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[188]

Groton, November, 1835.
These books have made me for the first time think I might write into such shapes what I know of human nature. I have always thought that I would not, that I would keep all that behind the curtain, that I would not write, like a woman, of love and hope and disappointment, but like a man, of the world of intellect and action. But now I am tempted, and if I can but do well my present work and show that I can write like a man, and if but the wild gnomes will keep from me with their shackles of care for bread in all its shapes of factitious life, I think I will try whether I have the hand to paint, as well as the eye to see. But I cannot but feel that I have seen, from the mouth of my damp cave, stars as fair, almost as many, as this person from the “ Fleche of the Cathedral,” where she has ascended at such peril. But I dare boast no more; only, please fate, be just and send me an angel out of this golden cloud that comes after the pelting showers I have borne so long.1


The project of fiction went no farther, unless her fragment of an “Autobiographical romance,” written in 1840, was the result of it; and her first two published books were, naturally enough, translations from the German. She had expected, as early as November 30, 1834, as appears by a letter to the Rev. F. H. Hedge, to print her translation of Goethe's Tasso.2 This had failed to find a publisher; but several years later George

1 Fuller Mss. III. 303-305. The allusion is to George Sand's Sept Cordes de la Lyre.

2 Published after her death, in her Art, Literature, and the Drama.

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