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printed in the Cambridge Philological Museum (1832). In 1819 Peter Bell, written twenty years before, was published, and, perhaps in consequence of the ridicule of the reviewers, found a more rapid sale than any of his previous volumes. The Wagoner, printed in the same year, was less successful. His next publication was the volume of Sonnets on the river Duddon, with some miscellaneous poems, 1820. A tour on the Continent in 1820 furnished the subjects for another collection, published in 1822. This was followed in the same year by the volume of Ecclesiastical Sketches. His subsequent publications were Yarrow Revisited, 1835, and the tragedy of The Borderers, 1842. During all these years his fame was increasing slowly but steadily, and his age gathered to itself the reverence and the troops of friends which his poems and the nobly simple life reflected in them deserved. Public honors followed private appreciation. In 1838 the University of Dublin conferred upon him the degre
as undoubtedly of service to Wordsworth in making him familial with the laws of a sister art and thus contributing to enlarge the sympathies of his criticism, the tendency of which was toward too great exclusiveness. Sir George Beaumont, dying in 1827, did not forego his regard for the poet, but contrived to hold his affection in mortmain by the legacy of an annuity of £ 100, to defray the charges of a yearly journey. In March, 1805, the poet's brother, John, lost his life by the shipwreck oland, visiting Yarrow in company with the Ettrick Shepherd. During this year the Excursion was published, in an edition of five hundred copies, which supplied the demand for six years. Another edition of the same number of copies was published in 1827, and not exhausted till 1834. In 1815 The White Doe of Rylstone appeared, and in 1816 A Letter to a Friend of Burns, in which Wordsworth gives his opinion upon the limits to be observed by the biographers of literary men. It contains many valuabl
er to a Friend of Burns, in which Wordsworth gives his opinion upon the limits to be observed by the biographers of literary men. It contains many valuable suggestions, but allows hardly scope enough for personal details, to which he was constitutionally indifferent. I am not one who much or oft delight In personal talk. Nearly the same date may be ascribed to a rhymed translation of the first three books of the Aeneid, a specimen of which was printed in the Cambridge Philological Museum (1832). In 1819 Peter Bell, written twenty years before, was published, and, perhaps in consequence of the ridicule of the reviewers, found a more rapid sale than any of his previous volumes. The Wagoner, printed in the same year, was less successful. His next publication was the volume of Sonnets on the river Duddon, with some miscellaneous poems, 1820. A tour on the Continent in 1820 furnished the subjects for another collection, published in 1822. This was followed in the same year by the vo
n July, 1798. It is more likely to have been derived from his talks with Coleridge in 1797. A very improbable story of Coleridge's in the Biographia Literania represents the two friends as having incurred a suspicion of treasonable dealings with the French enemy by their constant references to a certain Spy Nosey. The story at least seems to show how they pronounced the name, which was exactly in accordance with the usage of the last generation in New England. When Emerson visited him in 1833, he spoke with loathing of Wilhelm Meister, a part of which he had read in Carlyle's translation apparently. There was some affectation in this, it should seem, for he had read Smollett. On the whole, it may be fairly concluded that the help of Germany in the development of his genius may be reckoned as very small, though there is certainly a marked resemblance both in form and sentiment between some of his earlier lyrics and those of Goethe. His poem of the Thorn, though vastly more imag
the death of the Stamp-Distributor for Cumberland, a part of that district was annexed to Westmoreland, and Wordsworth's income was raised to something more than £ 1,000 a year. In 1814 he made his second tour in Scotland, visiting Yarrow in company with the Ettrick Shepherd. During this year the Excursion was published, in an edition of five hundred copies, which supplied the demand for six years. Another edition of the same number of copies was published in 1827, and not exhausted till 1834. In 1815 The White Doe of Rylstone appeared, and in 1816 A Letter to a Friend of Burns, in which Wordsworth gives his opinion upon the limits to be observed by the biographers of literary men. It contains many valuable suggestions, but allows hardly scope enough for personal details, to which he was constitutionally indifferent. I am not one who much or oft delight In personal talk. Nearly the same date may be ascribed to a rhymed translation of the first three books of the Aeneid, a spe
nsequence of the ridicule of the reviewers, found a more rapid sale than any of his previous volumes. The Wagoner, printed in the same year, was less successful. His next publication was the volume of Sonnets on the river Duddon, with some miscellaneous poems, 1820. A tour on the Continent in 1820 furnished the subjects for another collection, published in 1822. This was followed in the same year by the volume of Ecclesiastical Sketches. His subsequent publications were Yarrow Revisited, 1835, and the tragedy of The Borderers, 1842. During all these years his fame was increasing slowly but steadily, and his age gathered to itself the reverence and the troops of friends which his poems and the nobly simple life reflected in them deserved. Public honors followed private appreciation. In 1838 the University of Dublin conferred upon him the degree of D. C. L. In 1839 Oxford did the same, and the reception of the poet (now in his seventieth year) at the University was enthusiastic
in stream. Letters, Conversations, and Recollections of S. T. C., Vol. I. pp. 5-6. Wordsworth found fault with the repetition of the concluding sound of the participles in Shakespeare's line about bees: The singing masons building roofs of gold. This, he said, was a line that Milton never would have written. Keats thought, on the other hand, that the repetition was in harmony with the continued note of the singers. Leigh Hunt's Autobiography. Wordsworth writes to Crabb Robinson in 1837, My ear is susceptible to the clashing of sounds almost to disease. One cannot help thinking that his training in these niceties was begun by Coleridge. He did not grow as those poets do in whom the artistic sense is predominant. One of the most delightful fancies of the Genevese humorist, Toepffer. is the poet Albert, who, having had his portrait drawn by a highly idealizing hand, does his best afterwards to look like it. Many of Wordsworth's later poems seem like rather unsuccessful eff
hed the subjects for another collection, published in 1822. This was followed in the same year by the volume of Ecclesiastical Sketches. His subsequent publications were Yarrow Revisited, 1835, and the tragedy of The Borderers, 1842. During all these years his fame was increasing slowly but steadily, and his age gathered to itself the reverence and the troops of friends which his poems and the nobly simple life reflected in them deserved. Public honors followed private appreciation. In 1838 the University of Dublin conferred upon him the degree of D. C. L. In 1839 Oxford did the same, and the reception of the poet (now in his seventieth year) at the University was enthusiastic. In 1842 he resigned his office of StampDis-tributor, and Sir Robert Peel had the honor of putting him upon the civil list for a pension of £ 300. In 1843 he was appointed Laureate, with the express understanding that it was a tribute of respect, involving no duties except such as might be self-imposed.
ed to itself the reverence and the troops of friends which his poems and the nobly simple life reflected in them deserved. Public honors followed private appreciation. In 1838 the University of Dublin conferred upon him the degree of D. C. L. In 1839 Oxford did the same, and the reception of the poet (now in his seventieth year) at the University was enthusiastic. In 1842 he resigned his office of StampDis-tributor, and Sir Robert Peel had the honor of putting him upon the civil list for a petain tendency to the diffuse and commonplace. It is in the understanding (always prosaic) that the great golden veins of his imagination are imbedded. This was instinctively felt, even by his admirers. Miss Martineau said to Crabb Robinson in 1839, speaking of Wordsworth's conversation: Sometimes he is annoying from the pertinacity with which he dwells on trifles; at other times he flows on in the utmost grandeur, leaving a strong impression of inspiration. Robinson tells us that he read R
ch predestination makes all the personages puppets and disenables them for being characters. Wordsworth seems to have felt this when he published The Borderers in 1842, and says in a note that it was at first written . . . . without any view to its exhibition upon the stage. But he was mistaken. The contemporaneous letters of Cwas followed in the same year by the volume of Ecclesiastical Sketches. His subsequent publications were Yarrow Revisited, 1835, and the tragedy of The Borderers, 1842. During all these years his fame was increasing slowly but steadily, and his age gathered to itself the reverence and the troops of friends which his poems and red upon him the degree of D. C. L. In 1839 Oxford did the same, and the reception of the poet (now in his seventieth year) at the University was enthusiastic. In 1842 he resigned his office of StampDis-tributor, and Sir Robert Peel had the honor of putting him upon the civil list for a pension of £ 300. In 1843 he was appointed
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