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The Greek Linus corresponds to Adonis, the Syrian Tammuz (cf. Ezek. viii. 14 ‘the women weeping for Tammuz’), the Lydian Atys, the Mysian Hylas; cf. H.'s remark ‘his name varies from tribe to tribe’. All these were conceived of as beautiful young men, beloved of the goddess, and perishing untimely. The story is said to be a sun-myth (Sayce, s.v. ‘Tammuz’ in Hastings's Dictionary). Frazer, however (G. B. ii. 115 seq.), with more probability, says it represents ‘the death and resurrection of vegetation’. For the connexion of the reaper's song with the myth cf. ib. pp. 253-8. If Frazer is right in explaining the story of Osiris (ii. 137 seq.) in the same way, it is only natural that Linus-Maneros should have been introduced into the Osiris myth (cf. Plut. I. et O. c. 17). For Adonis worship, which was especially a female cult, cf. Theocr. Id. 15 and Milton, P. L. i. 446 seq., of Tammuz “Whose annual wound in Lebanon allured
The Syrian damsels to lament his fate
In amorous ditties all a summer's day.

Linus, who was worshipped in Argos, was said to be the son of Urania, killed by Apollo from jealousy of his voice (Paus. ix. 29. 6-7); but there are other versions of the story. The name is as old as Homer (Il. xviii. 570), who makes it a reaper's song. In Hesiod (fr. 132) it has a wider extension; he says of ἀοιδοίπάντες μὲν θρηνοῦσιν ἐν εἰλαπίναις τε χοροῖς τε,
ἀρχόμενοι δὲ Λίνον καὶ λήγοντες καλέουσι.

It is said to be the Eastern cry, ‘woe unto us,’ raised at the festival; the Greeks first borrowed this as αἴλινον (cf. Soph. Aj. 627), and then, by a mistaken etymology, interpreted it as ‘alas for Linus’.

ὡυτός. Asthe context shows, H. means the ‘same person’, not name.

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