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effĭgĭes , ēi (ante-class. form
I.nom.: “effĭgĭa,Plaut. Rud. 2, 4, 7; Afran. ap. Non. 493, 2; Inscr. Orell. 7416 λ.—Nom. plur.: “effigiae,Lucr. 4, 105.—Acc. plur.: “effigias,id. 4, 42 and 85), f. effingo, I., an (artistic) copy, imitation of an object (in concreto— for syn. cf.: imago, pictura, simulacrum, signum, statua, tabula).
I. (Class.) With the accessory idea of resemblance obtained by imitation, a likeness, portrait, image, effigy.
2. Adv.: in or ad effigiem or effigie, after the likeness of, in the form of, like, Sil. 5, 5; Plin. 5, 10, 11, § 62; 21, 5, 11, § 23.—
II. Poet. and in post-Aug. prose, in gen., the plastic (less freq. the pictorial) representation of an object, an image, statue, portrait: saxea ut effigies bacchantis, * Cat. 64, 61; Verg. A. 2, 167; 184; 3, 148; 7, 177; Hor. S. 1, 8, 30; Ov. H. 20, 239; Tac. A. 1, 74; 6, 2; id. H. 5, 9 al.; Quint. 6, 1, 32; cf. id. 12, 10, 5; Ov. Tr. 1, 7, 7; Vulg. Sap. 15, 4.
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