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Margaret Fuller, Memoirs of Margaret Fuller Ossoli (ed. W. H. Channing) 10 0 Browse Search
Jula Ward Howe, Reminiscences: 1819-1899 8 0 Browse Search
Frank Preston Stearns, Cambridge Sketches 6 0 Browse Search
Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 6 0 Browse Search
James Parton, Horace Greeley, T. W. Higginson, J. S. C. Abbott, E. M. Hoppin, William Winter, Theodore Tilton, Fanny Fern, Grace Greenwood, Mrs. E. C. Stanton, Women of the age; being natives of the lives and deeds of the most prominent women of the present gentlemen 4 0 Browse Search
Thomas Wentworth Higginson, Women and Men 4 0 Browse Search
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall) 4 0 Browse Search
The Daily Dispatch: December 20, 1865., [Electronic resource] 2 0 Browse Search
John Harrison Wilson, The life of Charles Henry Dana 2 0 Browse Search
George Ticknor, Life, letters and journals of George Ticknor (ed. George Hillard) 2 0 Browse Search
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Tom, Popularly known as blind Tom, musician; born blind, and of negro slave parents, near Columbus, Ga., May 25, 1849. During infancy he gave no sign of intelligence excepting when he heard a sound; was afterwards precocious in learning words, but while he could repeat whole conversations that he had heard, words had no meaning to him, and he made known his wants by inarticulate sounds. His performances on the piano were wonderful and he could reproduce from memory over 5,000 compositions, including the most difficult selections from Beethoven, Chopin, Thalberg, Bach, and Gottschalk.
Frank Preston Stearns, Cambridge Sketches, Lowell (search)
ly good-humored. About the same time he commenced his Biglow Papers, which did not wholly cease until 1866, and were the most incisive and aggressive anti-slavery literature of that period. Soon afterwards he wrote The vision of Sir Launfal, which has become the most widely known of all his poems, and which contains passages of the purest a priori verse. Goethe, who exercised so powerful an influence on Emerson, does not appear to have interested Lowell at all. The most plaintive of Beethoven scherzos,that in the Moonlight Sonata,--says as if it were spoken in words: Once we were happy, now I am forlorn; Fortune has darkened, and happiness gone. Lowell's poetic marriage did not last quite ten years. Maria White was always frail and delicate, and she became more so continually. Longfellow's clear foresight noticed the danger she was in years before her death, which took place in the autumn of 1853. She left one child, Mabel Lowell, slender and pale like herself, and wi
Frank Preston Stearns, Cambridge Sketches, Leaves from a Roman diary: February, 1869 (Rewritten in 1897) (search)
--so sympathetic, appreciative, full of strong good sense, and fresh original views. She has small mercy on newly-converted Catholics. The faults of men, she said, are chiefly those of strength, but the faults of my own sex arise from weakness. I happened to refer to Mr. Appleton's bust of Aurelius, and she said she was surprised he had purchased it, for it did not seem to her a satisfactory copy; a conclusion that I had been slowly coming to myself. She has a bronze replica of Story's Beethoven which, like most of his statues, is seated in a chair, and a rather realistic work, as Miss Cushman admitted. I judged from the conversation at table that she is not treated with full respect by the English and American society here, although looked upon as a distinguished person. The reason for this may be more owing to the social position of her relatives than her former profession. Mrs. Trelawney, the wife of Byron's eccentric friend, spoke of her to me a few days ago in terms of th
Frank Preston Stearns, Cambridge Sketches, Centennial Contributions (search)
opinion at the time, or the opinion of others, without sufficient consideration. American society in Rome is always split up into various cliques,--which is not surprising in view of the adventitious manner in which it comes together there,--and in Hawthorne's time the two leading parties were the Story and the Crawford factions. The latter was a man of true genius, and not only the best of American sculptors, but perhaps the greatest sculptor of the nineteenth century. His statue of Beethoven is in the grand manner, and instinct with harmony, not only in attitude and expression, but even to the arrangement of the drapery. Crawford's genius was only too well appreciated, and he was constantly carrying off the prizes of his art from all competitors. Consequently it was inevitable that other sculptors should be jealous of him, and should unite together for mutual protection. Story was a man of talent, and not a little of an amateur, but he was the gentlemanly entertainer of tho
John Harrison Wilson, The life of Charles Henry Dana, Appendix: Brook Farm — an address delivered at the University of Michigan on Thursday, January 21, 1895: (search)
three intellectual affections which distribute the harmonies of the others. These are: First, the love of change-nobody wants to pursue any occupation longer than an hour and a half or two hours. The mind becomes tired and you need alternation. The next is analysis. That impulse takes a subject to pieces and finds out its parts. Then the third is the composite or combining passion, the desire that takes the parts of anything which you have analyzed, and combines them in a new whole, as Beethoven or Handel combined and varied the notes of the octave in a symphony or oratorio, in which the whole is new, while the elements are all old and familiar. Then, finally, in this system of metaphysics, the soul of man as a whole has an impulse towards unity, a passion for universal harmony, a religious passion. If, now, you arrange society in accordance with this analysis of the soul, if you combine all these elements, as a great composer combines the notes of the musical scale, you will ha
Thomas Wentworth Higginson, Margaret Fuller Ossoli, Chapter 14: European travel. (1846-1847.) (search)
eling of the man of letters toward the man of money. Park laid out by Mr. Gates for use of the public, a very good means of doing good. Marriage of Mr. J. at Dr. H.'s. Peculiar management of Fleas! Mrs. H. the translator of Spiridion. Fine heads of Godwin, Herwegh, Hoffmann von Fallersleben, Rachel. Splendid full length of Goethe, which I want for myself. Mem. to get a fine head of Rachel for Caroline. Herwegh, too, perhaps. Head of Catharina of Russia. Colossal and Ideal head of Beethoven. Early letters of Carlyle, written in the style of the Life of Schiller, occasionally swelling into that of Dr. Johnson. Very low views of life, comfortable and prudential advice as to marriage, envy of riches, thirst for fame avowed as a leading motive. Tuesday. Pay up bill. Great expensiveness of the Adelphi. Route from Liverpool to Lancaster. From the latter canal boat to Kendal. Beautiful picture presented by the young Bengalese, our fellow-traveler. Cordial talk of Englis
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall), To Mrs. S. B. Shaw (search)
egan in a simple craving to look at something beautiful. A photograph of Raphael's Sibyls, given to me by Mrs. S., remarkably has this effect upon me. I don't know what it is that draws me so toward those ancient Grecians! I suppose this same attraction toward Grecian forms of art is what made me in love with Mendelssohn's music; because I felt (without understanding) its harmonious proportions, its Doric simplicity, its finished beauty. I recognize the superior originality and power of Beethoven; but he does not minister to my soul as he does to yours. He overpowers me,fills me with awe. His music makes me feel as if I were among huge black mountains, looking at a narrow strip of brilliant stars, seen through narrow clefts in the frowning rocks, in the far-off heaven. I --love best to hear the Pastoral Symphony, which is the least Beethovenish of all. The fact is, my nature has less affinity for grandeur and sublimity, than it has for grace and beauty. I never looked twice at e
Lydia Maria Child, Letters of Lydia Maria Child (ed. John Greenleaf Whittier, Wendell Phillips, Harriet Winslow Sewall), Index. (search)
f, to Mrs. Child, 120; Mrs. Child's reply to, 123. Mason and Slidell, capture of, 162. Massachusetts Anti-Slavery Society, annual meeting of mobbed, 148-150. Massachusetts Journal, the, VIII. May, Rev., Samuel, 72. May, Rev. Samuel J., commends Mrs Chill's Progress of Religious Ideas, 77; meets Mrs. Child, 156; letters to, 192, 194; his Recollections of our Anti-slavery conflict, 194; death of, 212; reminiscence of, 249. Med, the slave-child, case of, 20. Mendelssohn and Beethoven, their music contrasted, 76. Mexico, the plot against denounced by Mr. Child, VIII. Michael Angelo and Raphael, 76. Mill's (John Stuart) Autobiography, 222. Milmore's (Martin) bust of Charles Sumner. 187. Minute Man at Concord, the, 257. Missouri Compromise, efforts to repeal the, 70. Mobbing of the anti-slavery meetings, 148-150. Modocs, persecution of the, 220; their assault on the Peace Commissioners, 221. Montgomery, Col., James, 161,162. Morse, Professor, on
Thomas Wentworth Higginson, Women and Men, chapter 49 (search)
a great musical nation, the opportunities of women in this respect would have been far greater than they are to-day. It is a comfort to know that, even in Germany, if women have not composed great music in their own names, they have at least, so to speak, composed the composers-through their influence on them-and thus fulfilled what Cotton Mather thought the high function of the president of a university-to train those who were to train others--non lapides dolare, sed architectos. Thus Beethoven, who never married, but was twice rejected, dedicated thirtynine compositions to thirty-six different women, and Schumann almost as many; while most of the great composers were also ardent lovers, and sometimes only too versatile in their love affairs. It is interesting to learn also from Mr. Upton that while women have been inferior to men as instrumental performers, they have quite surpassed them as singers — the list of women renowned as vocalists being both longer and weightier than
Thomas Wentworth Higginson, Women and Men, Index. (search)
f the, 46. Astell, Mary, quoted, 89. Athena, 45. Audrey, 102. Auerbach, Berthold, quoted, 14. aunts, maiden, 38. Austen, Jane, quoted, 113. Also 156, 157, 160, 194. Authorship, difficulties of, 151, 202. B. Babies, exacting demands of, 41. Badeau, General, Adam, quoted, 103, 128. Bancroft, H. H., 225. Barnum, P. T., 108. Barton, Clara, 20. Baeudelaire, Charles, 302. Baxter, Richard, 34. Beach, S. N., quoted, 143. Beaconsfield, Lord, quoted, 271. Beethoven, L. yon, 252. Bell, A. G., 99, 209. Bell, Currer. See Brontie, Charlotte. Bickerdyke, Mother, 20. Birds at midsummer, 304. Birthday, secret of the, 176. Bismarck, Prince, 309. Black sergeant, prayer of, 79. Black, William, quoted, 168. Blake, William, 180. Blanc, Louis, 129. Blood, Lydia, 102. Bonaparte, Napoleon, 247. Bonheur, Rosa, 250, 252, 261, 263. Bossuet, J. B., 87. Bourbons, decline of, 107. breaking and bending, 121. Bremer, Fredrika, quoted, 14.
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