attention to his case, and through you to interest fort speak to Governor Everett, and Ticknor, and Prescott, in Crawford's behalf? But I will not say more, for you will understand my wishes, and I leave the whole to your discretion. To Henry W. Longfellow, Cambridge. Convent of Palazzuola, July 26, 1839. my dear Longfellow,—FraGreene and myself have already withdrawn from the cares of this life,—the world forgetting, by the world forgot. We have sought quiet in a convent, among cowled, thick-robed, sandalled Franciscans. From our ret
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