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Κορινθιακά
Λακωνικά
Μεσσηνιακά
Ἠλιακῶν Α
Ἠλιακῶν Β
Ἀχαικά
Ἀρκαδικά
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[4]
τῆς δὲ τοῦ Δημοσθένους εἰκόνος πλησίον Ἄρεώς ἐστιν ἱερόν, ἔνθα ἀγάλματα δύο μὲν Ἀφροδίτης κεῖται, τὸ δὲ τοῦ Ἄρεως ἐποίησεν Ἀλκαμένης, τὴν δὲ Ἀθηνᾶν ἀνὴρ Πάριος, ὄνομα δὲ αὐτῷ Λόκρος. ἐνταῦθα καὶ Ἐνυοῦς ἄγαλμά ἐστιν, ἐποίησαν δὲ οἱ παῖδες οἱ Πραξιτέλους: περὶ δὲ τὸν ναὸν ἑστᾶσιν Ἡρακλῆς καὶ Θησεὺς καὶ Ἀπόλλων ἀναδούμενος ταινίᾳ τὴν κόμην, ἀνδριάντες δὲ Καλάδης Ἀθηναίοις ὡς λέγεται νόμους γράψας καὶ Πίνδαρος ἄλλα τε εὑρόμενος παρὰ Ἀθηναίων καὶ τὴν εἰκόνα, ὅτι σφᾶς ἐπῄνεσεν ᾆσμα ποιήσας.
Pausanias. Pausaniae Graeciae Descriptio, 3 vols. Leipzig, Teubner. 1903.
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References (6 total)
- Commentary references to this page
(1):
- Thomas W. Allen, E. E. Sikes, Commentary on the Homeric Hymns, HYMN TO ATHENA
- Cross-references to this page
(4):
- Andrew Stewart, One Hundred Greek Sculptors, Their Careers and Extant Works, The Fourth-century Virtuosi
- Dictionary of Greek and Roman Geography (1854), ATHE´NAE
- Smith's Bio, Areia
- Smith's Bio, Pi'ndarus
- Cross-references in notes to this page
(1):
- Thomas R. Martin, An Overview of Classical Greek History from Mycenae to Alexander, Athenian Religious and Cultural Life in the Golden Age
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